Recorded live with Bitwig.
Microsound: arbhar into zagrzeb.
Bass: USTA sequence; Cš-L and Tš-L mixed into I-ō47 with cnōc and cèis envelopes
SaxLead: Metropolix sequence; Brenso into QPAS with Falistri envelopes; Sealegs echo and reverb.
Melodic: Performed on Push2; RYK Algo into LXd with Delta-V envelope.
Modulation from Sapèl, Batumi, øchd and Pamela.
Pad: Waldorf Microwave 1
Beats performed on Push2 using Klevgrand Skaka and Slammer; Softube Heartbeat and RolandCloud TR-808.
Effects: ValhallaDSP and Eventide.
Bus compression: Valley People Dyna-mite, Empirical Distressor and Purple Audio MC-77.
Mastered with Vertigo VSM3, SPL Passeq, Ampex ATR-102, and AMEK Mastering Compressor.

20241004 Keep Yourself Busy (making Time Pass)

I'm a lab-rat. gear-head. Composer of sonic explorations. Seeker of tone and frequency. Patcher of modules. Twiddler of knobs. Bender of strings. Programmer of sequences. Lover of all things that oscillate, resonate and reverberate.

My main instrument is a Eurorack Modular synthesizer comprised of approximately 70 modules. My favourites include modules from Frap Tools Instruō, Intellijel, and Xaoc Devices. I use a 16-channel Line converter from nw2s to get modular signals into my DAW.
My main polysynths are an UDO Super6 and a Sequential Prophet Rev2.
Production tools are Bitwig with an Ableton Push 2, with two Universal Audio and Focusrite AD converters; and plugins from GForce/Oberheim, Waldorf, UAD, Valhalla DSP, Plugin Alliance, Eventide, Softube, and Roland.
I also compose with electric guitars and basses, Toontrack Superior Drummer, and various Brazilian samba percussion.

20241004 Keep Yourself Busy (making Time Pass)

Eduardinho Branco