Disco/House - part 4

Techno / acid / chuggers / bdm / fourth world

KK NIGHT DRIVE #SPEED #WHITELIGHT

3AM Spares is a new compilation of Australian Electronic Dance Music selected by Andras and Instant Peterson, encompassing the darker sounds and later nights of the 1990s and beyond. Following on from forerunner compilation Midnite Spares, this double LP draws from local 12” releases, CDRs and the archives of community radio station 3RRR FM to make a diverse and pumping scene audible once more. No longer confined to beer barns and back rooms, this generation of producers, DJs, clubbers and ravers spilled out into pavilions, warehouses and paddocks, embracing a new culture of machine-metaphor and chemical love. 

Future Sound of Melbourne’s warehouse triptych Resist The Beat embodies a time when the country’s youth united with juggernaut stamina, partying beyond the long arm of the law. Restored from the ARIA award-winning trio’s original DATs, this debut 12” incited label offers from Jeff Mills, Frank De Wulf and Carl Cox. 

Released by the likes of Clan Analogue, Creative Vibes, Volition, DanceNet, Juice and Psy-Harmonics, this era’s material has evaded sufficient digital documentation until now, some lost in the decommission of Angelfire, Tripod and Geocities websites. Often these bedroom experiments and one-off collaborations existed solely for compilation inclusions, a plausible scenario for the mysterious Inner Harmony. In the case of Tetrphnm, graphic artist Jeremy Dower’s glacial sub-bass was digitised from the only known CD-R copy, preserved by the 3RRR FM library. 

Many key figures of this narrative have deep roots in the DIY/post-punk family tree. Third Eye, the impressive evolution of Whirlywirld founder and industrial legend Ollie Olsen, finds common ground with I Will Go, a hypnotic concoction by Adrenalentil and Poets of the Machine associate Jandy Rainbow, a transgender artist whose liberated electronics trace back to 1978. 

The most unique take on this new wave of dance music comes from Turrbal-Gubbi Gubbi woman and Stolen Generations survivor Maroochy Barambah. Recorded in New York, Mongungi incorporates two lines of a traditional Gubbi Gubbi song Gurri Nina Nami with the sound palette of tribal house, highlighting the broadening ways that identity and culture were being negotiated and manifested within club music. 

A lesson in intelligent appropriation, Artificial’s Sobriquet remix bends one of the most looped samples of all time to fit a wired new generation’s interrogation of that thing called disco. Artificial’s ingenuity was vital impact to the scene, releasing three influential albums as one half of B(if)tek and establishing the WINK Awards - a music prize that recognised and encouraged subversive electronics. Her playfulness is mirrored in Blimp’s frisky garage house, recalling Paul Johnson, while Ian Eccles-Smith’s borrowing is comparatively more discrete on the chillout sampledelic collage The Slaughtering Eye. 

Andy Rantzen returns to Efficient Space in two incarnations - as one half of Itch-E + Scratch-E ambient alias Screensaver, and in collaboration with General Electrik on Leather Lover, a cocked and loaded glimpse at the bottom end of Oxford street, originally recorded for the Club Kooky compilation Gay In The Life: Adventures in the Queer Underground. Reinventing himself as Hypnoblob, fellow Sydney Oz Wave artist Ian Andrews also gives us his pneumatic-drill-step Deep Down.

3AM SPARES: Compiled by Andras and Instant Peterson (ES009) OUT NOW

OUT NOW ON @efficientspace

3AM Spares is a new compilation of Australian Electronic Dance Music selected by Andras and Instant Peterson, encompassing the darker sounds and later nights of the 1990s and beyond. Following on from forerunner compilation Midnite Spares, this double LP draws from local 12” releases, CDRs and the archives of community radio station 3RRR FM to make a diverse and pumping scene audible once more. No longer confined to beer barns and back rooms, this generation of producers, DJs, clubbers and ravers spilled out into pavilions, warehouses and paddocks, embracing a new culture of machine-metaphor and chemical love.

Future Sound of Melbourne’s warehouse triptych Resist The Beat embodies a time when the country’s youth united with juggernaut stamina, partying beyond the long arm of the law. Restored from the ARIA award-winning trio’s original DATs, this debut 12” incited label offers from Jeff Mills, Frank De Wulf and Carl Cox.

Released by the likes of Clan Analogue, Creative Vibes, Volition, DanceNet, Juice and Psy-Harmonics, this era’s material has evaded sufficient digital documentation until now, some lost in the decommission of Angelfire, Tripod and Geocities websites. Often these bedroom experiments and one-off collaborations existed solely for compilation inclusions, a plausible scenario for the mysterious Inner Harmony. In the case of Tetrphnm, graphic artist Jeremy Dower’s glacial sub-bass was digitised from the only known CD-R copy, preserved by the 3RRR FM library.

