Name: Oren Ambarchi 'Quixotism Part 5' (eMEGO 202) by Editions Mego in Low
Duration: 14 min 44 s
Description: Taken from the album 'Quixotism' released as CD and Download.

So great...AMBARCHI is the TIKKUN himself...:)

Taken from the album 'Quixotism' released as CD and Download.

Oren Ambarchi 'Quixotism Part 5' (eMEGO 202)

BIG FAT TONKA 1 - Instrumental

Outside

TTT SHOP

Coni –  Imaginarium Essai

Elements Chord Mode

More info: : http://www.factmag.com/2015/12/15/eaves-gorilla-purple-tape-pedigree/

@eavesss
@purpletapepedigree

Eaves - GORILLA - Movement 2

Smoke Machine Podcast 111 Efdemin

CultKitchen / Russia 


1.	Soundwalk Collective – Last Beat (Beginning) [ARMA, 2014]
2.	Prototype 909 – Understand [Sonic Records, 1995]
3.	Pink Floyd – Sorrow (Live) [Melodiya / EMI Records, 1987]
4. Roman Kartsev & Victor Ilchenko - Pervoe Sentyabrya [Melodiya, 1988]
5.	?aka ?aka - 000300 (Original Mix) [Opal Tapes, 2013]
6. Coil - A White Rainbow [Eskaton, 1999]
7. Area Forty_One - Isolated Soul (Original Mix) [Delsin Records, 2014]
8.	Public Enemy - The Rhythm, The Rebel (Acapella) [Def Jam Recordings / CBS Records, 1988]
9. Killawatt - Onslow Road [Osiris, 2015] 
10.	Erhan Oku - Kvart (Original Mix) [Complex Textures, 2014]
11. The Art Of Noise - Donna [ZTT Records, 1983]
12. Pete Namlook - Throbbing Modulating Beat [Fax +49-69/450464, 1998]
13. Klaus Schulze - Blanche [Metronome, 1977]
14. Fennesz - Liminality (Original Mix) [Editions Mego, 2014]
15. Two Lone Swordsmen - As Worldly Pleasures Wave Goodbye... (Original Mix) [Warp Records, 1998]
16. Eroht - Weite (Original Mix) [Savvy Records, 2014]
17. Soundwalk Collective – Last Beat (Ending) [ARMA, 2014]


www.facebook.com/CultKitchen
@https://soundcloud.com/cultkitchen

UN #49 CultKitchen

from the album 'precious systems' available 7/15

mj guider 'lit negative'

An ethereal, unresolved presence fading into the stereo field, Hilja breathes into life with a haunted synth line and self-sampling vocal hook that instantly creates an enchanted space. Hilja is the debut album by Glasgow-based musician Maria Rossi aka Cucina Povera. Named after a style of southern Italian traditional cooking associated with precarity and making-do, a philosophy of simplicity and stoicism that applies perfectly to the spare but beautiful music Rossi experiments with. Hilja’s marriage of minimal synth, field recordings and the hymnal dexterity of Rossi’s vocal performances creates a new language, sometimes literally, to be spoken in some mythological Fourth World we’ve yet to create.
 
Originally from Finland, Rossi brings an acute sense of space, surroundings, and practicality to her working practice, with each composition often relying on a limited sound palette to create deeply affecting messages which transcend language. Cucina Povera’s power is to communicate purely, often down to the solo-choir nature of Rossi’s multi-layered voice, an achingly beautiful instrument which has seems to have an innate spirituality in its grain. The tension between the means and the end is at the heart of Cucina Povera, the invocation of a kind of secular spirituality at times using nothing but Rossi’s voice. Indeed there’s almost a Dogme-like purity to the arrangements: Elektra is a soothing song based around the lapping waves of Rossi’s wordless backing vocals and a simple field recording of stones knocked together. Kehoitus is completely a cappella, a haunted fairytale told in glossolalia, evoking a quasi-religious experience with very little.
 
For music often minimal and simple there’s a boldness that belies Hilja’s status as a debut. Rossi allows each word, each sound and rhythm to exist in its own space, finding its own relationship with its surroundings. Mesikämmenen Veisu is perhaps the most ecclesiastical sounding composition here; burbling water trickles below a virtuoso vocal, with incredible arrangements in several registers undulating above. A meditation to relieve hunger and restriction, it’s a perfect summing up of Hilja, a music ambient but completely earthed, finding enchantment in what you have to hand, the realism of magic, the magic of realism.

Cucina Povera: Totean

First track taken from the album Distant Early Warning.
LP/CD/Digital pre-order: https://laurencepike.bandcamp.com/

Laurence Pike - Life Hacks

Physical: geographic-north.com/cassette/coyotes/
Digital: geographicnorth.bandcamp.com/album/coyotes
Catalog #: GN49
Cassette, limited to 100

Félicia Atkinson is a composer, sculptor, painter, poet, and publisher from Rennes, France. Atkinson has led a fruitfully fantastic run of eerily blissful, serenely euphoric sounds. Whether under her own name or via her defunct recording pseudonym Je Suis Le Petit Chevalier, Atkinson has released work on Umor Rex, Digitalis Limited, Aguirre, and Shelter Press, an imprint co-run with Bartolomé Sanson.

‘Coyotes’ is an EP inspired by Atkinson’s last voyage to New Mexico in February 2017, when she visited and took in the geographic landscapes from Taos to Ghost Ranch. The same vistas also inspired much of Agnes Martin’s and Georgia O’Keefe’s painting, as well as Jerome Rothenberg’s poetry and translation’s works.

Atkinson describes a ‘Coyotes’ as a “Carnet de Voyage,” a tape you could directly play in your car while traveling somewhere, a kind of imaginary map to a sentimental journey. A spontaneous gesture, close to the notion of gift or offering. Or, simply, a postcard to a friend.” But it’s also a praise to the conservation of national and state parks and its human and non-human souls, menaced as we know now by drilling and violent economic speculations.

Here, coyotes act as a kind of metaphor of ambiguity and doubt, a state of mind that Atkinson find interesting to transcribe musically; the ambiguity furthered by Atkinson as a literal “foreigner” in New Mexico. She conveys a sense of visiting these native sacred lands and wondering what you are doing there.

Musically, ‘Coyotes’ is composed of two long tracks, “Abiqiu” and “Lighter Than Aluminium.” Each track features an effervescent froth of piano, midi sounds evokes marimbas, Fender Rhodes, bells, sub-basses, and spoken word poetry written by the musician to display a melancholic landscape made of transparent but deep layers of pale colors and blurry lines.

Félicia Atkinson - "Lighter Than Aluminium"

Time for something different - Ben Bertrand is armed with a bass clarinet and backed with sound effects, aiming in the direction of the contemporary classical section of your record collection. Dreamlike compositions that take you to his warm and minimal world.

https://soundcloud.com/ben-bertrand-bxl
https://facebook.com/benbertrand.music/
https://www.facebook.com/ateliersclaus

Buy here!

PRÉMIÈRE: Ben Bertrand - V380 Orionis [Les Albums Claus]

Lucrecia Dalt - Tar (Jan Jelinek Remix)

Moon Wheel — རྡོ་རྗེ་རྣལ་འབྱོར་མ་

Independent record company based in Vienna.
For Spectrum Spools go here: https://soundcloud.com/spectrumspools

Oren Ambarchi 'Quixotism Part 5' (eMEGO 202)

Editions Mego

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