Carrageenan, aka Matthieu Levet, a Brussels based producer, DJ, who runs record label Cold Moss. Mostly active solo under the moniker Carrageenan, he is also part of Carcass Identity, Vermisst Susi, Pizza Noise Mafia and Crash Toto. His music was released on Tanzprocesz, Swallowing Helmets, Czaszka Records.

Carrageenan [Live] [Minor Adjustments Show]

The sixth Frozen Monolith album 'Beyond The Silver Globe' delves into retro medieval sci-fi soundscapes, in a tribute to Andrzej Żuławski's unfinished Polish sci-fi epic On The Silver Globe. Recorded live in one take using a mini-korg, yamaha psr220, akai drum machine, behringer pro 1 and a pedal rack

Warships Landing

Taken from the album 'Proxy States' released as CD, Cassette and Download

Jung An Tagen 'Instructions for a Sound Machine / Wreath Products (F#, G#)(EMEGO 263)

Taken from Gavilán Rayna Russom - The Envoy LP/Download [ELP047]

• Solo debut album of pulsing, beat-less urges by NYC transdisciplary artist Gavilán Rayna Russom
• Includes guest appearance by industrial and downtown figures Cosey Fanni Tutti and Peter Zummo 
• Cut at D&M, Berlin

Transdisciplinary NYC artist Gavilán Rayna Russom beautifully comes into her own with a distinguished solo debut album statement including the voice of Cosey Fanni Tutti and brass arrangements by downtown legend Peter Zummo

After decades exploring her sonic personality in various projects inspired by her deep immersion in NYC’s club and avant-garde scenes, Rayna uses ‘The Envoy’ as a vessel to firm up and convey her personal conclusions on intersections of gender and electronic music. Enriched with complex human experience and key influence from sci-fi writer Ursula K. Le Guin’s novel ’The Left Hand of Darkness’ - a book that strongly resonated with her due to its descriptions of an alien race with multiple sexual characteristics - the album is intended to realign misconceptions of Russom’s prescient early work such as 2005’s ‘The Days of Mars’ LP for DFA, which arguably foreshadowed a rise of beat-less and more ambiguous urges that are now commonplace in contemporary dance music, yet were at the time lumped in with retro-fetishist trends. With ‘The Envoy’ Russom returns to a 2019 music scene that’s better prepared with the politics of an emerging new world, and thus readied for her ideas to take hold in the public consciousness.

Entwining Russom’s perspectives on gender, the occult, and spirituality, and how they relate to the body and music’s healing properties, ‘The Envoy’ clearly yet ambiguously expresses the artist’s concerns in nine interrelated parts. Practically devoid of percussion, but full of body-moving polyrhythmic pattern, the pieces spill out of the lines of any typically imposed “grid”. Within this loose context, porous to the chaos of noise, Russom smudges a blend of analogue and digital synths to connote an elusive sense of self, encouraging the listener to navigate the music’s curves and silhouettes by instinct. 

Employing the fluid potential of electronic music at its most fundamental in a way that loops right back to the glyding suspense of her prized early work, even literally incorporating elements of long form solo recordings made in the late ‘90s in the wake of Russom’s psych/noise band Soma.

Unanchored by kicks, yet pulsing in its own ways, the album flows with an underlying elegance from Cosey Fanni Tutti’s spellbinding recital of Russom’s text in ‘Kemmer’, set to an organic, orgiastic writhe of arps and stressed noise, and on thru the free-floating organ scape of ‘Envoy’, to acknowledge more grimly industrial impulses with ‘Strength out of the Dark’ and also a towering highlight of the album in ‘Discipline of Presence’, where Russom’s throbbing mass is hauntingly illuminated by plangent brass arrangement from Peter Zummo (key Arthur Russell collaborator). The 10 minute ‘Winter’ then wraps it all up under a titular reference to Ursula K Le Guin’s novel, placing Russom as a filament of solo piano-playing light within the cold expanse of NYC.

