Bach: Brandenburg Concertos

Brandenburg Concerto no. 1 In F major , BWV 1046: Allegro

"The Last Goodbye Waltz No. 38 (Original Composition)” - A melancholic broken heart waltz that captures the essence of longing and nostalgia. Composed with a poignant melody that echoes the depths of my broken heart, this piece invites listeners to immerse themselves in its soothing yet sorrowful beauty. As a composer and countertenor, I’ve poured my emotions into this waltz, creating a hauntingly beautiful soundscape that resonates with the soul.

Detail: G Minor, 3/4-time, 105 BPM and G Minor, 3/4-time, 100 BPM

Watch, listen, and feel the emotions.
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https://taulantmurativoximus.bandcamp.com
Bandcamp: Shadows Dance Alone (Original Waltzes Collection Vol. 2)

YouTube:  @TaulantMuratiakaVoximus  

#thelastgoodbyewaltzno38originalcomposition #melancholicwaltz #tearswaltz #composerlife #countertenor #instrumentalbeauty #heartfeltmusic #brokenheart #grief

Shadows Dance Alone (Original Waltzes Collection Vol. 2)

The Last Goodbye Waltz No. 38 (Original Composition)

Raven's Call

The motif heard at the start is rarely far away, generating a lyrical, gently lilting piece; the middle section is a little plaintive.

SWW25.2

Busoni, Lutz, Brahms, Bach: Chaconne

Partita for Violin Solo No. 2 in D Minor, BWV 1004: V. Chaconne

Bach: Sei Solo a Violino senza Basso accompagnato - II

Sonata per violino senza basso accompagnato No. 3 in C Major , BWV 1005: III. Largo

Bach: Sonates & solo pour la flûte traversière

Partita in A Minor, BWV 1013: IV. Bourrée angloise

Bach: Plucked / Unplucked

À la suite de Jean (After the Prélude of J. S. Bach's Cello Suite No. 1 in G Major, BWV 1007)

The French Connection (La Serenissima)

Antonio Lucio Vivaldi / Allegro from Paris Concerto 1 in G minor(La Serenissima)

Bach

Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande (Arranged for Lute)

"Quia respexit" from J.S. Bach's Magnificat 
Crossley Danielle Hawn, soprano
Sarah Weiner, oboe
Billy Simms, theorbo
Wade Davis, Baroque cello
Recorded by Max Kuzmyak at the Baltimore War Memorial, 2019
---------------
Quia respexit humilitatem ancillae suae.
Ecce enim ex hoc beatam me dicent

For He has regarded the lowliness of His handmaiden. 
Behold, from henceforth, I will be called blessed

"Quia respexit" from J.S. Bach's Magnificat

À la suite de Jean (After the Prélude of J. S. Bach's Cello Suite No. 1 in G Major, BWV 1007)

Edouard Ferlet

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