Bach Switched-On

Volume 7 of 20
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JSBACH VII

JOHANN SEBASTIAN BACH *

Bach: Orchestral Suites for a Young Prince

Orchestral Suite No. 1 in C Major, BWV 1066: IV. Forlane

The Imaginary Music Book of J.S. Bach

Himmelskönig, sei wilkommen, BWV 182: Sinfonia in G Major

http://nachtstuecke-musikfest.de/zeit.html

Johann Sebastian Bach, Die Kunst der Fuge by Michael Frohnmeyer, Piano

Bach In Havana

Gavotte (Son) (Based on French Suite No. 5 in G Major, BWV 816: IV. Gavotte)

Bach in Brazil

Bach, J.S.: Clavier-Übung II: No. 1, Italian Concerto in F, BWV 971: I. (Allegro)

Bach: Sonatas and Partitas, Vol. 1

Sonata No. 2 in A minor, BWV 1003: II. Fuga

Bach: Fantaisies chromatiques, sonates & transcriptions

Sonata No. 4 in E Minor, BWV 528: II. Andante

Bach: Sei Solo a Violino senza Basso accompagnato - II

Sonata per violino senza basso accompagnato No. 2 in A Minor, BWV 1003: III. Andante

Bach: Partitas

Partita II in C Minor, BWV 826: I. Sinfonia

Bach: Sei Solo a Violino senza Basso accompagnato - I

Violin Sonata No. 1 in B Minor, BWV 1002: III. Corrente

Bach: Plucked / Unplucked

St. Matthew Passion in E Minor, Pt. 2, BWV 244: 39. Erbarme dich (Transcription for Harpsichord and Piano)

ÜberBach by Arash Safaian. Performed by Sebastian Knauer, Pascal Schumacher, Zürcher Kammerorchester

ÜberBach

I. Aria (After Aria, Cantata "Vergnügte Ruh, Beliebte Seelenlust", BWV 170)

Bach Is In The Air

Improvisation on "Prelude in B Minor, BWV 855a"

Bach: An Italian Journey

Concerto in D Minor, BWV 974: II. Adagio

Bach’s cantatas form an inexhaustibly rich corpus of the highest musical inspiration, embracing all the compositional tendencies of his time and thus of his own music. The two masterpieces coupled here invite us to measure his evolution over a decade. In Weimar, with the Cantata BWV 21, we see him in a period of experimentation, turning to the model of Buxtehude to express a vivid pietism. In Leipzig, with the Cantata BWV 76, we sense the mastery of a composer using all his resources in a vertiginous synthesis to the glory of God.

Ensemble d’une inépuisable richesse, les cantates de Bach offrent un panorama de la plus haute inspiration musicale des divers tendances de son temps et donc de sa propre musique. Les deux chefs-d’œuvre réunis ici invitent à mesurer son évolution sur une décennie. À Weimar avec la cantate BWV 21, le temps de l’expérimentation mais aussi le recours à Buxtehude pour exprimer un piétisme des plus imagés. À Leipzig avec la cantate BWV 76, la maîtrise d’un compositeur utilisant toutes ses ressources dans une vertigineuse synthèse à la gloire de Dieu.

Track 22 - MIR490 - Ricercar Consort - Soli Dei Gloria - Bach - Master LD

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Concerto in F Minor, BWV 1056: II. Largo

St. Matthew Passion in E Minor, Pt. 2, BWV 244: 39. Erbarme dich (Transcription for Harpsichord and Piano)

Edouard Ferlet