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Lucas e a Orquestra dos Prazeres é um projeto iniciado em 2010, fruto de uma equação que soma música, resgate da cultura popular e valorização da ancestralidade afro. A partir da união de vozes e instrumentos percussivos variados, a banda passeia pelo rico repertório de mestres e grupos étnicos, além das conhecidas cantigas de domínio popular, que até hoje são a porta de entrada para aqueles que desejam se aprofundar na pesquisa e perpetuação de nossas raízes.

A história da banda tem um forte laço com a trajetória do Morro da Conceição e seus moradores. Este bairro do Recife é conhecido por sua mobilização popular e festejos que abraçam uma multitude de cores e referências de diversas matizes. Lucas foi aluno e professor do Centro de Formação do Educador Popular Maria da Conceição, onde a educação caminhava de mãos dadas com a música, a dança e as artes plásticas.

A experiência acumulada em incursões artísticas e sociais trouxe a Lucas o desejo de aplicar uma nova nuance ao desenvolvimento de uma banda. Com 17 integrantes fixos, a reunião de talentos ultrapassa o simples ato de tocar acordes, para tocar vidas. "Nos consideramos um laboratório de sons, por que antes de tudo somos um laboratório de almas: cada um aqui tem sua história e imprime um pouco de si na sonoridade final. Esse é o nosso diferencial: nos damos espaço para ouvirmos e sermos ouvidos, para ensinar e principalmente aprender uns com os outros”, afirma o músico, que traz para o palco uma grande variedade de instrumentos percussivos adquiridos através das viagens e turnês pelo mundo em seus 18 anos de carreira, refletindo a busca por harmonia através da diversidade.

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O Bongar é composto por seis jovens integrantes do terreiro Xambá, do Quilombo do Portão do Gelo, em Olinda. Tem como propósito levar aos palcos a tradicional Festa do Coco da Xambá, realizada na comunidade há mais de 40 anos. O Bongar tem um trabalho voltado para a preservação e divulgação da cultura pernambucana e a formação musical de seus integrantes tem origem no universo popular, especificamente da comunidade religiosa Xambá. Sua forte musicalidade, advinda de diversas influências musicais vivenciadas nos cultos afro-brasileiros, principalmente da linhagem Xambá, é herança deixada desde a infância aos integrantes do Bongar. Os mais velhos ensinaram os toques, as loas e as danças durante as festas da Casa Xambá.

Bongar is comprised of six young members of the Xambá terreiro, from the Quilombo the Portão do Gelo, Olinda. Their purpose is taking the traditional Festa do Coco da Xambá, which happens within the community for over 40 years, to the stages. Bongar’s works are also related to the preservation and promotion of Pernambuco’s culture and their members’ musical upbringing has it’s origin in the popular universe, specifically religious community Xambá’s.
The group showcases through their presentations all musicality from Coco do Xambá, a subgenre of this rhythm so popular at Brazil’s northeastern region, plus ciranda, maracatu, candomblé and other rhythms from roots’ culture. Performs, also, percussion and popular dance workshops, instrument manufacturing, classes and lectures.
Audiences have the opportunity of getting to know not only the music and dance of this so peculiar coco, but comprehending the historic and cultural upbringing of this Nation.
Their strong musicality, coming from diverse musical influences experienced at African-Brazilian cults, especially the Xambá lineage, is a heritage left to Bongar members since childhood. The older ones teach the rhythms and dances during the Casa Xambá festivities.


Criolo; MC, singer, songwriter, released his album “Nó na Orelha” (Knot in the Ear) in May 2011. Produced by Daniel Ganjaman, known for his work with artists such as Nação Zumbi and the late Sabotage, and Marcelo Cabral, a pre-eminent musician of the new generation in Brazil, all tracks were composed and written by Criolo.

“Nó na Orelha” was initially available in Brazil as a free download and only commercially released on CD and vinyl in June 2012, when it also gained its first international exposure via the London-based label, Sterns Music.

Since the release of the album it has received over a dozen awards, both inside and outside of Brazil and Criolo has performed at over 200 shows within Brazil alone. In 2012 he toured internationally and visited 11 countries where his concerts were attended by crowds of all ages. These included the Roskilde Festival in Denmark and the Summer Stage Festival in New York’s Central Park.

The success of “Nó na Orelha” has led Criolo to share the stage with Caetano Veloso, Seu Jorge and the fado singer Ana Moura. In London he collaborated with the Ethio-Jazz icon Mulatu Astatke. Homage has been paid by Chico Buarque, and Criolo was interviewed by Spike Lee for the documentary “Go, Brazil, Go”. During one of the performances of “Nó na Orelha” in Rio de Janeiro, Ney Matogrosso took the stage to duet on the song “Freguês da Meia-Noite”, written by Criolo and to be recorded by Ney for his next album.

In 2013, his whole show “Nó na Orelha – Live at Circo Voador” was filmed in Rio de Janeiro and released as a ‘pay-as-you-like’ download. The DVD and CD “Criolo and Emicida – Live”, directed by Andrucha Waddington, Paula Lavigne and Ricardo Della Rosa, was also released in 2013.

In October 2013, the single “Duas de Cinco” was released digitally and on 12 inch vinyl in Brazil. It contains two new tracks, again produced by Daniel Ganjaman and Marcelo Cabral. A video featuring the lyrics of the first track “Duas de Cinco” has been produced by the project’s art director, Ricardo Fernandes, and is available on YouTube.

It’s classic rap over a sampled beat, with dense verses that feature a bold critique of contemporary Brazil. The chorus, taken from the song “Califórnia Azul” by Rodrigo Campos, a Brazilian artist of the same generation as Criolo, was the starting point for both lyrics and beats.

With the addition of Thomas Rohrer on the rabeca, the traditional violin from the north of Brazil, the B-side of the single, “Coccix-ência”, was recorded live in the El Rocha Studio by the superb musicians that have been Criolo’s backing band for the past two years. These two new songs, together with material from his 2006 release “Ainda Há Tempo” are now part of the repertoire of Criolo’s live shows.

On stage, Criolo performs alongside the producers Daniel Ganjaman (keyboards and electronic programming), who is also the musical director of the show, and Marcelo Cabral (acoustic and electric bass). The musicians Guilherme Held (guitar), Maurício Badé (percussion), Sérgio Machado (drums) and ‘loyal servant’ DJ Dan Dan (vocals and turntables) complete the line-up. - See more at: http://criolo.net

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