Such a stunningly beautiful song. Thank you.

Get it

Landegaard - Jus Now (Vocal Mix)

NEVER KNOW

Azure

Sometimes I like making ballads in to dance songs on a whim.
As always, thanks for listening.

Please have a listen to the links below.  It's really these gents who did the hard work.
EFTERKLANG - SEDNA
http://www.amoeba.com/piramida-lp-efterklang/albums/1369835/

RICARDO VILLALOBOS - ARILD
https://pro.beatport.com/track/arild-original-mix/4639041

Chance Encounter

Format: Download | Releasedate: 17.07.2015

It was late last fall when “Walk On”, the sophomore solo album by musical allrounder Arnold Kasar came out. Now, almost a year later, five of the twelve album tracks have been reworked and remixed over the last few months by a selected armada of DJs and producers from within or with close bonds to the Sonar Kollektiv family circle. 
The selection of these reconstructors here at work couldn't have been more diverse and hence more thrilling. Starting with Polish producer Guiddo (one half of the Sonar Kollektiv act Manhooker) carving “Dawning” – in the vocal as well as in the instrumental mix – into a Balearic gem straight out the mid-eighties. 
Also closely connected to Sonar Kolletiv for quite some time now is Moscow producer and whiz kid Phil Gerus, currently based in Tokyo. Previously known for his chillwavy, glitch downbeat, this time round Gerus turns “Dance To The Mallet” into a proper house tune with the common breakdown and 808 hi-hats. The same track has also been reworked by Pitto from Utrecht, Japanese producer Kazuki Yamaguchi aka Kez YM and Venice based DJ/producer Albert Marzinotto. Contrary to Phil Gerus, Pitto hauls Lisa Bassenge's (singer of the legendary Sonar Kollektiv act Micatone) voice completely to the foreground and accompanies her with vibes and a pulsating beat. It's in the same fashion Marzinotto gets to work, but his remix is directed more openly to the dancefloor, equipping it with a Chicago House aesthetic. Kez YM's remix pushes back Bassenge's vocals again, using them primarily as an euphoriant effect in this choicest deep house track.
On the other hand the remix for “Gone” by Robot Koch has nothing to do with club music. Here it's Arnold Kasar's voice duetting with Susan Pawlak which is sprinkled very cautious into  Koch's sombre dub electronics. For “So-Called Lover” we have Paskal & Urban Absolutes, Al Lindrum and Tubbe contributing three fantastic remixes. Whereas the one by Tubbe only partly uses the original material as a template, but still succeeds to deal fairly with Kasar's lyrics and therewith conjures almost a new song up out of nothing. To close this remix package rich in variety Paul “Snax” Bonomo attaches a finale like a thunderbolt. His remix (BonomoLeMagass) for “Masquerade” (somehow connects all the loose joints of every form of house music of the last 30 years. That's why there's also the dub version included, paying tribute to Acid House furthermore. This alone is worth the purchase of this brilliant collection. 

https://soundcloud.com/kasar
https://soundcloud.com/robot-koch
https://soundcloud.com/paskal-1
https://soundcloud.com/tubbe
https://soundcloud.com/albertmarzinotto
https://soundcloud.com/putputrec
https://soundcloud.com/philgerus
https://soundcloud.com/justpitto
https://soundcloud.com/kezym
https://soundcloud.com/snax
https://soundcloud.com/mavin


Walk On Remixed

So-Called Lover

iTunes

10 - Kasar - So Called Lover (Al Lindrum Remix)

Thankful for love.
Thankful for music.
Thankful for family.
Thankful for friends.
Thankful for trust.
Thankful for respect.
Thankful for understanding.
Thankful for learning.
Thankful for laughter.
Thankful for health.
Thankful for fear.
Thankful for miracles.
Thankful for belief.
....in no particular order.


Piano - Steinway
Guitar - Les Paul


Ahora Si - Eduardo Castillo (Download)

Ru - Hours (Arutani Re - Interpretation).

Two dear friends spend 4 days experimenting with each other’s sounds on the beaches of Bodrum Turkey and set a date to rendezvous again in the fall of 2017, to spend some time in Bora’s incredible studio in Istanbul.
Road To Tulum is the product of both Eduardo Castillo's and Bora's geographic and stylistic influences.

