Something like my fantasies when I play the piano, cool!

very beautiful composition on a piano rich with history and resonance 🔥🔥

really loveing the creativity and emotion. this one is beautiful edward. adding this to my SEPTEMBER MASTURBATION PLAYLIST

such a lovely track, clearly played with such passion...and the sound of that piano is so honest, so true

Sensitive and emotional piece! (love the piano sound that suits the mood of the piece).

SEPTEMBER PLAYLIST

Muzenga Records

FREE DOWNLOAD

Zuelo - The Underground (Original Mix) | FREE DOWNLOAD

Track 3 from the album 'Malevolent Energy.'

Full album:

https://outstation.bandcamp.com

Malevolent Energy

The Overdriver

Wiener Noose - S.S.TWO
VIDEO>>>>
https://www.youtube.com/watch?v=vQGjkSke7oc

Lyrics, instrumental, recording, mix, master, and video - Wiener Noose

Original song written by - Mind Watching Your Elbow
www.youtube.com/channel/UCiDuEFbPfbCanb5AQxYkqcQ

Shout out - The Mysterious Decibel
www.youtube.com/channel/UCZoG_HyJnQJ0VFS7hJnzejg

LYRICS-
Used to be nothing
Now I am something
Please don’t push my buttons
Cause I’ve been running
From the things
That make this real
And I have had enough of it
Cause I’ve been trying
Not to feel
The consequence of
Always wanting more of this
And I’ve been chilling all day
Let them pave the way
So I might as well wait
Two feet in the grave
Four blunts to the face
Six shots and I’m awake
You got the best of me
The rest of me
Can’t carry on no
You got the best of me
The rest of me
Can’t carry on
Your high
So high
When you see
Imaginary state troopers
At the end of the road
Your high
So high
When you die in your car
Cause you reach
For your phone on the floor

https://www.instagram.com/wienernoose/

https://www.tiktok.com/@wienernoose?l...

https://twitter.com/WienerNoose

https://soundcloud.com/wienernoose

https://wienernoose.bandcamp.com/

https://www.facebook.com/profile.php?...

https://www.youtube.com/channel/UCH6S...

https://wienernoose.bandcamp.com/

Gmail - wienernoose@gmail.com

Wiener Noose

S.S.TWO

The Mysterious Decibel - SO HIGH

Lyrics, instrumental, mix, master, and video - The Mysterious Decibel
Voice recordings - Modes About Me

Original Song written by Mind Watching Your Elbow:
@mind-watching-your-elbow
www.youtube.com/channel/UCiDuEFbPfbCanb5AQxYkqcQ

Shoutout to Wiener Noose:
www.youtube.com/channel/UCH6S3yOZt3M_p9mBWhVl4qA
@WienerNoose

Lyrics:

You're High
So High
You're High
So High
When Jesus takes you to the land of the dinosaur
You're High. So High, So High
You're High, So High, So High
You're High, So High, So High
You're High, So High, So High
When you see imaginary state troopers at the end of the road
You're High!
  
www.youtube.com/channel/UCZoG_HyJnQJ0VFS7hJnzejg

www.instagram.com/the_mysterious_decibel/

www.tiktok.com/@themysteriousdecibel?lang=en

themysteriousdecibel.bandcamp.com/

themysteriousdecibel@gmail.com

Feel free to let me know and provide advice on how this mix is.

SO HIGH

Modes About Me and Temp Friend Agency - Stargazer

Song 3

Stargazer

168BPM

BMAJOR

Lyrics

Star light 
Wrote a song for you
star bright 
Was out of tune
Long night
No attitude
Just me n some weed
Underneath the blood moon
From the view at my kitchen sink
been trying but trying seems to only sink the ship
Oh I forget how to swim
The waters pretty cold but I needa go in

Stargazer 
You point at the skyline 
They say “You want it? You got it.”
But you found out they lied
Man on the moon (I’m taking off)
I’ll see you soon
I don’t belong here

So
Where do I go? 
I don’t do well on my own
New York City was very pretty 
But I’m broke and cardboard just ain’t warm like home 

Stargazer 
You point at the skyline 
They say “You want it? You got it.”
But you found out they lied
Man on the moon (I’m taking off)
I’ll see you soon
I don’t belong here