Gavilán Rayna Russom - Kemmer (w/ Cosey Fanni Tutti)[ELP047]

Аритмичная и абстрактная @floraytw  — лондонский резидент экспериментального лейбла PAN и ультра-футуристичная исследовательница даосских традиций загробной жизни, в майском подкасте Храма Радости. 
От глитча к полевым записям, от акустических диссонансов к современной клубной музыке, — натуральный хаос работ Флоры покоряет своей образцовой непосредственностью. 
Дочь оперной певицы и внучка классического композитора китайско-малайского происхождения, через шепот древних культур Азии и глубоких басов современной европейской электроники нашла свой личный ключ к тайнам вселенной.

TEMPLEOFJOY 079 - FLORA YIN-WONG

Isabella is a US producer and dj with a post-everything attitude. Her music is beyond any style in a way, with connections to techno, industrial and experimental music. As is this iDEAL MiXTAPE, our 29th in the series!!! Lots of different styles collide, meet and resonate together. Dive in!!!!!!!!!!!!!!!!!!!!!!!

Track list:

Rachel-knock knock
Jardin-Maqui de Hierro
Nurse with wound- fade crack down
Rommek-Flint
Humanbeast-Solar Flare
Pamela and her sons-staring through the ceiling
Lars-Gunnar-Bodin-From any point to any other point
Fad Gadget-Collapsing new people
JK-untitled 
Riki-Strohmann
Isabella-Celestial disagreement at the root (unreleased)
False Witness- Radicalized
Code Walk-Bent One Six
Barcelona confinement soundscape—2oclock listening to the rain
Bookworms ft. Via App- Garden of filth
Calming Agent-MSSH
Breadwoman-Gu She’ Na’ Di
Takehisa Kosugi- Wave Code
Totem-Snag
IMA-Flower of Dust
Paola Torres- Re(a)asignaciones Temporales

*applause*

iDEAL MiXTAPE TWENTYNINE - ISABELLA

Goodwin & Kyle - Feelings (INDEX:Edit)

ISHAM KOUIDRI “ALL I SEE IS BLUE” (ENXPL03)

Paris based artist Isham Kouidri presents his debut release “All I See Is Blue” for the Enmossed and Psychic Liberation collaboration series. On “All I See Is Blue”, the artist extrapolates a sonic environment from a single piano loop. As the recording progresses through it’s respective acts, A side “Through The Window” and B side “Now He’s Gone”, tension and the sublime interplay compositionally. Isham Kouidri uses his time on “All I See Is Blue” to allow for his process to subvert the reverie he has created, but the light is always right around the bend.

Mastered by Glyn Maier
Art by Pierre Roy-Camille
purchase : https://psychicliberation.bandcamp.com/album/enxpl03-all-i-see-is-blue

ENXPL03 - ISHAM KOUIDRI - B3. NOW HE'S GONE PT.3

"This mix is a brief showcasing of music and sound art by friends, colleagues, influences, and artists with whom I have had the pleasure to work with over the years. The music I have made and released to date would not exist in its current form if it were not for some of the artists on this setlist. Whether it be friends/artists that I have directly worked with, interacted with, and collaborated with (J.S. Curley, Tony Panella, Spirituals, Robert Cole Rizzi, Pas Moi, DR, Mark Waldron-Hyden, Vitaly Maklakov, Andy Klingensmith); artists that have been generous in helping me bring my visions to life via the physical and visual mediums (Vitaly Maklakov, Thaniel Ion Lee, J.S. Curley); artists whose work I have had the pleasure and honor of releasing on my humble netlabel Warm Milk Recordings (Andy Klingensmith, Daniel J. Gregory, Tony Panella); or artists whose work has simply inspired me (Uneasy Chairs, Erinome, and every other artist already listed here), your work has helped shape the art that I make. This mix is dedicated to you.  