Eduardo Castillo : Vocals, Keys, Percussion, and Synths
Bora Uzer: Guitars, Percussion, Synths, Programming

Road To Tulum - Forthcoming on Sol Selectas Summer Sol III

We are happy to welcome Jose Solano to our little wanderlust family, he is originally from Costa Rica, and you can definitely feel Latin vibez in his music ^^ Here on this EP you can find 3 beautiful organic chilled tracks with proper sound design, perfect for summer beach time. ^^ Hope you will enjoy this release as much as we did. ^^ <3 <3

Bandcamp

Jose Solano - Kaval (Original Mix)

Release Title:  OLUA
Artist: https://soundcloud.com/phortah
Label: https://soundcloud.com/heimlichaufsc
Catalogue No.: HMLLP001
Release-Date: 03.05.2019

Buy Link: https://heimlich.fanlink.to/hmllp001

Being on the Heimlich radar for some time, never losing track of Australia’s Phortah has resulted in the very first long play release by Heimlich Musik. Phortah’s debut album “Olua” drifts between the vibrant waves of ten tracks founded on a uniquely emotive sound and compositional style. The album courses a transformative evening, punctuated by a myriad of broken beats and straight four to the floor grooves. Organic performances of strings, vocals, flutes and percussion are featured in combination with analogue and digital synthesis and beat design. Phortah’s sound is at once nostalgic and gritty; incorporating also field recordings and noise. Olua journeys between flowing passages contrasted with abrupt and surprising moments. 

The album was recorded and produced on Gumbaynggirr country in Bellingen and on Newry Island, New South Wales, Australia. The power of the surrounding rivers, forests and ocean have greatly influenced the music. Phortah acknowledges the traditional custodians of this land, the Gumbaynggirr people. Lila Swain recorded her vocals in Berlin. Given the spectrum of sound aesthetics, the album format appeared to be the only logical way to release this unique piece of art.

Nicholas Gilchrist aka Phortah - Instrumental performances (guitars, bass guitar, synths, vocals, percussion), composition and production 

With deep gratitude to the following contributors: 
Evie Bacigalupo - Violins and co composition on “’Til Morning Part I” 
Lila Swain - lyrics and vocals on the “‘Til Morning” tracks and co composition on “’Til Morning Part I” 
Luke Rhodes - Harmonic flute and percussion on “Ayoca” 
Changa Gita - vocals on “Oh Girl” 
James Ring - vocals on “She Waits” 
Millicent Kruger - vocals on “Lexicon”

✘ Phortah (Nekawa)
https://soundcloud.com/phortah
https://www.facebook.com/phortah
https://www.instagram.com/phortah/


✘ Heimlich Musik (Wien  // Austria)
https://soundcloud.com/heimlichaufsc
https://www.facebook.com/heimlichmusik
https://heimlichmusik.bandcamp.com/
https://www.instagram.com/heimlichcrew/

PREMIERE: Phortah - Ayoca [ Heimlich Musik ]

With his 3rd release on the label, Caly Jandro hits home with an EP that stylishly encapsulates the spectrum of the Beat & Path sound. With bends and twangs, dirty strings, and elegant eastern flutes and pads, his unique collection of instruments sets the tone for a rich and soulful dreamscape.

Taking us through a mystifying journey, Caly lays down a dynamic range of elements from Brazil to the far east, bringing together the EP with juicy basslines, organic tones, and a beautifully woven portuguese spoken word from his dear friend and Brazlian sister Amanda Falcão.

Follow @calyjandro

Caly Jandro - Mente Que So Mente Feat. Amanda Falcão

Eduardo Castillo’s music encompasses his depth in the study of the industry and influences stemming from a South American and European upbringing. His studies in music compositions, orchestration and opera provide him with a vast understanding of harmonies, dynamics, and musical textures. Eduardo uses a subtle ethnomusicologist’s approach to music. His record collection reads like a music history book. In fact, his eclecticism is quite enticing. Sounds of Jazz, Avant-Garde, Middle Eastern, South American, Afro-Cuban folk, Soul, Funk, and Electronic Minimalism, can be heard in his compositions, his singing, his dj sets, and his playing of instruments, whether in their pure from or intertwined with down, mid and up-tempo electronic treatments. Ultimately, simplicity is what Eduardo strives for. An effort is always made to have fresh, organic sound while inevitably providing touches of technological advances shaping music today, never overwhelming and always sophisticated and tasteful.

Eduardo's mission is to always become a storyteller from beginning to end. Every record he plays has a very important intention. The music in his selections does not just fill time, it weaves in and out with dynamic and texture. The music and his improvisational live shows are brush strokes on a canvas that once he's reached the end, will look like a world of realism and fantasy all in one. He's a master at layering the musical with the technical and the surreal with the real.

Eduardo always leaves an indelible mark with his style and impeccable understanding of his environment.

Chance Encounter

Eduardo Castillo

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