The Hungarian-born Milan Szavics with Serbian origin at his father's side has been active in the profession since 1998; he belongs to the DJs that had to go through the ladder of success from the bottom. Things, in fact worked like that in those days. You did not just become a DJ from one day to another; there were no synchronizing buttons, laptops, DJ software, midi controllers in the counter.

He had the opportunity to learn from Bigi Boy, an outstanding disk jokey of the DJ community of Szeged at the time, thanks to the contribution of his childhood friend, "Light Tomi". They had been to several clubs around the country, which was an excellent opportunity for practising in order to acquire the skills of this profession. They had been spinning the music of current hits from vinyl exclusively, the CD player got a role in the DJ counter only later on. He mainly played current hits, respectively nostalgic music at the beginning of his career. He learned he basics and mixing techniques on these musics. His musical spectrum is very wide; he can find the most suitable ones for himself in each type of music. This kind of universal aspect of him is displayed in his DJ mixes and musics as well. 

The electronic world of music, of course spilled over his everyday life quickly. Together with his friend, Light Tomi they staged their first independent club evening in the town of sunshine, Szeged in 2002 entitled as DarkBeats, where they liked playing the latest and best progressive house tunes by their choice. In addition to the DJ counter, the science of making music got a serious role as well. Most of his free time is filled up with this activity by now. He's been developing himself in both areas in a parallel way.

He made excellent remixes during the past years, some proportion of which became public and some of them remained in the drawer. He had some serious successes as an "electronic music maker", re-mixer. The director of the Szeged Contemporary Dance Company, Tamás Juronics, who is a Kossuth Prize-winning choreographer contacted him in 2009 for the sake of a joint working. The work was to make and edit the music material of the play entitled as the Sleeping Beauty, the co-production of the Szeged Contemporary Dance Company and the National Dance Theatre. Their joint work did not stop here with the Kossuth-Prize winning director. He got the assignment of making the musical montage of the play entitled as Philosophy of bodies in 2010. Then they prepared the highly successful play entitled as Rite in 2013.

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