Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku/

All submissions to Haiku 373:

https://www.naviarrecords.com/2021/02/24/naviarhaiku373-a-lost-child-crying/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.

- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram

- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

haiku #373: A lost child crying / stumbling over the dark fields… / catching fireflies

started with scrunchy foley sounds, trying to create an imagined insects perspective of an insect dominated sound world at peak hour on a hot balmy night. Lots of Metasynth resynthesis and translation between sounds created as a montage in Metasynth's Montage Room applying an improvisational style

The Insect House at Night.(naviarhaiku374)

More on this 480th weekly Disquiet Junto project – Ongsay Aftcray (The Assignment: Record a piece of music by employing Pig Latin as a technique) – at:

https://disquiet.com/0480/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0480-ongsay-aftcray/42680

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Tom Scott, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/fBWPwN

https://creativecommons.org/licenses/by-nc-sa/2.0/

Adowshay (disquiet0480)

if only once belongs to a new collection of works that explores memory in attics, dusty mirrors, and half-drawn windows.   Fragments from life pass along with snippets of half-remembered tunes played on the piano.   It's still taking shape - but it certainly indicates a direction.

if only once

Ethereal Schwarz

This assignment fitted with the track I was working on at the time, a single-take improv on a recent Naviar Haiku Challenge track. I simply added some reverb to mask a couple of misjudged moments and a “space” version courtesy of Abstract Chamber. I enhanced the fade-in and fade-out which were a bit faint.

The title is from Ray Bradbury’s “The Fog Horn”

“I'll make me a sound and an apparatus and they'll call it a Fog Horn and whoever hears it will know the sadness of eternity and the briefness of life."

----------------------------------------------
There is just one step this week. You’re now recording music under the name Dense Fog Advisory. Record a new track, appropriate to your name.

More on the 716th weekly Disquiet Junto project, Dense Fog Advisory — The Assignment: That’s your band’s name; now record something — at https://disquiet.com/0716/


More on the Disquiet Junto at: https://disquiet.com/junto /

All of the fog that ever was [disquiet0716]

As in the title.
Live impro (mono synth) on my new hardware machine: 4 D-Two's, here with 4 sec delay, reduced to stereo. Not for headphones actually.
While I was not trying to do that, I came very close to what I was playing in '78-79 with an electrified violin, two 4-Trk tape recorders and four speakers. Time does fly, but some things stay with you.

23082020 Lo=fi In Quad

A recording of a car journey in the rain with the window open.. Sounds and effects added later to brighten it up!

More on this 466th weekly Disquiet Junto project, [ ] Sound Machine (The Assignment: What sort of sound does your city make?), at:

https://disquiet.com/0466/ 1

Project inspired by a December 2, 2020, tweet from George Wallace:

https://twitter.com/MrGeorgeWallace/status/1334274395938832387 1

More on the Disquiet Junto at:

https://disquiet.com/junto/ 1

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0466-sound-machine/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Brightening a Dark, Wet, Day (disquiet0466)

naviarhaiku365 – things just happen

things just happen
things just happen until
the end of the year

Here the thing happens to be an eggslicer. 

The tidalcycles source code is available here: https://github.com/tgoerke/tidal/blob/master/naviarhaiku365.tidal

Seven days to make music in response to the assigned haiku: to participate, visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 6th January 2021

haiku by Matsuo Basho https://en.wikipedia.org/wiki/Matsuo_Bash%C5%8D

picture by Glenn Carstens-Peters https://unsplash.com/@glenncarstenspeters

Eggslicer (naviarhaiku365)

This track was created for the Naviar Haiku group.
373 week haiku
naviarlab.tumblr.com/

2021-02-25

a lost child crying ( Naviarhaiku 373 )

A lost child crying
stumbling over the dark fields…
catching fireflies

haiku by Yoshida Ryusui https://www.poemofquotes.com/famoushaiku/ryusui.php

picture by Annie Spratt https://unsplash.com/@anniespratt

For more information visit http://www.naviarrecords.com/about/naviar-haiku

mans bullfight

halF stumblinG [naviarhaiku373]

Orchestral samples, solo cello and synthesizers

For this haiku:


A lost child crying⠀
stumbling over the dark fields…⠀
catching fireflies⠀
⠀
Poem by Yoshida Ryusui (1691-1758).
Photo by DD (Paris, 2020)

The Dark Fields (naviarhaiku373)

Lost Tears in a Mysterious Forest(NaviarHaiku373)

A lost child crying
stumbling over the dark fields…
catching fireflies

The haiku of the week is by Yoshida Ryusui (1691-1758). Very little is known about him, except he’s often cited and quoted as a poet who exemplified the key element in haiku of kireji or cutting word.

Seven days to make music in response to the assigned haiku: to participate, visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 3rd March 2021

haiku by Yoshida Ryusui https://www.poemofquotes.com/famoushaiku/ryusui.php

picture by Annie Spratt https://unsplash.com/@anniespratt

Lost firefly [naviarhaiku373 - A lost child crying]

l ll lll ll lll ll lll ll lll ll lll ll lll ll lll

Naviar Haiku 373

A lost child crying
stumbling over the dark fields…
catching fireflies

The haiku of the week is by Yoshida Ryusui (1691-1758). Very little is known about him, except he’s often cited and quoted as a poet who exemplified the key element in haiku of kireji or cutting word.

Seven days to make music in response to the assigned haiku: to participate, visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 3rd March 2021

haiku by Yoshida Ryusui https://www.poemofquotes.com/famoushaiku/ryusui.php

picture by Annie Spratt https://unsplash.com/@anniespratt

Illuminating Shapes (naviarhaiku373)

A lost child crying
stumbling over the dark fields…
catching fireflies

The haiku of the week is by Yoshida Ryusui (1691-1758). Very little is known about him, except he’s often cited and quoted as a poet who exemplified the key element in haiku of kireji or cutting word.

Seven days to make music in response to the assigned haiku: to participate, visit https://www.naviarrecords.com/about/naviar-haiku
@soundcloud.com/naviar-records

Dark Fields(naviarhaiku373)

naviarhaiku374: borrowing my house

Explorations and experiments,  in sound, image, and animations . influenced by  interests from Organic Gardening to Neuroscience, Basic Electronics  and Mechanical Invention, Re-purposing Transforming and Recycling of Domestic Devices, Permaculture, Ecology,  Ambient and Noise music. Animated Sound and Image- Experimental,Animated and Visual Music Short films,installations and live audio visual performances with custom built interfaces such as the disco-microwave,midi-vacuum cleaner, and prepared ironing board.see more at 
www.paulfletcherartwork.com
and at vimeo
vimeo.com/album/188779sound music noise ambience

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Lost Tears in a Mysterious Forest(NaviarHaiku373)

Ed Mundio

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