Resident at FOLD London 
Bookings - giuseppe@outlined-am.com

https://instagram.com/anabelarroyo_

creator of @ttransientss </3

ep "inference " @wearetar
ep "w/o honor" @2anba2
Le Makeup - Galfy (ccontrary Remix)@lemakeup
Shyqa - Regret (ccontrary remix)@genomeshanghai
release for album: TAR Class of 2020 Vol. I  "protect me from what i want" @wearetar

02.03.2019 - @club-late-music , Paris w/ @famouseno , @avbvrn , & @handlethesound

08.03.2019 @ VFD, London w/ @pope_bg @cralias @space_candy @gribsss

10.07.19 (dj)@ The Waiting Room , London  w/ @rebelyellau , @yyyaaawwwsss , @aircode , @nape666 

15.07.19 (dj)@ Burgtheater, Vienna ImPulsTanz Festival Lounge feat. @ashidapark 

29.11.19 @ Mutabor, Moscow "Well-Balanced Rollback" LP presentation by @moapillar, w/ @wulffluw94

02.03.19 // @rinse_france w/ Famous Eno, Avbvrn
06.03.19 // @bruzzbe w/ @perron-zes
20.07.19 // @radio1.cz w/ @unizonelabel
02.08.19 // @rinse_france w/ @andreskomatsu , @shashakimbo
28.04.20 // @nts_live w/ @pbdy "The Monolith Show"

An emblematic artist of the Palestinian underground scene, SAMA’ is one of the first DJs and electronic music producers to emerge from the region. Her sound, an original punchy kind of techno, is dry and musical all at once and has quickly made its way across Europe and beyond.
 
SAMA, meaning ‘sky’ in Arabic, started mixing in 2006 in parties around Ramallah, Palestine. Several years later she started producing her own music and expanding her interest in synthesis in 2010, with a focus on techno, house, and other deeper sub-genres of electronic music.
 
The artist graduated from the United Kingdom with a BSc in Audio Engineering and Music Production, then moved to Cairo where she worked as a sound designer for film, became a music producer and then instructor. SAMA’ now runs her own Audio Engineering & Sound Design company working across films and documentaries in the Middle East. In 2017, she was selected as a Laureate by the French Institute, and during that time attended a residency at the International City of Arts in Paris. SAMA’ also runs a publishing company called Awyav, representing independent artists from the Arab world.
 
In late 2018, SAMA’s Boiler Room performance and the associated documentary about the scene in Palestine went viral and more and more people are seeing that music has no boundaries. SAMA’ was recently listed in SheSaid.So’s Alternative Power 100 List, and plays a high-profile set at Ibiza’s World Heritage Site of Dalt Vila for the International Music Summit in late May. She is currently working on a studio album.

Born in Lleida, he studies solfa and piano since he was 7, starts his own band when he was 16 and gets
soon fascinated by the intensities of groups like Sonic Youth or Deus. At 20, he buys a GrooveBox 303
and starts producing electronic music with raspy bases, soaking up the electro and acid sounds. In 2002
he starts being part of the Club Bakomba as a partner, together with Robert Lamart and Pep Gaya
(American typewriter). A small place where the German minimal techno is lived intensely. He plays in several
local bars in his city, carries out a tour along the Czech Republic where he takes part in the Underground
Garage urban festival in Prague and, finally, leaves his natal city to move to Bcn. From 2002, he
joins the NsT group, through which they claim the stylistic diversity in opposition to the increasingly homogenized
scene in Barcelona. He collaborates with Telenoika and Lectrovision, he spends his time in
festivals and raves, and obtains a monthly residence in the P23 and in the B-Side. Nowadays, he shares
set with Lectromind, developing sessions that go from the dubstep and the IDM to the electro and the
most sober techno.

In 2012, he starts materializing his personal project, Parabolic label, a record and audio-visual production
label based on the full coexistence between the electronic music and the visual.
With regard to his live sets, edu su tends to the breaks, electro and IDM, creating loaded scenes filled
with emotion and contrasts that go from the most synthetic rhythmic crudeness to a sonorous density that
invites you to be attentive to what is going on. Though of moderated bpm, it turns out to be forceful and
danceable

Playmodes is an audiovisual research collective; this is its sound repository. 

All our music is made using custom software and hand-coded digital synthesis. We create our own algorithmic sequencers; we create our own synthesizers; we turn pixels into sound, and we treat sound and light as the exact same thing. 

Check out our complete audiovisual work here: 
www.playmodes.com

Edu Su is following