Thump Bass: Ableton/MIDI 1U+CVx sequence; Dixie2+ into Instruō I-ō47 with Quadrax envelopes.
vocal arp: Metropolix sequence; Sofia into Belgrad with Klavis Quadigy envelopes. 
Reso Bass: Ableton/MIDI 1U+CVx sequence; XPO into QPAS with Quadra envelopes.
Microsound: Morphagene into Zagrzeb.
Warbling lead: USTA sequence; Rubicon2 with ExpFM from øchd into Mutable Blades with Quadra envelopes.
Stalled arp: USTA sequence; Brenso into Rabid Elephant NaturalGate.
Beats: RolandCloud TR-909 performed on Push2.
All modulation from Sapèl, Pamela's NEW! Workout, DNIPro Krait, Instruō øchd, Batumi and Mutable Marbles.
Effects from Valhalla DSP.
Mixed and mastered with Amek, Vertigo, SPL and Shadow Hills.

20230304 As If Moderation Were Even Possible

Off for the rest of the summer.  Back in the fall.  Be safe.

Thanks for listening and more importantly, thank you for sharing your work and recommendations!

I'm a lab-rat. gear-head. Composer of sonic explorations. Seeker of tone and frequency. Patcher of modules. Twiddler of knobs. Bender of strings. Programmer of sequences. Lover of all things that oscillate, resonate and reverberate.

My main instrument is a Eurorack Modular synthesizer comprised of approximately 70 modules. My favourites include modules from Frap Tools Instruō, Intellijel, and Xaoc Devices. I use a 16-channel Line converter from nw2s to get modular signals into my DAW.
My main polysynths are an UDO Super6 and a Sequential Prophet Rev2.
Production tools are Bitwig with an Ableton Push 2, with two Universal Audio and Focusrite AD converters; and plugins from GForce/Oberheim, Waldorf, UAD, Valhalla DSP, Plugin Alliance, Eventide, Softube, and Roland.
I also compose with electric guitars and basses, Toontrack Superior Drummer, and various Brazilian samba percussion.

20230304 As If Moderation Were Even Possible

Eduardinho Branco