NEXT DARK m.c.

DARKNIGHT

"Ex-Humanoid" marks the second step in Sedna’s interstellar odyssey. With its pulsating electronic rhythms and futuristic textures, the track delves into the evolution of consciousness beyond the limits of humanity. Dark Earl merges driving drum & bass elements with atmospheric synth layers, crafting a soundscape that feels both alien and deeply introspective. It's a reflection on transformation, where the mechanical and emotional collide in the vast expanse of the cosmos.

SEDNA 0.1

Ex-Humanoid (Remastered)

A powerful and immersive track where dark basslines and fractured percussion blend with futuristic synthetic layers. This piece evokes a crumbling city illuminated by flickering neon lights, remnants of a glorious past.

Wild Earl presents his groundbreaking new album titled "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music". This ambitious project takes listeners on a journey through a futuristic, surreal, and emotionally charged soundscape.

Set in the year 2070, the album explores a dystopian world where humanity faces the consequences of its technological obsessions. Tracks like Arabian and Motor evoke the relentless hum of machines and the mystique of desert landscapes, while Man reflects on the human condition in an increasingly artificial world.

The energy shifts with Playing and Dangerous, capturing the thrill of risk and the tension of living on the edge, before plunging into the chaos of Distortion, where reality begins to warp. Game then pulls listeners into a labyrinth of choices, where every move carries weight.

The album’s emotional core lies in moments of introspection, like But, a pause between hope and uncertainty, and Jumping, a bold leap into the unknown. Tracks like And and Enjoying weave together fleeting moments of connection and joy amidst the chaos.

As the journey continues, Another opens the door to alternate realities, while Abstract and Sunset paint vivid, surreal landscapes of endings and new beginnings. Away offers a sense of escape, leading to At, the point of convergence where everything comes together.

The enigmatic Ameder stands as a symbolic destination, shrouded in mystery, while With and Music remind us of the universal bonds that transcend time and space.

Wild Earl’s "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music" is a sonic adventure that challenges, inspires, and captivates, leaving listeners eager to explore its depths again and again.

2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music

2070

"Road to Tifelt" is an emotional and introspective detour in Sedna’s cosmic journey. Blending deep, rolling basslines with melancholic melodies, Dark Earl paints a sonic landscape that feels both boundless and deeply personal. The track carries a hypnotic groove, evoking the sensation of driving through endless roads physical or metaphorical toward an uncertain destination. It’s a moment of reflection amid the interstellar voyage, where memories and futures collide under the glow of distant stars.

Road to Tifelt (Remastered)

A deep dive into psychedelic gravity distortion. Graviton is a hypnotic mix of heavy bass, warped synths, and eerie, atmospheric drones, creating a feeling of floating through an unstable dimension. The track bends between dark techno, trip-hop, and glitchy electronica, with sporadic bursts of North African percussions emerging like echoes from a distant world.

At its core, Graviton feels like a sonic black hole pulling you deeper, twisting time, and dissolving reality into a cosmic trance.

Graviton (Bonus Track 1)

"CYAN" is a sonic hallucination.
DA-PHONK crafts a slow-burning, hypnotic track where shimmering synth waves collide with sharp phonk beats.
The track feels like driving endlessly through neon landscapes lost between dreams and code, between liquid light and solid shadows.
Cold but sensual, minimal but obsessive, "CYAN" is a meditation on repetition and resonance.
Where beats echo like heartbeats… but wired.

CYAN

Battleworld takes its pulse from Marvel’s fractured multiverse, a realm where worlds collide, merge, and fight for survival. Earth-616 channels this chaos into dark minimal techno: metallic rhythms, echoing kicks, and hypnotic grooves that feel like stepping into a cosmic arena, where every beat is a battle and every drop a decisive strike.

Battleworld

Magellanic Cloud

Hala

Melodic EDM, Deep Voices, and Kawaii 808s bounce with glitchy edges and bamboo flutes. A sonic scramble crossing.

Midnight_Express

Shibuya

Ancient Moroccan folklore, layered on cyberpunk trap. Spirits rise through sub-bass, myth becomes weapon.

The King of Jinns

A high-energy instrumental where metallic synths pulse like engines firing. The rhythm is relentless, with layers of chrome-bright arpeggios and pounding bass. A track that feels like pure speed, as if the listener is inside the mechanics of the race.

Neon Highways

Chrome Pulse

EDMT is a Tokyo-based duo whose sound was born in the underground clubs of Shibuya and shaped by the sleepless glow of the city. Known for their powerful collaborations with female vocalists, they build a bridge between intimate storytelling and explosive festival energy.
Their music avoids the clichés of EDM by weaving narratives into every drop. Vocals are not simply decoration but central to the journey, carrying fragile emotions into monumental sonic structures. In their productions, basslines roar like racing engines, synths shimmer like neon reflections, and atmospheres stretch as wide as Tokyo’s skyline after midnight.
Before their debut, EDMT gained recognition with underground remixes and live performances where their aggressive yet melodic style stood out. With Neon Highways, their first official album, they present a complete vision: EDM as both poetry and weapon, Tokyo as both city and myth, and music as both memory and acceleration.