Founder @ovrdoseofficial 
Bookings malik@ovrdoseagency.com

House DJ/Producer from the 90’s born in Brazil. He currently resides in Amsterdam, the Netherlands.

He started producing in 2015 at the Cruise Control Studios in Amsterdam. During that time he learned a lot and is very grateful for that. 

His music can be recognized by a combination of funky basslines and percussion groove inspired by Brazilian rhythm and instruments.

With the early beginnings looking very promising for both Menesix and his own OVRDOSE Records, you can expect more quality house music in the foreseeable future!

ISSUES - CUFF - Witty Tunes - Whoyostro 


KAHU is a Brazilian DJ & Producer with a sound identity built through years of experience. His productions move between the Tech House and Minimal genres with strong influences from Minimal/Tech/Garage. In his productions you will also see the influence of the years he was a PC Gamer, through vocals and melodies taken from games and experiences at this time. 
KAHU got your music played by names such as Jamie Jones, Loco Dice, Detlef, Latmun, Cloonee, Amine Edge & Dance, Eddy M, Wade, Classmatic, Kreature, Raffa FL, Stacey Pullen and many more around the globe. With gigs on Warung Tour Londrina 2020/2022, Festival Alternativo de Londrina, El Fortin Club, COLOURS, Carpe Beach and some big parties around the country.


FOR BOOKINGS --> bookings@kahumusik.com.br



PROMOS  / REMIXES

email --> contato@kahumusik.com.br

https://sub6.live
Aharony's Psytrance Project.

@TheNoiseEngine x @TheArtistUnion

It's time to reach further with your music and make some noise. Over time we've teamed up with artists, records labels, events, blogs and creative SoundCloud channels to build a network of music lovers.

Submit your music to:
info@thenoiseengine.com

Our Channels:
@TheNoiseUnion
@NoiseBible
@NoiseCakes
@TheNoiseEngineDeepHouse
@TheNoiseEngineTechno
@TheNoiseEngineHouse
@TheNoiseEngineFuture
@TheNoiseEngineGarage
@TheNoiseEngineRemixes
@TheNoiseEngineMixes
@TheNoiseEngineElectronic
@TheNoiseEngineDance
@TheNoiseEngineChill
@TheNoiseEngineGrime
@TheNoiseEngineDNB
@TheNoiseEngineMashups
@TheNoiseEngineDubstep
@TheNoiseEngineTrap
@TheNoiseEngineHipHop
@TheNoiseEngineRNB
@TheNoiseEngineTropical
@TheNoiseEngineDrumstep
@TheNoiseEngineElectro
@TheNoiseEngineHardstyle
@TheNoiseEngineTrance

Taste Maker Channels:
@DeckEffects
@HypeHeads
@TheSoundSauce
@BassFaceNetwork
@DNBUnion
@Est1987music
@DeadExitMusic
@WeAreMMR

Fucking CEO at Beltools Inc. 🛠️⚙️

Black Messiah out now:
iTunes: http://smarturl.it/BlackMessiahIT
Amazon Music: http://smarturl.it/blackmessiahamazon
Spotify: http://smarturl.it/BlackMessiahSp
Google Play: http://smarturl.it/BlackMessiahGP

Follow D’Angelo:
http://www.blackmessiah.co
https://www.facebook.com/dangelo
http://www.twitter.com/thedangelo

Right place, right time. It's an old cliché, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it seems, so does electronic music. And, as someone who's never content to do the same thing twice, it's clear that he'll be staying on top for years to come.

Ferrer burst back into the consciousness of most dance music heads with the release of "Sandcastles," (Ibadan) his collaboration with Jerome Sydenham in 2003. But, to his credit, Ferrer didn't simply repeat the formula afterwards. He has continued to push a variety of genres all at once. It's clear that Ferrer isn't content to rest on his laurels: he's too busy dreaming up new ways to shock and delight audiences.

In the mid-90’s, Ferrer was crafting techno records as Morph and then had success in the Afro and gospel house scenes with releases via his Sfere label, an imprint he began alongside Kerri Chandler. But it's this past work that gives his new productions such resonance: unlike many of this house peers, Ferrer's techno experience has given him an edge that you can hear in his recent work.

"Son of Raw," (Ibadan) "Church Lady," (Defected) "Underground Is My Home," (King Street Sounds), "Touched the Sky" (King Street Sounds), “Transitions” (King Street Sounds), “P 2 Da J” (Defected),  “Sinfonia Della Notte” (Strictly Rhythm), “Hey Hey” (Objektivity), “Red Room” (Objektivity), “Underground” Nick Curly – Dennis Ferrer Remix (Defected), to name a few, have all been huge dance floor anthems and all show a different side of the Ferrer personality as well as his impressive range as producer and remixer.

Ferrer has brought his ‘anything goes’ approach to his label, Objektivity.  Celebrating its 8th anniversary in 2014, the imprint has thus far focused itself on vocals, featuring often unlikely turns from indie heroes like Ane Brun and Télépopmusik. Low slung and deep, Objektivity is a cutting-edge label in touch with its time, putting a uniquely American spin on the deep house revival that is currently making waves in Europe. Objektivity is a living, breathing thing - one that's set to drop bombs on the dance floor for years to come.

While Ferrer closes out 2013 with “Mind Ur Step” (Defected), “Mind Ur Dub” (Objektivity) and a remix of Coyu - “Salvation” (Noir Music), the best is yet to come. With a deep knowledge of the past and a constant push for the future, Ferrer remains one of the true greats of house music - a leader and innovator whose enjoying the buzz around him but keeping on pushing the limits. Stay tuned.

eduardoRM is following