The mix encompasses a vast variety of experimental styles ranging from electroacoustic sound art, ambient music, field recordings, noise worship, and everything in between. The styles heard on this mix can not only be seen as a list of inspirations but also as a sort of mirror image to the sonic pallet that I present on my upcoming tape on the Enmossed label, "Lignum Muzek." Ever since deciding to start making albums under my given name, my vision has always been to create compositions that enter many different sonic territories, even within the duration of a single piece, and to weave these pallets together in a narrative-like fashion. I was able to take one step closer towards this vision with the creation of Lignum Muzek, especially on longform title track pieces which can almost be seen as miniature mixes of their own. This mix opened a door for me to impose my creative mixing style on artists whose music helped me to form my style to begin with, thus creating an endless loop of interconnected, communal, inspiration and sound that will forever be feeding back on itself, flourishing, and growing. "

Track list:

1.) Vitaly Maklakov - For a distant lands (part 1)
2.) Mark Waldron-Hyden - Heal Always
3.) DR - Lovely Weather For Children
4.) Spirituals - Politics As Usual
5.) Nicholas Maloney - Lignum Muzek 2
6.) Andy Klingensmith - Twombly
7.) J.S. Curley - menuet no. 3
8.) Nicholas Maloney - Lignum Muzek 1
9.) Uneasy Chairs - Planet Sometimes
10.) Andy Klingensmith - Everywhere Is Empty Baseball Diamonds
11.) Nicholas Maloney - Lignum Muzek 2
12.) Erinome - Low Priest I
13.) Nicholas Maloney - Black Forest Sighs
14.) Tony Panella - Nachtmusik for Organ
15.) Thaniel Ion Lee - Wires No. 1
16.) Robert Cole Rizzi - Etude for Fall
17.) Daniel J. Gregory - Trees Reach For The Sun
18.) Pas Moi - fish begging for bread

Nicholas Maloney presents: Among Tangled Branches, Without Ourselves

There are specific values ​​of the sound wave frequency, which have a detrimental and even dangerous effect on the body and the brain, cause aggression, depression, panic, etc. 

But many frequencies are healing. Some frequencies soothe, drive away from the pain, create meditative states. The next Biorhythm broadcast is a collection of ten frequencies found on the surface of the internet by @konakov1992 of @ssshitsss

Bodya Konakov

Biorhythm Radio: Heal Me Deeply by Bodya Konakov @ 20ft Radio - 03/09/2020

We’re excited to have SHINOBY as he Made 4HRS-MIX DEDICATION TO BRYN JONES AKA MUSLIMGAUZE.
BRYN JONES WAS NOT A PRACTICING MUSLIM AND NEVER TRAVELED TO THE MIDDLE EAST. HIS RECORDINGS AS MUSLIMGAUZE, HOWEVER, QUALIFIED HIM AS ONE OF THE WESTERN ARTISTS MOST EXPLICITLY SLANTED IN FAVOR OF THE PALESTINIAN LIBERATION MOVEMENT. JONES COULD HAVE BEEN A POTENTIALLY CONTROVERSIAL FIGURE IF HIS RELEASES WERE AVAILABLE IN ANYTHING EXCEPT EXTREMELY LIMITED EDITIONS—USUALLY LESS THAN ONE THOUSAND COPIES OF EACH TITLE. DESPITE THEIR LACK OF PROMINENCE, JONES’S BLEND OF FOUND-SOUND MIDDLE EASTERN AND SOUTH ASIAN ATMOSPHERES WITH HEAVILY PHASED DRONES AND COLLIDING RHYTHM PROGRAMS WERE AMONG THE MOST STARTLING AND UNIQUE IN THE NOISE AND ELECTRONICA UNDERGROUND. THE MUSLIMGAUZE PROJECT ENDED TRAGICALLY IN 1999 WHEN JONES DIED SUDDENLY OF A RARE BLOOD DISEASE.
POSTER BY Lisa Brustolin.

DEDICATION TO BRYN JONES AKA MUSLIMGAUZE compiled by Shinoby [Part 1]

Independent record company based in Vienna.
For Spectrum Spools go here: https://soundcloud.com/spectrumspools

Jung An Tagen 'Instructions for a Sound Machine / Wreath Products (F#, G#)(EMEGO 263)

Editions Mego