Drone: Morphagene into QPAS; modulation from Krait, Batumi and øchd; performed on Planar2.
Bass: USTA sequence; Brenso into Korgasmatron II with Falistri envelopes. Krait modulation.
Beats performed on Push2 with RolandCloud TR-808, Klevgrand Skaka and Softube Heartbeat.
Effects: Eventide and Valhalla.
Recorded with Bitwig. Mastered with Vertigo VSM3, SPL Passeq, Ampex ATR-102 and AMEK Mastering Compressor.

20240917 There Is Only Our Side

Techno, dub, dubtechno, soothing electronica straight from the heart and the soul.

we were walking too fast towards the doorway and [vysrj is as sucks so does we like to you everyone/thing absfsg bxfgc   but guess what? i was wrong. we became upside doomed.....OR LIVE TIL YOU ...    magpies] are cool

Hello, 
I'm a self-taught ! That mean that i never studied music and i learned alone. I'm interested in a lot of kind of music, but i mainly like composing neo-classical and electronic music. 
I would like to thank the people who have supported me from the beginning and continue to do so !
I hope you'll like my creations ! 
All the best !

Electronic Musician | Abstract Artist 

https://musics.to/felipedevicente

Felipe De Vicente is a visionary of experimental electronic music, blending technology, emotion, and a wide range of styles. His sound spans genres such as house, techno, downtempo, ambient, IDM, minimal, drum and bass, drone music, etc, mainly exploring the combination of sound textures, creating immersive and dynamic soundscapes.

Felipe’s compositions explore atmospheric sounds, drones, and effects that create depth and movement. He uses synthesizers and sound manipulation to evoke introspection and energy, balancing the experimental with the accessible.

By blending fragmented rhythms with dance grooves, Felipe creates an engaging sonic experience. His beats may be asymmetric and glitchy or pulsating and hypnotic, smoothly transitioning between the abstract and the functional.

Felipe embraces silence and space, using them as active elements in his compositions, creating moments of tension and release that enhance the listening experience. This balance reflects his visual art’s aesthetic sensibility.

As a visual artist too, music and image are inseparable for Felipe. His tones translate the colors and shapes of his visual works, capturing their sonic essence. This unique connection makes each track a multimedia experience, linking the listener to a profound sensory narrative.

Influenced by electronic pioneers like Ryuichi Sakamoto, Kraftwerk, Autechre and   Alva Noto, Felipe combines tradition with innovation, inviting audiences to explore a universe where sound and image coexist in vibrant harmony. 

M'Z, is a solo project shaped by a wide variety of music :
Canterbury, Progressive, Rock in opposition, Metal, Electronica, Space rock, Noise, Jazz, free-rock, Ambient, Psyche, Heavy, Punk, Drum'n bass...

My name is Mathieu Torres and I am also a guitarist and composer in various artistic projects:
La théorie des cordes / Zhorhann / The diogenes / Matziz / Dirt in the wind / Urban BallShit / Inland Motel / Collectif La Barraque / Aux arts etc / Dirt and Cpu / no Skeletons / composer of music for the image...

The driving idea of ​​this particular project is to create parallels between poetic or philosophical concepts and music, without setting aesthetic barriers.

Born from the vital need to create, at the end of 2017, M'Z has since performed around fifty dates (Streets/Markets/Café-concerts (Cave a rock - L'usine à musique - Le Maquis - Red turtle café...)/Festivals (Résistance/Semaine jaune...)Off /Marciac - Bourges / Various support concerts...)
and released 4 albums, 1 EP and 2 singles which received very good press
(Diego Pinheiro Review - ProfilProg - Athos di MAT2020 - Autopoeitican - COREandCO webzine - AM: Plified - areARock - Mazik - Plus PROG de Vous - Eternal Terror - L'oreille à l'envers - Exposé . org - DPRP . net - The Elite Extremophile - Litzic...)

"Prisme" the first album, made the link between Colors, feelings and Music,

"L'autopsie du dogme" the second, attacked the music industry while working to analyze dogma in general and psychoanalyzing the members of M'Z in this quagmire in passing,

"Cool is watching you" (EP) was interested in demolishing, in music and lyrics, the idea of ​​the "Cool" posture that seems to be a norm in the era of social networks and the "start-upized" world

"La Nef" (single) as for it, tried to extract a source, more or less healthy, of the need for human spirituality, when it is freed from religious doctrines
"Hympécita" (single) paid tribute to an animal friend.

"La Civilisation de la Graine" the third was a musical reflection on the essence of our patriarchal organizations and our tendency to organize ourselves into civilizations, certainly elegant but undeniably unjust, ephemeral, violent and rickety. 8 pieces to try to analyze these phenomena.

And finally 'Emancipés du Vides ?'(emancipated from the void?) The fourth album, is a melancholic reflection on our emotional abysses, on the difficulty of extricating ourselves from our various attractions for nothingness, our inability to look at the mental waste that we produce without going through the guilt box, a critique of normalization, of the conformism of the hollow positivism praised by our overly marketed minds in search of the fastest path to "A Meaning". Finally, it symbolizes the vital necessity of finding our lost naivety.

I'm a lab-rat. gear-head. Composer of sonic explorations. Seeker of tone and frequency. Patcher of modules. Twiddler of knobs. Bender of strings. Programmer of sequences. Lover of all things that oscillate, resonate and reverberate.

My main instrument is a Eurorack Modular synthesizer comprised of approximately 70 modules. My favourites include modules from Frap Tools Instruō, Intellijel, and Xaoc Devices. I use a 16-channel Line converter from nw2s to get modular signals into my DAW.
My main polysynths are an UDO Super6 and a Sequential Prophet Rev2.
Production tools are Bitwig with an Ableton Push 2, with two Universal Audio and Focusrite AD converters; and plugins from GForce/Oberheim, Waldorf, UAD, Valhalla DSP, Plugin Alliance, Eventide, Softube, and Roland.
I also compose with electric guitars and basses, Toontrack Superior Drummer, and various Brazilian samba percussion.

On my way down the endless rabbit hole into sonic wonderland...

ambient \ idm \ acid

(dawless) live hardware jams


20240917 There Is Only Our Side

Eduardinho Branco