Name: Marcus Schmickler 'Sky Dice / Mapping the Studio (excerpt)' (EMEGO 296) by Editions Mego
Duration: 3 min
Description: Taken from the album 'Sky Dice / Mapping the Studio' released as LP and Digital

Taken from the album 'Sky Dice / Mapping the Studio' released as LP and Digital

Marcus Schmickler 'Sky Dice / Mapping the Studio (excerpt)'  (EMEGO 296)

Released August 26, 2021

Written by: Gábor Kovács

Mastering : Pheek

Art Work: Gábor Kovács

Új Bála - Ital - Es - Pompa

Simulacrum Remixed

Simulacrum I (FRKTL Remix)

A woman moves back to her rural home town in Manitoba where her brother Modeste has been raising the woman's daughter with his wife.

Ste. Anne (Original Soundtrack) released October 1, 2021.

Side A- Ste. Anne Original Soundtrack by B.P., Andy Rudolph & Kelsey Braun
Side B- Ste. Anne Original Soundtrack loops by B.P.

@bretparenteau @makadestar

Purchase: https://makadestar.bandcamp.com/album/ste-anne-original-soundtrack

Format: Cassette & Digital
Info and trailer here: www.imdb.com/title/tt14091768/
More info: www.facebook.com/ste.anne.film.2021

Support the artist

Premiere - B.P. & Andy Rudolph - Ste Anne

The scars soften - the silver knife melts. 
Sad-sack and cracked hearts, forever reaching the distorted harmony, 
never ceasing, beyond sight - sentimental, coarse reverie eats into euphony.

Each and all, we believe in our deities; although we may not tell, we worship in fear and in inspiration; although we may not feel it, we have our sacred places; although we may not see our idols, they are true in our dreams. Even as our prayer falls silent, these words of Voltaire will be, for us, forever true: if there were no God, it would be necessary to invent Him.

'Hedonistic Idols' is an album of six works by Volunteer Coroner, the avant-garde noise-and-ambient fusing project of artist and composer Preston Weippert. Through contrasts of harshness and fragility, the album explores truth in faith, and hope in decay.

Hedonistic Idols

Volunteer Coroner - Cardinal Sin

A sunken cathedral is exactingly excavated by Tokyo-based Joe Fujinoki on his debut album 𝑊𝑎𝑡𝑒𝑟𝑖𝑛𝑔 𝑡ℎ𝑒 𝑆𝑡𝑒𝑒𝑙 𝐹𝑙𝑜𝑤𝑒𝑟𝑠. Glittering shards of glass and metal drifting on deep ocean currents cast vague illuminations upon eroding concrete structures. An occasional glimpse of sunlight filters through the depths, suspended by bubbling hydrothermal vents. Fujinoki creates a series of gestures blurring texture and rhythm, an analog balm for the colloid of post-industrial aches.

Watering the Steel Flowers

Joe Fujinoki - Artificial Vein (ENXPL11)

Composed during a whirlwind period of touring and sound engineering in 2019, ???? functions as both a tranquil refuge and as a heartfelt appreciation for the instruments highlighted. Berlin-based Bridget Ferrill crystallizes her professional recording experience and artist residencies into a singular focus on Buchla modular, harp, zither, and viola da gamba. Not merely an exercise in technical mastery, Ferrill's careful arrangements invite us to linger with each instrument; in her words, fulfilling the longing to "listen a little longer, a little slower". Every contour of the instruments is lovingly traced, a warm invite for us to join her in the exuberance of exploring their inner life.

Only

PHYSICAL COPY

ENXPL10 - BRIDGET FERRILL - A2. HARP

Recorded in Como (Italy)   XX.12.2021

https://soundcloud.com/sebastianocarghini [https://soundcloud.com/psychicliberation]

Sebastiano Carghini aka Spirinet (https://soundcloud.com/spirinet)is an italian electronic musician and record producer from Como, who released his music via such labels as https://soundcloud.com/psychicwarfare, https://soundcloud.com/theblacklodgela, Psychic Liberation, https://soundcloud.com/kholetrax, https://soundcloud.com/totalstasis...
He's also curating "Stay In You", a monthly radio show (https://soundcloud.com/stayin_you) on https://soundcloud.com/internetpublicradio.
E.S.T. 057 is an hour-long deep dive into the magical sonic world of Sebastiano.

TRACKLIST:
Esplendor Domestico -  trasmision
Salamanda - Violet
Pataphysical  - protae
Kentaro Minoura - どぜう
Round Five Feat. Paul St. Hilaire - Na Fe Throw Version
madteo - Vitruvian Nightmare
Blacworld - Yorkshire Ham
Exhausted Modern - Pineal gland
Angel Hunt - Skulp Haunt
African Head Charge - Throw It Away
Beat Detectives - Saint Ettienne Ripper Vocal 2
The Bug - living dub
Downstairs J - Three Times
Hoavi - Streamline
Leif - Igam-Ogam
Asio otus - Bones

• https://sebastianocarghini.bandcamp.com/
• https://www.mixcloud.com/sebastiano-carghini/
• https://www.instagram.com/sebastiano.carghini/

