https://dominiquelebars1.bandcamp.com/track/pas-glop

Pas glop, 
J' t' aimais bien mon petit humain 
Pas glop,
 On dirait bien que c' est la fin 
Papillons éphémères dans un ciel d'été lointain

Pas Glop - Guit Solo

Inspired by hicking, this track was created

Wandelen in de Maasduinen

Berlin Drive

Krosan by Night

Krosan By Night

The words behind this song of ABBA is very different to the title, which is very appropriate during this years Olympic Games.
So I was tempted to create this instrumental cover.
Hope you enjoy the experience.

The Winner Takes It All-tribute to ABBA

Musique inspirée des belles lectures de sons du synthétiseur workstation Roland D-20.
Music inspired by the beautiful sound textures of the Roland D-20 workstation synthesizer.

Flâme éternelle

Flâme Éternelle

Cast of Characters:

J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, drums, synth sax, synth bass, composition, and arrangement 
Llanpsych-- @llanpsych -- Tez – guitar
TexMex Shaman– @texmex-shaman –Stephen– guitar, production, mix, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–ehru 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – lap steel

This ripe piece of funk started with JJ essentially composing it on the e. Piano, organ, drums, synth sax, ands synth bass. He had the Eclectic Collective in mind when he did so, though. JJ actually is playing his drum kit on this one, so funkily that we decided to keep his drums in there. That didn't leave a whole lot of room for Ken to get in on it, but he managed to add a really cool ehru part. The ehru is a two stringed Asian violin with a distinct high percussive sound. JJ's bass line was so well played and solid, we decided to keep it in there, too, which also left Josh searching for a place in the mix. He decided to go last with the lap slide to anchor the foundation of the blues idiom. But he did that after Stephen and Tez cast their spells on the song with their magical guitars. Tez can be heard with the trippy, delay-heavy staccato lines, and Stephen with the silky smooth crying blues lines throughout. 
  Of course, every great song needs a great mixer and producer, and we're lucky enough to have Stephen to do the honors on this one for us.
  This song represents The Eclectic Collective at our funky finest, and we always enjoy and appreciate when JJ starts a song for us. We hope you enjoy listening to this as much as we enjoyed making it. 
  If you really dig it, and have read the whole way to the bottom, please consider sharing this, too. We all appreciate your ears and support.

Sly Willy Blues (Eclectic Collective)

Vital 134 BPM

From the Deep

Eden

Can I Go Home (Interlude)

Can I Go Home? (Interlude)

Do you fear that dark abyss ? All your deeds laid bare, all your sins punished? I can offer you... an escape.

Nebuchadnezzar

Musicien depuis l’âge de 13 ans, je n’ai jamais cessé d’être amoureux de la musique.
J’ai participé à un concours international francophone dans les années 80.
Par la suite, j’ai créé le groupe Top-Sonart qui a été en nomination deux fois à l’Adisq,et qui a pris fin en 1987.
J’ai ensuite écrit plusieurs chansons et musiques qui n’ont jamais joué nulle part. C’est pourquoi je les partage maintenant avec la planète par Soundcloud.
Bonne écoute!

Musician since the age of 13, I have never stopped being passionate about music.
I participated in an international Francophone competition in the 80s.
Subsequently, I created the band Top-Sonart who was nominated two times at l’Adisq and which ended in 1987.
I then wrote several songs and music pieces that never played anywhere. That's why I now share them with the planet through Soundcloud.
Enjoy.

Flâme Éternelle

Claude FG