An instrumental peak. Agogosax and Midi14 deliver an exceptional duet, saxophone and bass circling around Rhodes chords and a subtle jazz pulse. A request to stop time, voiced through instruments instead of words.

Blue

Pause Me

A playful groove, with wandering lines of Rhodes and guitar dancing in dialogue.

North African Jazzy Laid-back Drift

Sabratha

Hypnotic acid sequence, eyes staring deep, repetitive and endless.

man on acid.

eyes like tunnels.

Dark and ritualistic. Built on a slow hum and heartbeat kick, layered vocals chant like a ceremony. Metallic percussion echoes like chains, and glitch textures simulate fractured memory. The drop arrives like collapsing stone, heavy and dramatic. A meditation on spirit trapped in matter.

Neon Highways

The Pyramid Prison

The title track, both a love song and an anthem to Tokyo itself. Vocals describe kisses in digital twilight, while the drop feels like acceleration down an infinite road. Side-chained bass simulates motion, and shimmering pads paint rain-slick asphalt. Both intimate and euphoric.

An instrumental shaped by shimmering arpeggios and wide pads. Its rising build and euphoric climax create the sensation of memories dissolving into speed. Even without lyrics, it conveys nostalgia and acceleration.

Memory Fade

A glowing ode to digital love. Vocals are drenched in reverb, as if sung from inside a circuit. Synth textures shimmer like static electricity, and the drop expands with warm chords and bright leads. A balance of intimacy and explosive energy.

Infinite Code

“2068: Return the Earth” emerges as a stark cinematic vision, born from the union of Earth-616 and Zubida under the banner of 12.3 Khz. The track drifts in minimal dark techno textures, where metallic pulses and spectral whispers sketch a future both fragile and immense. Voices unfold like fractured prophecies: towers against soil, machines against roots, humanity confronted with its forgotten origin. In this radio version, every beat is a signal, every silence a fracture, as if techno itself becomes the language of those who came to reclaim what was once theirs. This collaboration is not just a track but a signal of what may grow into a full shared album, expanding the cinematic horizons of both artists.

2068: Return the Earth

A warning disguised as a beat, eerie pads with sub bass knocking like someone at the door.

Dr0pit

Don’t Open

Minimal but deadly, built on pounding 808s and ghostly chops.

Drop It

Machines chop the beat into vowels and glitches, a synthetic storm of bass.

AI Blender

EDMT is a Tokyo-based duo whose sound was born in the underground clubs of Shibuya and shaped by the sleepless glow of the city. Known for their powerful collaborations with female vocalists, they build a bridge between intimate storytelling and explosive festival energy.
Their music avoids the clichés of EDM by weaving narratives into every drop. Vocals are not simply decoration but central to the journey, carrying fragile emotions into monumental sonic structures. In their productions, basslines roar like racing engines, synths shimmer like neon reflections, and atmospheres stretch as wide as Tokyo’s skyline after midnight.
Before their debut, EDMT gained recognition with underground remixes and live performances where their aggressive yet melodic style stood out. With Neon Highways, their first official album, they present a complete vision: EDM as both poetry and weapon, Tokyo as both city and myth, and music as both memory and acceleration.