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this 'n that

list:sep:17

Diminished Furs

#PaganSongOfTheDay Playlist Sept 2017

zzzzzz2

/personal showcase
/private playlist
/memo
/not more !

\code.glitch.cuts&clicks.microsound.generative.databending.idm.electronic.diesdas\tracks I ?

Extract of the upcoming E.P  "The Iɱportancɘ of Nostɐɭgia & Dᴧtᴧïst secrɘt ɱachines"

Snowɱᴼtion

Remix by @Audion

// Daniel Avery - New Energy [Collected Remixes]. A double album.
// Includes new reworks from Rødhåd, Silent Servant, Volte-Face, Powell, Conforce and Ø [Phase]
// @phantasysound

Out now: go.phantasysound.co.uk/PHLP05

Buy album

Daniel Avery - Need Electric (Audion Remix)

Train Suey - System of a Down VS Thomas the Tank Engine [original]

the significant novelty of kyoka‘s first full length album »is (Is Superpowered)« is that she uses her own voice much more often than usual, in the form of short snippets as well as longer sung melodies. these elements are set and arranged as if they were an autonomous instrument, and sometimes they give the impression of being a babelesque language mix-up, or even a kind of cryptic message for the listener like found in the song »meander«.

the production process of the record was heavily supported by her label mates frank bretscheider and robert lippok, which is, in this way of forming a production team, a unique constellation in the history of raster-noton. whereas lippok focused on preserving the roughness and complexity of kyoka‘s compositions, bretschneider concentrated on refining them regarding their fluidity and focus. both tried to keep the vitality and hyperactivity of the initial tracks without losing their distinctive eccentricity.

although kyoka‘s sound is often kind of chaotic, it is by no means stressful but rather energizing and easy to enjoy. the only exception to this can be found in »piezo version vision«, the noticeably roughest track of the record. her particularly progressive style is best reflected by the song »re-pulsion«, a rolling groove combined with unusual clicks and snares and topped with crazy sounding voice fragments.

the album thus further deepens what was already initiated with her first ep »iSH«, released as part five of raster-noton‘s unun series. it presents a stylistically broader spectrum of kyoka‘s music but at the same time exhibits the fresh and positive, sometimes even childlike attitude she is already known for. this eventually renders »is (Is Superpowered)« a perfect extension of our label catalogue.

kyoka. lined up. taken from kyoka. is (is superpowered)

salvatore

Dedicated to Boris Edelstein.
http://www.garagecube.com/

Edelstein

8. Bleak

System of a Down | Chop Suey (Kaizer Bootleg)

Dream Guide

Bootleg de B.Y.O.B feita em parceria com o produtor www.soundcloud.com/dadaltlive

Download

System Of A Down - B.Y.O.B. (TRIPP, Dadalt Remix)[FREE DOWNLOAD]

Hop High/Here in the Vineyard

Here in the Vineyard

Tombs "Cold" from the album "The Grand Annihilation"

The Grand Annihilation

Tombs "Cold"

B: "This song reminds me of a sierra"
J: "Yeah man, I see that. Like the sierra nevada"
B: "No, my family's old white mid-size 80s four-door saloon"

The Flying Mojito Bros turn their hands to some smooth West Coast jazz-rock by way of legendary guitarist and LA session stalwart Mr Three Three Five.

FMB apply their trademark disco rhythms and sparkling cosmic synths to bring another dollar-bin diamond to the dancefloor.

So here's to the Ford Sierra and this edit ----- both classic bangers!

*PLEASE REPOST IF YADIG, YADIG?*

I Apologyze (Flying Mojito Bros Refrito)

The lead single from the expanded reissue and first-time vinyl release of Japanese musician Hisato Higuchi's startling debut. When "She" was self-released in 2003, Higuchi had been writing and performing his style of “Tokyo laborer's blues” for a decade. The delicate song textures of "She" capture the utter feeling of loneliness and a sleep-deprived mind staring off into a blurry urban sky.

She LP/CD/DL to be released Sept. 22, 2017 worldwide.

Hisato Higuchi - Girl Sister

Little work in progress for you.  Now out on Alpaca Edits........check "Freq Show" ep :)

Quincy Jones - Stuff Like That (Pete Le Freq Stuff Like What Rework)

Taken from the album 'Takt der Arbeit' released as LP and Download.