You make me angry
No matter what I do
I can never fill the craving
I'm lazy
And I can't fucking take it
Every thing I try I seem to lose my concentration

Follow the draft on a freezing cold night 
Search for the second star to the right

Twinkle little star
(Yeah)
You make me angry
No matter what I do
I can never fill the craving
I'm lazy
And I can't fucking take it
Every thing I try I seem to lose my concentration

Stargazer 
You point at the skyline 
They say “You want it? You got it.”
But you found out they lied
Man on the moon (I’m taking off)
I’ll see you soon
I don’t belong here

Buffalo Avenue

Stargazer

Modes About Me and Temp Friend Agency - Stargazer

Meanwhile, in a parallel dimension...

Orlando's Lament

If you like the song, please follow me on Social Media:

Instagram: www.instagram.com/meadowsatnight/
Facebook: www.facebook.com/MeadowsatNight
Youtube: www.youtube.com/@MeadowsatNight

Forget Me Not

Only fallen Leaves are dancing in the Wind

A Game With Frontiers

Help!

Introduction in English

Sometimes I have to smile a little when I think about the fact that John Lennon was only 24 years old when he wrote these lyrics. 
He certainly didn't know about the cries for help that come with ageing from 60 plus. The experience of gradual physical decline and the increasing dependence on the support of other people. The gradual loss of autonomy, which is so important for one's own dignity. And the subliminal threat of retirement and nursing homes approaching, which then temporarily pulls you out of your increasing mental derangement by singing old Beatles songs.
But apart from that, he certainly already knew a lot about the hardships of being different, of not belonging; the longing to experience something like love in the worldwide recognition and at the same time having to suffocate and drown in this wave of adoration. 
In the pop era of the time, his desperate cry for help was reduced to a tolerable two minutes
I turned it into a leisurely three-minute waltz. And tried to express my increasing need for help in certain areas of life in different ways: shy and fragile, desperate and humble, angry and almost accusatory. 
And towards the end, I find myself in an almost otherworldly limbo in which a part of me comes to peace with the cry for help and finds its own new dignity in it.

Einführung auf Deutsch
Manchmal muß ich ein wenig schmunzeln, wenn ich daran denke, dass John Lennon erst 24 Jahre alt war, als er diesen Songtext schrieb. 
Da wusste er mit Sicherheit noch nichts von den Hilferufen, die mit dem Älterwerden ab 60 plus einhergehen. Die Erfahrung des allmählichen körperlichen Zerfalls und die sich zunehmend anschleichende Angewiesenheit auf die Unterstützung von anderen Menschen. Der allmähliche Verlust von Autonomie, der für die eigene Würde so wichtig ist. Und das unterschwellig drohende Herannahen von Senioren- und Pflegeheimen, die einem dann mit dem Singen von alten Beatles-Songs vorübergehend aus der zunehmenden geistigen Umnachtung herausreißen.
Aber abgesehen davon wußte er sicher schon viel von den Nöten des Andersseins, des nicht dazu gehörens; der Sehnsucht, in der weltweiten Anerkennung so etwas wie Liebe zu erfahren und zugleich in dieser Verehrungswelle geradezu ersticken und ertrinken zu müssen. 
In der damaligen Pop-Zeit wurde sein verzweifelter Hilferuf auf allseits erträgliche gut zwei Minuten eingedampft.
Ich habe daraus einen gut dreiminütigen gemächlichen Walzer gemacht. Und dabei versucht, meine in gewissen Lebensbereichen zunehmende Hilfsbedürftigkeit auf verschiedene Weise auszudrücken: Scheu und zerbrechlich, verzweifelt und demütig, wütend und beinahe anklagend. 
Und zum Ende hin befinde ich mich in einer fast schon jenseitigen Zwischenwelt, in der ein Teil in mir mit dem Hilferuf in Frieden kommt und darin eine eigene neue Würde findet.

Help!

