Vivaldi : La stravaganza (12 concerti, Op. 4)

Largo

Improvisation (Raw recording)

2025.

This is an experiment. I call that improvisation under influence. I played while listening in loop to a random piece I liked, to put my brain in the ambiance. I could almost not hear my own play. I discovered my improvised piece afterward ! I did not edit a single note.

Piano German Baby Grand : Blüthner Mod 150 of 1929.

A quarter to midnight (Improvisation - Raw recording)

DIARIES PART ONE – THE HOTTEST SUMMER (ORIGINAL SOUNDTRACK)
Musik & Konzept: Colin Warner-Rochlitzer
Der Soundtrack zu meinem ersten Roman Diaries Part One – The Hottest Summer (BoD 2025).
Eine Klangreise durch den Sommer 2003 – zwischen Liebe, Wärme, Dämmerung und Erinnerung.
Jeder Track steht für einen Moment aus dem Buch:
☀️ „Main Theme – The Hottest Summer“ – die Hitze eines Nachmittags, der alles verändert.
🎞️ „Jack (Boy Made of Heat)” – innere Ruhe, Licht und Unsicherheit.
💛 „Danielle Thompson“ – laut, bunt, ehrlich.
🌙 „Rain on Düsseldorf“ – Nächte voller Regen, Zigarettenrauch und Gedanken.
🕯️ „First Light on Skin“ – ein neues Kapitel, wenn alles leiser wird.
Dieses Album ist eine Hommage an eine Zeit, die gleichzeitig vergangen und ewig ist –
und an all die Figuren, die in The Hottest Summer leben.
📚 Buch erhältlich ab 08. November 2025
ISBN (Paperback): 978-3-7597-9052-3
ISBN (E-Book): 978-3-7597-9053-0
© 2025 Colin Warner-Rochlitzer
All tracks written, performed and produced by the author.

Chapter seven - Ghosts

xmas sunday for moment keepers, and merry be our boi. 

for this is an xMaS tune. and a love tune.

also, wolfee, kisses on ur face times a tousand, and true gratitude behind my attitide for us..... love u.

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not entirely happy with it, but itll stay put for now.

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okay so ive updated to a versin im more happy with. dont know how u will react but....mm...maybe .....idk...here it is, though, anyway... may be more updates coming - but doubt it

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okay so i dithhed the second instrument here n gone clean.

Sunday People <3

Bach: Sei Solo a Violino senza Basso accompagnato - II

Sonata per violino senza basso accompagnato No. 3 in C Major , BWV 1005: III. Largo

Bach: Sonates & solo pour la flûte traversière

Partita in A Minor, BWV 1013: IV. Bourrée angloise

Bach: Fait pour les Anglois

Suite III in G Minor, BWV 808: IV. Sarabande

Bach

Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande (Arranged for Lute)

Musikalische Ergötzung No.4 in E minor. 2. Aria (Johann Pachelbel)

"Quia respexit" from J.S. Bach's Magnificat 
Crossley Danielle Hawn, soprano
Sarah Weiner, oboe
Billy Simms, theorbo
Wade Davis, Baroque cello
Recorded by Max Kuzmyak at the Baltimore War Memorial, 2019
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Quia respexit humilitatem ancillae suae.
Ecce enim ex hoc beatam me dicent

For He has regarded the lowliness of His handmaiden. 
Behold, from henceforth, I will be called blessed

"Quia respexit" from J.S. Bach's Magnificat

Hugh Wolff conducts the New England Conservatory Philharmonia in a performance of Haydn's Symphony no 82 in C major, H 1 no 82 "The Bear". Recorded live in Jordan Hall March 11, 2013.

Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande (Arranged for Lute)

Thomas Dunford