This work is a sequence of free imaginary associations between a bell sound and a diversity of other sounds. These associations give the bell different meanings, like a bell that becomes a voice and then a bell once more. 
This work is part of a series of four pieces named Memories of a Dream.

Edson Zampronha - Memoria Irreal Sobre Campana / Unreal Memory About a Bell

This work is in between a soundscape and music, where a feeling of beauty and calmness dominates. Environmental sounds acquire musical relations, but not always, mixing real and imaginary (unreal) listenings. 
This work is part of a series of four pieces named Memories of a Dream.

Edson Zampronha - Memoria Irreal Sobre Ola / Unreal Memory About a Wave

Fragmentation is the freedom of a happy imagination! 
This work is part of the album Modelagens.
Listen to it at https://open.spotify.com/album/0iadZktnpxxdAa8d0T5clP

Edson Zampronha - Fragmentation

This highly melodic and touching work is part of the album Sonora, dedicated to Edson Zampronha's works.
Listen to it at https://open.spotify.com/album/1biuxWeAer10gur2l9KnbK

Edson Zampronha - El Cantar de las Plumas (The Feather's Singing)

Modelagem VII

Mármore

Trama Nudo Flujo - Master.WAV

El Gran Zumbidor (The Great Bullroarer)

EDSON ZAMPRONHA is a Brazilian composer now based in Spain. He received two awards from the São Paulo Association of Art Criticism and the 6th Sergio Motta Award, the most renowned prize in Art and Technology in Brazil for the sound installation Poetic Attractor created with the SCIArts Group. In 2017 he was awarded for his Entire Career by the IV Brazilian Festival of Contemporary Music.
     He has received commissions from different groups and institutions, such as the Museum of Applied Arts (Cologne, Germany); the São Paulo Symphonic Orchestra Foundation - OSESP (Brazil); the Mexican Center for Music and Sound Arts - CMMAS (Morelia, Mexico), and the XXI Biennial for the Brazilian Contemporary Music (Rio de Janeiro, Brazil).
     He was an invited composer at the University of Birmingham (United Kingdom), Museo Nacional Centro de Arte Reina Sofía (Madrid, Spain), Studio Phonos (Barcelona, Spain), and developed Post-Doctorate research at the University of Helsinki (Finland).
     His compositions are included in four albums fully dedicated to his music. His catalog includes more than 100 works for orchestra, symphonic band, opera, choir, ballet, theater, sound installation, electroacoustic music, chamber music, and film. Besides, he wrote the book Notation, Representation, and Composition (in Portuguese) and has organized five books about music. He has more than 30 papers published. 
     He has a Ph.D. in Communication and Semiotics – Arts from the Pontifical Catholic University of São Paulo. He is a Professor at the University of Oviedo, Spain.

Edson Zampronha

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