Help! (Lennon/Mccartney)

Art Expressed in Music – Dali's Eccentricity, Feat. Belial Pelegrim
March 2024
Duration: 3:30
Listen to the Playlist: soundcloud.com/bruce-klepper-1/sets/art-expressed-in-music-i
Painting:  The Persistence of Memory
Bruce Klepper: music composition with melting clocks (“soft watches”) and sound effects
Belial Pelegrim: sound design
Listen to Belial's brilliant electronic music: https://soundcloud.com/belial-pelegrim
John-Marc Ventimiglia: tool to create the melting clocks (“soft watches”), gliss and panning tools, Dali sound clips Visit: https://soundcloud.com/john-marc-ventimiglia
Salvador Dalí (May 11, 1904 - January 23, 1989) was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work. Born in Figueres, Catalonia, Spain, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. His best-known work, “The Persistence of Memory” was completed in August 1931, and is one of the most famous Surrealist paintings.  “The Persistence of Memory” epitomizes Dalí's theory of "softness" and "hardness", which was central to his thinking at the time. As one art historian wrote: "The soft watches are an unconscious symbol of the relativity of space and time, a Surrealist meditation on the collapse of our notions of a fixed cosmic order". This interpretation suggests that Dalí was incorporating an understanding of the world introduced by Albert Einstein's theory of relativity.  In August 1929, Dalí met his lifelong muse and future wife Gala, who was a Russian immigrant ten years his senior.  Dalí and Gala lived in France throughout the Spanish Civil War (1936 to 1939) before leaving for the United States in 1940 where he achieved commercial success. He returned to Spain in 1948 where he developed his "nuclear mysticism" style, based on his interest in classicism, mysticism, and recent scientific developments. Dalí's artistic repertoire included painting, graphic arts, film, sculpture, design and photography, at times in collaboration with other artists. He also wrote fiction, poetry, autobiography, essays and criticism. Major themes in his work include dreams, the subconscious, sexuality, religion, science and his closest personal relationships. His eccentric and ostentatious public behavior often drew more attention than his artwork. In 1968, Dalí bought a castle in Púbol for Gala, and from 1971 she would retreat there for weeks at a time, Dalí having agreed not to visit without her written permission. His fears of abandonment and estrangement from his longtime artistic muse, Gala, contributed to depression and failing health. In 1980, at the age of 76, Dalí's health deteriorated sharply and he was treated for depression, drug addiction, and Parkinson-like symptoms, including a severe tremor in his right arm. Dali was obsessed with death. Feeling that any every moment he needed to be alive. At the end of his life, he is quoted as saying he was eccentric because he needed to show that he was alive as versus his brother who died very young and his family always referred to him as his brother. On the morning of January 23, 1989, Dalí died of cardiac arrest at the age of 84. He is buried in the crypt below the stage of his Theatre- Museum in Figueres. 
For strings, flute, trumpet, trombone, virtual instruments, sound effects and percussion.

Art Expressed In Music - Dali's Eccentricity, Feat. Belial Pelegrim

The composition was inspired by the poem "Crossing the Water" by the American poet Sylvia Plath (1932-1963).

Crossing the Water

Black lake, black boat, two black, cut-paper people.
Where do the black trees go that drink here?
Their shadows must cover Canada.

A little light is filtering from the water flowers.
Their leaves do not wish us to hurry:
They are round and flat and full of dark advice.

Cold worlds shake from the oar.
The spirit of blackness is in us, it is in the fishes.
A snag is lifting a valedictory, pale hand;

Stars open among the lilies.
Are you not blinded by such expressionless sirens?
This is the silence of astounded souls.

Crossing the Water

My Hood ft. Gram

Reminiscences Nº8: Remembering Federika.

Song for Anna - Instrumental * new version 2021 with added guitars

I've launched this account (and my YouTube channel http://www.youtube.com/user/edwardcortesmusic ) to spread some of the music I've composed, so all the music that I upload to this page is original and I am the "guilty" of it. 
I've composed in different genres, starting with classical music and also pop, rock, jazz, electronic, electro-acoustic, etc. Sorry if some of my tracks are long for these days ears, I begg you to try to be patient.

I hope you can enjoy my music and your comments will be more than welcome,  and I hope to interact with your opinions. 

It's easy to like a track but it's much more valuable to me if you comment or share my music.

To all those who follow me, comment, share or like my works, know that I am very grateful.

Reminiscences Nº8: Remembering Federika.

Edward Cortes composer

Recent comments

firmu

drannic

🎧 thommo

Anibal Seminara

Related tracks

Reminiscences Nº8: Remembering Federika.

Edward Cortes composer

Recent comments

firmu

drannic

🎧 *thommo*

Anibal Seminara

Related tracks

🎧 thommo