Takt der Arbeit

Felix Kubin 'Geburt Eines Schiffes (excerpt)' (EMEGO 243)

Beyond.Desire

Temple (Single Version)

Dead Leaf Echo - Temple (Single Version)

Eighty years ago, the "alt-right" proudly called themselves by a different name: fascists. The first war they launched was in July 1936, when right-wing Spanish military generals attempted to overthrow the democratically elected, left-leaning government of the Spanish Republic. The coup initially failed, but the generals, aided by Adolph Hitler and Benito Mussolini, transformed their effort into the bloody three-year long Spanish Civil War, a dress rehearsal for World War II. Though the Republic ultimately lost the war, its defenders organized a response that will endure forever as a testament to solidarity: the creation of the International Brigades, tens of thousands of volunteers, from more than fifty countries, who journeyed to Spain to fight fascism. These included 2,800 Americans who came to be called the Abraham Lincoln Brigade. 
On October 6th, sui generis Brooklyn-based band Barbez, in collaboration with singer Velina Brown, release a remarkable tribute to those volunteers called For Those Who Came After: Songs of Resistance from the Spanish Civil War. These inventive and moving new renderings of the indelible protest songs of the International Brigades will be released on the pioneering Boston-based label Important Records. The album was recorded live at the Japan Society, in 2016, at the annual reunion of veterans of the Abraham Lincoln Brigade, an event that has been held in New York since the 1940s. The highlight of the reunion has always been the singing of these songs, which were led on several occasions by Pete Seeger, a lifelong friend of the Lincoln veterans, who recorded many of them for his iconic 1944 album, Songs of the Lincoln Battalion.
Barbez draws on avant-rock, contemporary classical and folk music styles such as cumbia and flamenco to reinvent iconic songs like “L’Internationale” (The International) and “Viva la Quince Brigada” (Long Live the Fifteenth Brigade) for a new generation of listeners. The album features the group’s stellar musicians: clarinetist Peter Hess (Philip Glass Ensemble), theremin virtuoso Pamelia Stickney (David Byrne), marimba and vibraphone player Danny Tunick (the Clean), guitarist Dan Kaufman (Rebecca Moore), violinist Catherine McRae (the Quavers), bassist Peter Lettre (Shearwater), and drummer John Bollinger (Sway Machinery); with vocalist Velina Brown (San Francisco Mime Troupe) and special guests Dafna Naphtali on background vocals and Sebastiaan Faber on trumpet. It’s the first Barbez record since 2013’s acclaimed Bella Ciao (Tzadik), which was inspired by ancient Roman Jewish melodies and the Italian Resistance during World War II. Like each of the group’s previous five albums, For Those Who Came After was mixed by the incomparable Martin Bisi (Swans, Sonic Youth, John Zorn) at his legendary B.C. Studio in Gowanus, Brooklyn. Live engineering was performed by Damon Whittemore (Paul McCartney, Andrew Bird). Released on vinyl and CD, the album also features extensive liner notes by award-winning author Adam Hochschild, who recently published a groundbreaking history of the Spanish Civil War.

For Those Who Came After: Songs Of Resistance from the Spanish Civil War

Barbez - Venga Jaleo - For Those Who Came After - CD/LP - Oct. 20, 2017

Recorded in 1978

Taken from the album 'Tremblements...' released as LP and Download

François Bayle 'Tremblement De Terre Très Doux' (excerpt) (REGRM 019)

Recorded in 1991

Taken from the album 'Grand Bruit / Stop! l'horizon' released as LP and Download

Christian Zanési 'Grand Bruit' (excerpt) (REGRM 020)

Taken from 'I Can Be a Clay Snapper'
Order: https://goo.gl/3hCLGz
tak:til / glitterbeat

Hailing from Slovenia, Širom play vividly textured and (mostly) imagined, instrumental folk musics. Handmade and global instrumentation meets fearless sound exploration. 

Slovenia’s miniature, but incredibly diverse landscapes, echo through its distinctive cultural, historic and linguistic traits. When thinking about Širom’s geographical trajectories, as well as their musical ebb and flow, one has to consider the abundance of water that can be found in the individual regions where they come from. Cascading mountain stream lilt, lazy lowland river meandering and the mysteriously vanishing waters of Karst are most certainly inscribed into Samo Kutin’s, Iztok Koren’s and Ana Kravanja’s childhood memories and subsequently, their remarkable musical art. 

The band’s emergent sound oscillates between a wide array of acoustic folk sounds and contemporary post rock meditations, often drifting from improvisation to structured composition and then back. It is described by the members themselves as imaginary folk or folk from a parallel universe. “Our music creates emotional landscapes. When I was still painting every day (Ana holds a degree in painting) I was trying to paint my dreams but that didn’t work out,” Ana remembers. “I discovered that by using an abstract image I can draw nearer to what I felt in my dreams. Our music is based on a similar principle.”