E.S.T. 057 • Sebastiano Carghini

https://arkradiomedia.vids.io/videos/489bd8b61a1ee5c3c2/video-guru_20250831_234400553

Taken from:
Not Glass - Forma /  Ήθος LP & download [Ecstatic Recordings, 10/05/2019]

• Immersive, theatrical collab by Not Waving and Jay Glass Dubs, aka Not Glass
• Inspired by quotes by classical ancient Greek/Latin poet-philosophers Ovid & Heraclitus 
• Mystic kosmiche ambient meets inverted dub and tribal rhythms
• Mastered at vinyl cut at D&M, Berlin 

Not Glass is the wonderfully lofty, classically-rooted debut collaboration between Alessio Natalizia (Not Waving) and his longtime correspondent Dimitris Papadatos (Jay Glass Dubs), paying tribute to Latin and Greek authors Ovid and Heraclitus in a suite of dramatic electronics and cryptic rhythms comparable to a theatrical soundtrack.

Knowingly, ironically pretentious, yet serious with it, ‘Forma’ is the result of years of daily Facebook chats between the London and Athens-based artists where they cemented the album’s concept around key quotes by the legendary poet/philosophers, who hail from their respective homelands of Italy and Greece. The results are in effect a spellbinding attempt to transmute those notions within the collaborative, contemporary framework of their music, using patented palettes of hardware, vocals, and FX to render and reflect core classical mythological and philosophical ideas about drama, love, metaphysics, cosmology and the “unity of opposites”.

On this timeless plane, Natalizia and Papadatos both step outside of themselves to find “what opposes unites”, spaciously consolidating their typical, yet contrasting, rhythm-driven approaches in a reverberant, often beat less sphere of exploration. Removed from their usual handrails, the artists operate at their most open-ended and subtly suggestive, amorphously shapeshifting from gloaming shadowplays of synth and keys to investigate arcane percussive impulses and iridescent ambient whorls.

The result is a perfect, finely shaded marriage of their mutually esoteric, outsider Southern European energies, which intuitively acknowledges and inhabits the paradoxes of their respective styles. The illusively static yet mercurial ebb and flow of the atmospheric intro ‘Fallite fallentes’ sets the scene, where ‘Dum loquor, hora fugit’ invokes a viscous but brittle tangle of wide bass and pointillist rhythms beside a stately cello vignette ‘Ludicrum_χορικόν’ that recalls aspects of Scott Walker’s mystic charm ’Soused’. The rapid arps and slow moving, glassy pads of ‘Pauper ubique iacet’ conjure a sublime tension that becomes diffused into the cavernous, hollow dub dread of ‘Ut ameris, amabilis esto’, possessed with its throaty, processed vocal, and the lonely strings and plasmic electronics of ‘Forma bonum fragile est’ connotes a psychedelic coming-to-terms with their artistic/philosophic duality.

Not Glass - Fallite fallentes / Ἔφη ὡς ἦθος ἀνθρώπῳ δαίμων [ELP042]

I (archive + time)
all the sounds are either recorded on the 21st september 2020 or from the archive made or recorded on the 21st september between 2007 and 2019. the arbitrary number of a date serves as an archival organisation and becomes here a structrural method that opposes and modifies the intuitive memory.

II (recordings and ghosts, the dead silence)
the sounds are recorded on a walk between bethaniendamm and urbanhafen alongside the former luisenstaetischer kanal. all the recordings of that walk are either a.) traces of em-signals or b.) resonating objects (hit or bowed) found along the way (so that the listener can follow the traces of the objects during the walk).
the recording itself happened during a monday night around 3 am. in the dead silence of the night. walking around with an em-detector and hitting on things like hunting or summoning ghosts: the sounds stand out against small noises of sleeping swans, startled residents or coincidental droping seeds from trees. so listening in this regard becomes more than listening to the sound itself. the decay of each sound is looking into the nothingness of silence.
the metaphor dead-silence refers to the non-availabilty (unverfügbarkeit) of the dead that slip away into nothingness. only memories hold a connection to the gone, to the past that otherwise would be nothing, silence. a decaying sound in the dead silence of the night thus becomes a sort of bridge, channel, vehicle to the dead (silence).
while for husserl the melody is an example of the process of retention, where we are able to recollect a certain amount of signals even without activly memorizing them, the musical structure at play in this piece works with layering parallels of single events that in confrontation become a (more or less) organized structure (dub and overdubbing).

III (luisenstädtischer kanal)
the luisenstädtischer kanal (1852) connected the spree and the landwehrkanal. mainly used for the construction of the densly populated area luisenstadt, it was filled with earth from the construction of the u8 to be reebuild as a public park in 1926 (as reconstructed today). after the second worldwar it was filled further with trümmer (debris) of the bombings and became 1961 part of the mauer, the border between east and west-berlin, the so called todesstreifen (death-strip).

0920_21 dead silence of the night

Independent record company based in Vienna.
For Spectrum Spools go here: https://soundcloud.com/spectrumspools

Marcus Schmickler 'Sky Dice / Mapping the Studio (excerpt)' (EMEGO 296)

Editions Mego

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