WITHOUT SUCH DIVINE SOUND, LIFE WOULD BE DEFINITELY A MISTAKE

I wish I could hear this in an album context, or buy it, but I can't seem to find this in his discography

Craig Leon - Nommo

Purchase from RVNG: http://smarturl.it/cleon-aifmv1-rvng
Purchase from Bandcamp: http://smarturl.it/cleon-aifmv1-bcamp
Purchase from iTunes: http://smarturl.it/cleon-aifmv1-itunes

Taken from Anthology of Interplanetary Folk Music Vol. 1: Nommos / Visiting.


Buy 

Craig Leon - Nommo

Andrea Belfi - "Natura Morta" out november 7th on Miasmah.

Natura Morta, "dead nature" or "still life". This album can be understood as a powerful study of the minute details of the art of electro-acoustic composition, as much as the Renaissance "nature morte" were a masterful display of the artist’s skill in portraying the glow of a ripe fruit, or capturing the light beaming on a vacant chair.

Six tracks, to be listened to as two long explorations in the art of variation and repetition. Layers of drums and percussions intertwine with synth waves making the portrait come to life, detail after detail, until a complex figure emerges from the white canvas. The constant, unsteady sounds, wavering noise, swirling cymbals, and distant feedback gently pull the listener into the picture, letting them enjoy every detail of this beautifully staged compositions.

Recorded at EMS studio, Stockholm, ZKM in Karlsruhe and at the legendary Funkhaus in Berlin, this album mixes influences from both Italian minimalism and the electro-acoustic contemporary scene. Somewhere in between the electronics of Keith Fullerton Whitman, the percussive repetitions of Jon Mueller, and the atmospheric sensibility of Pan-American.

Andrea Belfi - Roteano

'Miaux is the operating handle of Belgium's Mia Prce. Most of her prior recordings have been issued by Dennis Tyfus' Ultra Eczema label, but after catching her set at last year's Bruismelk festival, Feeding Tube had to “have” her new record. 
Unlike other known works, whereon Miaux is a mistress of elaborate keyboard shenanigans that border on the gothic, Above the High Rays brims with music of a very soundtrackly nature. It mixes Neo-Eastern percussion symbiography with floating swathes of parachute color, all of it presumably birthed from Mia's hands and keys. It's easy to imagine a Jodorowksy carnival scene, shot like the opening of Welles' Touch of Evil, while this album spins. It is soaked with a haunted, lonely quality that touches the edges of mystery like a torch. 
Cover art and one side of etchings by Mr. Tyfus, himself. The tears you shed will be your own.'
Text by Byron Coley

Above The High Rays was composed for a screening of René Clair's sci-fi classic Paris Qui Dort. Released on a one sided 12" with etching on Feeding Tube Records and on cassette on Ultra Eczema.

Above The High Rays

Above The High Rays, 12" Feeding Tube Records / Tape, Ultra Eczema

the lost instrumental mix of "Hurts Too Much" vs "The World Is Yours"

Hurts Too Much (Lost Instrumental Mix)

Elements Chord Mode

Early last year, Punctum finished recording their debut record, Remote Sensing, at the legendary EMS studio in Stockholm. After nearly a year and a half, the album is finally ready for public consumption. I have an oddly personal relationship to an album that is not yet released. I first got a taste of their work in a mix from Maria W Horn, which featured the heavy and hypnotic ‘Quick Botta’. This became a major go-to headphone listen. Strongly recommended for long journeys in the dark.

Technically speaking, a lot of the music on this record quite simple to describe. 303s, 606s and Buchlas dance around each other like an harmonic kaleidoscope. But listen to ‘Glory Bitch’ below. There’s a lot more going on here than simple synth meanderings, the likes of which every bedroom producer knows all too well. There is a meticulous care that has been taken in its entrance and exit. It’s like a set of opening credits, or an tuning orchestra, setting the stage for something huge, before snaking away into the distance. Fitting then, this should be the opening for one of the most exciting records in recent memory.

Remote Sensing

Premiere: Punctum - Glory Bitch [SUMME]

Track 1 from Lea Bertucci 'Metal Aether' [NNA108]
Available February 9th, 2018 on Vinyl, CD & Digital formats.
Order: http://nnatapes.com/available-releases/lea-bertucci-metal-aether

Metal Aether

Lea Bertucci "Patterns For Alto"

Folklore of Plants Vol.II - Venefic Garden

Moon Wheel — རྡོ་རྗེ་རྣལ་འབྱོར་མ་

Taken from the upcoming album Both Lines Will Be Blue, out July 12th on Smalltown Supersound. Produced by Carmen Villain. Flute performed by Johanna Scheie Orellana. Mastered by Matt Colton.

Observable Future

From "Kläppen" on Malmö Inre.
https://www.malmoinre.se/product/preorder-golden-ivy-klappen-lp

Elements Chord Mode

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