v1: Pamela euclidean gating; Sofia into Belgrad; Quadra envelopes
v2: Metropolix sequence; Cš-L into Natural Gate and Fumana
v3 (bass): Metropolix sequence; XPO into QPAS; Delta-V envelopes
v4: USTA sequence; Brenso into Morpheus; Falistri envelopes
v5: USTA sequence; Dixie2+/Rubicon2/Bifold into KorgasmatronII; Quadrax envelopes
v6: Marbles sequence; Rings into Beads
Modulation from Pamela, Krait, øchd, Zadar, Batumi, Sapèl and Tides.
Effects: Valhalla DSP and Eventide.

20230614 Sensory Overload To Erogenous Zones

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I'm a lab-rat. gear-head. Composer of sonic explorations. Seeker of tone and frequency. Patcher of modules. Twiddler of knobs. Bender of strings. Programmer of sequences. Lover of all things that oscillate, resonate and reverberate.

My main instrument is a Eurorack Modular synthesizer comprised of approximately 70 modules. My favourites include modules from Frap Tools Instruō, Intellijel, and Xaoc Devices. I use a 16-channel Line converter from nw2s to get modular signals into my DAW.
My main polysynths are an UDO Super6 and a Sequential Prophet Rev2.
Production tools are Bitwig with an Ableton Push 2, with two Universal Audio and Focusrite AD converters; and plugins from GForce/Oberheim, Waldorf, UAD, Valhalla DSP, Plugin Alliance, Eventide, Softube, and Roland.
I also compose with electric guitars and basses, Toontrack Superior Drummer, and various Brazilian samba percussion.

20230614 Sensory Overload To Erogenous Zones

Eduardinho Branco