Name: Philip Quast and Edward Seckerson Live at Crazy Coqs by Edward Seckerson
Duration: 49 min 18 s
Description: Recorded live following one of seven sold-out concerts at Crazy Coqs at Zedel’s London the three-time Olivier winner PHILIP QUAST talks exclusively to EDWARD SECKERSON about his many-faceted career from Javert in Les Misérables to Emil in South Pacific, George in Sondheim’s Sunday in the Park With George and, of course, the National Theatre’s glorious staging of Sondheim’s Follies.

Recorded live following one of seven sold-out concerts at Crazy Coqs at Zedel’s London the three-time Olivier winner PHILIP QUAST talks exclusively to EDWARD SECKERSON about his many-faceted career from Javert in Les Misérables to Emil in South Pacific, George in Sondheim’s Sunday in the Park With George and, of course, the National Theatre’s glorious staging of Sondheim’s Follies.

Philip Quast and Edward Seckerson Live at Crazy Coqs

Recorded live at Crazy Coqs, Olivier Award-nominated Broadway, West End and concert star KIM CRISWELL discusses her life and career with writer and broadcaster EDWARD SECKERSON, including the original Broadway productions of Nine and Baby, starring as Grizabella in the original LA production of Cats, and in the title role in Annie Get Your Gun in the West End. Kim also discusses her long-standing creative relationships with conductor/archivists John Wilson and the late John McGlinn.

Kim Criswell and Edward Seckerson Live at Crazy Coqs

Broadway, cabaret and concert star MELISSA ERRICO chats to EDWARD SECKERSON at Crazy Coqs, London about her life and career, and in particular her two albums devoted to the work of Stephen Sondheim, Sondheim Sublime and Sondheim In The City, and a third album celebrating the songs of Michel Legrand, Legrand Affair.

Melissa Errico and Edward Seckerson in Conversation

At just 21 years of age String Bass whizz Levi Andreassen, graduate of the Menuhin and Royal College of Music, is on a mission. To elevate his chosen instrument, to raise it up as it were from the depths of its symphonic bass lines and reimagine its place in the solo spotlight. He talks to Edward Seckerson about its chequered history, its virtuosic past, and the prospects for its future. He reflects on the instrument’s technical challenges, the delicate art of transcription, and more importantly the hope of inspiring new repertoire.

Philip Quast and Edward Seckerson Live at Crazy Coqs

Edward Seckerson

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