According to Samo, the guiding concepts of their music-making are: “To play on acoustic instruments, to work with repetition and a common sound. Each of us can play a simple thing, but the overall result is that a complex thing comes to life. The quality of sound depends on the combination of the instruments and that’s why we modify and prepare instruments or create our own.”

As an avid sound-seeker, Samo began to develop an interest in building instruments out of everyday objects like drawers, computer boxes and other “junk” (as he lovingly calls his creations) as well as re-tooling the ones he brought back from his globetrotting adventures that have included personal encounters with local musicians in India, Morocco, Mali, Greece and elsewhere. 

Ana, who also nurtures a very personal relationship with music paraphernalia, adds: “There is a different attitude at play if you make an instrument yourself. It already tells you a story. If you buy it, it takes longer to get to know it, to tame it.”

In the little village of Lesno Brdo, tucked in the rolling hills ten kilometers south of Ljubljana, Ana and Samo organize music performances and festivals on a farm they rent, and divide their time between music making and vegetable farming. A close connection with nature is also important to Iztok who now resides in the capital city. “It’s a sort of a contact with the past but it also has its own life in the present.” 

Fearlessly textured sonic landscapes – both linked to and unbound by – the past and present, geography and tradition, the real and imagined. Hypnotic, otherworldly and epic. 

Širom’s music moves like the restless waters of their homeland. No matter how hushed or slow it may seem, it is never ever standing still. 
  
Širom are: Iztok Koren – banjo, three string banjo, bass drum, percussion, chimes, balafon, various objects // Ana Kravanja – violin, viola, ribab, cünbüs, balafon, ngoma drum, mizmar, various objects, voice // Samo Kutin – lyre, balafon, one string bass, frame drums, brač, gongoma, mizmar, various objects, voice

I Can Be a Clay Snapper

Boats, Biding, Beware!

Širom - Boats, Biding, Beware! (Čolni, Čakam, Čúvaj!)

@buttechno

From a six track EP, out soon!

TTT063

Super Siziy King

TTT SHOP

Buttechno – Super Siziy King

http://tmxt.es/3f4t

[00:00] Luciano Cilio - “Terzo quadro da ‘Dialoghi del presente’”
[01:20] Robert Ashley - “The Fox” (excerpt)
[03:22] Phonophani - “Life’s White Machine”
[07:52] Michèle Bokanowski - “Tabou” (excerpt)
[10:07] Ahnnu - “Found”
[11:33] Harold Budd - “Bismillahi ‘Rrahmani ‘Rahim” (excerpt)
[13:31] Mark Templeton - “Pond” (excerpt)
[14:47] Masayoshi Fujita & Jan Jelinek - “Botuto”
[19:47] Semuin - “greetings prelude”
[22:50] Mark Templeton - “Cab Lights”
[25:52] Visible Cloaks - “Bloodstream”
[29:11] Leo Kottke - “Owls [Instrumental]” (excerpt)
[30:55] Mark Templeton - “Horizontal Plane”
[34:27] Andrew Pekler - “Seascape / Ship”
[36:40] Jon Hassell - “Air”
[40:41] Inventing Masks - “3’11””
[43:42] Ezekiel Honig - “August Rooftop”
[44:28] Nicola Ratti - “w6”
[48:11] Félicia Atkinson - “Curious In Epidavros”
[51:05] Nikolaienko - “Wir Bauen Eine Neue Welt”
[53:58] Mark Templeton - “Burning Brush”

Guest Mix: Mark Templeton - Present Affection

SUIZIDAL KANAL++SUICIDE CHANNEL++DjiNN Receiver ABU AMA ++oct6)17

BedouinDrone Set HX 9   SUIZIDAL KANAL  SUICIDE CHANNEL 6 - 10 - 2017 (1)

pavel milyakov intense mix

UUUU 'Electric Blanket (excerpt)' (EMEGO 239X)

Taken from the album 'Throne' released as LP, CD and download

Throne

Heather Leigh 'Prelude to Goddess' (EMEGO 257)

Taken from the album 'ÄÄNET' released as LP and Download.

ÄÄNET

I-LP-ON 'RAAVITTUA KROKODILIÄ' (EMEGO 254)

Taken from the album 'Hence' released on LP and Download.

Hence

Oren Ambarchi & Jim O’Rourke with special guest U-zhaan 'Hence One' (excerpt) (EMEGO 249)

Taken from the single 'Routine' released as 7" and Download.

Routine

Finlay Shakespeare 'Routine' (EMEGO 260)

Gramatik vs Led Zeppelin vs Tupac vs Biggie

Independent record company based in Vienna.
For Spectrum Spools go here: https://soundcloud.com/spectrumspools