Seeker is a reflective piano piece that captures the quiet beauty of searching — for meaning, for peace, for a path forward. Gentle dynamics, spacious pauses, and soft tones invite the listener into a meditative journey.
For fans of Ludovico Einaudi, Olafur Arnalds, and Max Richter.

Seeker

Migrations

"Not All the Moves We Make Are in the Dark" delves into the theme of the underlying hope, ultimately present in human beings. The piano-based music offers a true inner journey, built on weightless as well as moderately intense sections, through which the piano investigates the delicate line that separates surrender to belief. Most often, we all acknowledge our actions are not leading us towards the path we projected for ourselves. Yet, it is also true that not all the moves we make are in the dark. As long as we keep going, we can land somewhere. The music is named after and inspired by Can't Swim's Album "Fail You Again".

Listen and Buy: https://album.link/edoardo-gastaldi-natmwmaitd

🔗 Connect with Edoardo Gastaldi: https://www.sirilrecords.com/edoardo-gastaldi

Credits below.

Artist: Edoardo Gastaldi
Genre: Piano, Instrumental
Cover Art: Edoardo Gastaldi
Mastering: Fabrizio Brugnera
Record Label: Siril Records
Release Date: 19/09/2025

© 2025 Siril Records
℗ 2025 Siril Records

Not All the Moves We Make Are in the Dark

◉ Follow Magdalena Meisel:
@magdalenameisel
Malovana website : https://malovana.eu/

Surralicja

"SurAlicja" is a journey into the world of surrealism, combining elements of "Alice in Wonderland" and the work of René Magritte. The title is a play on words that combines "surrealism" and "Alice." The lyrics evoke the magical, often absurd atmosphere of "Alice in Wonderland," where the boundaries between reality and fantasy blur. At the same time, we incorporated a motif from Rene Magritte's painting "The Lovers," where the characters' faces and heads are wrapped in white cloth, symbolizing mystery and the concealment of truth. The combination of these two inspirations creates a dreamlike atmosphere. The piece prompts reflection on the boundaries of imagination and reality.

Vocal : Magdalena Meisel
Music : Magdalena Meisel, Jarosław Toifl, Marcel Różanka, Wypich Artur Adam
Lyrics : Krzysztof Wartak,
Producer/publisher : Krzysztof Wartak, Malovana

Malovana is a band in its musical form, inspired by the works of painters, concept artists, and designers.

Imagine approaching the painting "Demon" and hearing the buzz, conversations, and music. Krzysztof Wartak's inspiration for "Malovana" brought selected works of art to life through sound, emotion, and narrative. The songs encompass a wide range of texts, also touching on vivid historical figures and timeless events. The results of this unprecedented project will be experienced during concerts organized by the Malovana band in 2025, where outstanding musicians will perform. Their interpretations will transform many works of art and historical events from now on.

Estrado 2

Surralicja

good intentions 9.25.25

Empty Steps in the Hall

Rapture is a new collaboration between the Beating Edge and Joe Stroffolino, following the awesome 'Asteroids (The Original Was Better) (https://soundcloud.com/beatingedge/asteroids-the-original-was). Joe wrote both the lyrics and the original music, while the Beating Edge rearranged and recorded it in a punchy rock style, adding driving guitars, strong rhythm, and dynamic choruses. Vocals feature Tom on lead, with Joe and Mary contributing both backing vocals and lead parts on certain verses and the bridge, creating a layered and energetic vocal texture.
The song explores the absurdity and irony of doomsday prophecies, the obsession with the rapture, and the endless cycle of believers and false prophets. It blends satirical storytelling with a critical eye on human behavior, delivering a mix of humor, intensity, and thought-provoking commentary through energetic rock arrangements.
Rapture is a track that engages both the mind and the ears, combining narrative, power, and fun in equal measure.
Copyright 2025 Joe Stroffolino & The Beating Edge

Lyrics:

These prophets who say the world's gonna end and they set a specific date
And then when it doesn't happen, their followers still think they're great
The sun rises the next morning and people stumble out of bed
Disappointed that the rapture didn't happen and they're still alive instead of dead

All these people going through the motions, trying to deal with the daily grind
Hoping the rapture comes soon and they're not the ones who are left behind

They claim they have a direct line to God but there was a glitch in the connection
But now they're certain of the expiration date so they issue a correction
The shepherd guides the flock and tries to keep them safe from harm
But how many times can you cry wolf before people ignore your alarm

All these people going through the motions, trying to deal with the daily grind
Hoping the rapture comes soon and they're not the ones who are left behind

Who cares about the environment if you think the world is gonna end
And you're convinced the second coming is right around the bend
So drill baby drill and chop down all the plants and trees
No need to spend money on curing terrible disease

In every generation throughout history, people were certain that the rapture would come
And they had followers willing to believe them as they fed them each a tiny crumb
In baseball you only get three strikes and then the umpire says you're out
But when it comes to doomsday prophecies, the true believers have no doubt

All these people going through the motions, trying to deal with the daily grind
Hoping the rapture comes soon and they're not the ones who are left behind

Rapture

The Sands

Pigskin trousers

The wonderful arpeggios of https://soundcloud.com/kocosaur/meant-to-be presumably are meant to be performed by additional instruments ... 

meant

Edoardo Gastaldi, born in 1998, is an award-nominated film-music composer based in Venice, Italy. 
His style combines slow piano lines with deep ambient atmospheres. In his creations, the frontier of repetitive post-classical minimalism meets deep compositional ambient layers, leading his arrangements to become a philosophical thread of condensed melancholy and sparse hope.
After several years of music studies, which provided him with formal training ranging from classical piano to music theory, in the summer of 2021, Edoardo started publishing his compositions and productions.
The influence of 17th-19th century pianists and the fascination for experimental edges make his music an ever-evolving equilibrium among Modern Classical, Ambient, and Post-Rock subgenres.

Gastaldi's philosophical approach is inspired by the sounds of foundational artists including Johan Söderqvist, Hammock, Tony Anderson, Leonard Petersen, Atli Örvarsson, Stephen Porter, Ronit Kirchman, Sigur Rós, John Cage and Nils Frahm.

Edoardo’s work deeply reflects his desire to explore human fragility, paradoxes, and the complexities of existence. Over time, his soundtracks were described as capable of delving into the big consequences and underlying roots we can’t avoid.

In 2024 Gastaldi scored the soundtrack for the multi-award-winning short film “Etilismo”, a story that delves into the sensitive issue of chronic alcoholism in youth.

Contact: edoardogastaldimusic@gmail.com