Bach: Complete Lute Works

Suite in C Minor, BWV 997: V. Double

L.v.Beethoven: II.Andante of Str. Quintet op.4.Read & transcribed for two pianos by VViljanen  Oct8-9, 2025.
A pair of modeled Blüthner concert grands, revoiced & reconfigured by VV, were used on its recording sessions (now "Take-3"...)

L.v.Beethoven: II.Andante of Quintet op.4 - read & transcribed for two pianos

L.v.Beethoven: II.Andante of Quintet op.4 - read & transcr. for two pianos by VV

i see the light (‘tangled’) piano cover

Colibri

Bach: Sei Solo a Violino senza Basso accompagnato - II

Sonata per violino senza basso accompagnato No. 3 in C Major , BWV 1005: III. Largo

Bach: Sonates & solo pour la flûte traversière

Partita in A Minor, BWV 1013: IV. Bourrée angloise

Bach: Fait pour les Anglois

Suite III in G Minor, BWV 808: IV. Sarabande

Bach: The Well-Tempered Clavier, Book I

The Well-Tempered Clavier, Book 1: Prelude XIV in F-Sharp Minor, BWV 859

Bach: Plucked / Unplucked

À la suite de Jean (After the Prélude of J. S. Bach's Cello Suite No. 1 in G Major, BWV 1007)

Bach

Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande (Arranged for Lute)

"Quia respexit" from J.S. Bach's Magnificat 
Crossley Danielle Hawn, soprano
Sarah Weiner, oboe
Billy Simms, theorbo
Wade Davis, Baroque cello
Recorded by Max Kuzmyak at the Baltimore War Memorial, 2019
---------------
Quia respexit humilitatem ancillae suae.
Ecce enim ex hoc beatam me dicent

For He has regarded the lowliness of His handmaiden. 
Behold, from henceforth, I will be called blessed

"Quia respexit" from J.S. Bach's Magnificat

Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande (Arranged for Lute)

Thomas Dunford

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