For the first show of the new year, The EDWIN Music channel welcomes Tokyo-based producer, DJ, and "Organic Music" Record Store owner Chee Shimizu (@organicchee).

For the full interview and tracklisting, please visit https://edwin-europe.com

№ 114 - Chee Shimizu

"This is something about mining nostalgia & the space of how I've been listening to music over the last summer in Perth.  Like when you share the space of the car, facing the same way in the same direction, no eye contact but a moment of shared expression, seeing images pass, cue points of intrigue wandering out of frame haunted by what the last song anticipates. Becoming nostalgic for something as it happens in front of you.  I feel like music makes this kind of space. Maybe for me its a liminal space preceding memory, non-linear but not circular, reducing anachronistic distances, like transposing past emo angst against future heartbreak. Driving through Perth suburbs down the coast, sometimes trite corny cinematic but in its own way just great."

@eleventeeneston

John Tanner - 18.02.24

Irregular extra special shows from the world of Melbourne reissue label Efficient Space.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/efficient-space/episodes/efficient-space-th-blisks-25th-june-2024

Efficient Space w/ Th Blisks 250624

Residency show broadcasted live at Radio Tempo Não Pára (16.08.2023)

Artist: @fergus_cw

Object OD w/ Fergus @ Radio TNP 16.08.2024

Contrary to the misinformed UK rap didn’t start with Dizzy Rascal, The Streets & Stormzy

Neither was it always an inferior emulation of its US counterparts. The UK took musical influences from diverse sources inspired by the countries uniquely diverse spectrum of international cultures, embryonic influential moments that transformed into multiple worldwide musical phenomenons, hugely successful genres that could only of been forged in the UK. 

The evolution of rap in the UK is a complex and fascinating story, many of its first commercial releases might of been novelties or pop hit records but a parallel strong & passionate underground scene developed via events, clubs, magazines and nationwide specialist Rap radio shows, Hip Hop in the UK was a transformative colour blind unifying force. 

Although  much of it was ignored outside of the UK, Early British rap from across all regions of the country created many landmark timeless anthems that still sound as fresh and urgent today as they did when first released, equally as relevant as seminal revered releases from the same era across the pond, they deserve more respect and attention. 

I’ve tried to include as many of my favourite tracks from 1980-1996 as possible in this mix. In chronological order, but by no means definitive, I’m fully aware I’ve missed out loads of other great records, (and added some curveballs simply to infuriate purists) so my apologises to those legends & pioneers I didn’t feature. 

Also I’m certainly no turntablist so please don’t expect cutting, scratching or masterfully theatric blends, I’ll leave that to the experts. 

Apologies for playing Ian Dury during tracks from 1981, it was originally released in 1979 so really should have started the mix. 

Enjoy!

NB : Original broadcast as 3 parts on Noods Radio in 2025, this is an extended version of those mixes featuring bonus tracks not in the original Mixes.

UK RAP / 1979-1995 - Classics, Oddities + Novelties - NOODS RADIO

For RA.1000, DJ Sprinkles' first mix in over a decade is a powerful meditation on the genocide in Gaza.

Dance music often relies on simple narratives: release, escape, unity. But those narratives can often feel inadequate, and even at times, hollow. Or, as Terre Thaemlitz might bluntly put it, just "shitty."

For her first mix in around 15 years, Terre Thaemlitz AKA DJ Sprinkles, challenges us to think differently. "I felt this 1000th podcast should reflect the moment in which it was made," she told us in her Q&A.

And what is this moment? Every day since Israel's 2023 assault on Gaza began, an average of 28 children have been killed. That's an entire classroom, every day, for over 600 days (at the time of writing). It's a staggering figure that only captures a fragment of the listless cruelty imposed on the strip.

Faced with such a genocide, what can music really do? How political can it truly be?  For their RA.1000, Thaemlitz gives us an unflinching rebuke to the idea that music should provide escapism. The mix weaves ambient fragments and jazz passages, woven around samples from Israeli media and the voices of outspoken Jewish critics like Gabor Maté and Norman Finkelstein. 

The result is not just a protest, but a document of our time. For Terre Thaemlitz, music is never just music. Her RA.1000 serves as a reminder that in an age of relentless suffering, the most political act is to reject the illusion of escape, and search for something greater.

Read the interview and find the tracklist at ra.co/podcast/1013. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Terre Thaemlitz / DJ Sprinkles

The masterful Japanese digger Chee Shimizu showcased his singular taste in music during the June 2017 edition of RA Live at Brilliant Corners.

RA Live

RA Live - 08.06.17 Chee Shimizu at Brilliant Corners

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Robert racic 2

Robert racic 1

Wilson Tanner come to shore with a new album of floating melodies, lightly salted. Throwing electroacoustic conventions overboard, Andrew Wilson (Andras) and John Tanner (Eleventeen Eston) recorded this new work aboard a 1950s riverboat with a resourceful array of weatherproof electronic instruments and a long extension lead. These eight compositions pull in a by-catch of maritime folklore; of Siren and Selkie, Seagull and engine oil slick. A change of course from their debut album 69 (Growing Bin Records, 2016), the ambient temperature drops as II casts out to sea in uncertain weather and returns to the safe harbours of Port Phillip Bay. 

The seafarers head out to My Gull’s poised optimism. The birds watch but do they listen? By the arrival of Loch and Key, the shoreline has dissolved completely, the boat floating in serene infinity as the rest of the world spins. Conditions soon take a treacherous turn on Killcord Pts I-III - a 12 minute odyssey that battens down the hatches as these sailors eye merciless waves and blinding ocean spray, jointly channelling Berlin-school electronics and sea legs. In the aftermath, the waterlogged bleeps of Idle survey the damage as our parched crew sound the distress signal and ultimately descend into delirium. 

Known for navigating individual courses as solo musicians, Wilson and Tanner’s collective storytelling is saturated in detail, buoying between tension and harmony. II modestly stands as some of both artists’ most accomplished material.

05 Wilson Tanner - Idle 6:17 (ES013)

Label run by @noise-in-my-head

Distribution queries:

Australia | info@noiseinmyhead.com.au
Rest of the World | www.wordandsound.de