Many key figures of this narrative have deep roots in the DIY/post-punk family tree. Third Eye, the impressive evolution of Whirlywirld founder and industrial legend Ollie Olsen, finds common ground with I Will Go, a hypnotic concoction by Adrenalentil and Poets of the Machine associate Jandy Rainbow, a transgender artist whose liberated electronics trace back to 1978.

The most unique take on this new wave of dance music comes from Turrbal-Gubbi Gubbi woman and Stolen Generations survivor Maroochy Barambah. Recorded in New York, Mongungi incorporates two lines of a traditional Gubbi Gubbi song Gurri Nina Nami with the sound palette of tribal house, highlighting the broadening ways that identity and culture were being negotiated and manifested within club music.

A lesson in intelligent appropriation, Artificial’s Sobriquet remix bends one of the most looped samples of all time to fit a wired new generation’s interrogation of that thing called disco. Artificial’s ingenuity was vital impact to the scene, releasing three influential albums as one half of B(if)tek and establishing the WINK Awards - a music prize that recognised and encouraged subversive electronics. Her playfulness is mirrored in Blimp’s frisky garage house, recalling Paul Johnson, while Ian Eccles-Smith’s borrowing is comparatively more discrete on the chillout sampledelic collage The Slaughtering Eye.

Andy Rantzen returns to Efficient Space in two incarnations - as one half of Itch-E + Scratch-E ambient alias Screensaver, and in collaboration with General Electrik on Leather Lover, a cocked and loaded glimpse at the bottom end of Oxford street, originally recorded for the Club Kooky compilation Gay In The Life: Adventures in the Queer Underground. Reinventing himself as Hypnoblob, fellow Sydney Oz Wave artist Ian Andrews also gives us his pneumatic-drill-step Deep Down.

Playlist created with Playlist Converter http://www.playlist-converter.net

disco fruit

We’ve always loved the sound of the early Detroit House scene that crossed over with the Paradise Garage era. Combined with our love for Channel’s voice, it seemed like a perfect fit. His voice has a magical ability to make songs that are made for strutting.

Lights Up (feat. Channel Tres)

Luke Vibert - I Love Acid [LIMBO Remix]

Artist: Naum Gabo
Title: Black Lab
Label: Endless Flight
Format: 12''
Cat-No: endless flight 16
Release Date: 2009

Naum Gabo - Black Lab (Discosession Remix)

Beneath the Surface

Beneath the Surface (Original Mix)

Buy on Beatport

Lickin'

Ko Be Tir

Marquis Hawkes continues to supply quality, disco-infused house with ‘The Basement is Burning’ EP on AUS Music, featuring the euphoric and energetic title track.

It’s no surprise Marquis Hawkes is right at home on AUS Music, having released a collection of the label’s top EPs in the past two years, including ‘Chances’, ‘Doornroosje’ and ‘Love Precipitation’. Now he’s set to drop his second release on the imprint in 2017, showcasing more of his soulful and emotive material. 

‘The Basement is Burning’ leads off with a warm piano melody paired with a steady house beat which leads into a crescendo of blissful strings and synth. It’s interesting to note that the track was inspired by a distressing event in which his home caught fire and his family had to be rescued from a fifth floor balcony. Once he and his family were safe, Hawkes had to dash across Berlin to make it to a live show at 10am. A few days later, ‘The Basement is Burning’ was born.

‘The Basement is Burning’ EP is set for release May 26.

More information here: http://mixmag.net/read/premiere-marquis-hawkes-delivers-emotive-house-with-the-basement-is-burning-premieres

AUS115

More exclusive music

Premiere: Marquis Hawkes 'The Basement is Burning'

http://mixmag.net/read/premiere-gerd-janson-shan-regraded-premieres

ReGraded is back to rule your summer once again

Pre-order: https://regraded.lnk.to/Surrender

Premiere: Gerd Janson & Shan 'Surrender'

@oflynnmusic offers up a free download of a proven peak time worker from his sets over the summer. Yes it's a disco-house track and one that's already proven on the floor cause bedlam at the right time, but it's unconventional approach with such dramatic ebbs and flows give it a more nuanced charm.

Free Download: http://www.stampthewax.com/2017/07/27/premiere-oflynn-tru-dancing-free-download/
Listen on Youtube: http://bit.ly/tru-dancing

Free Download

O'Flynn - Tru Dancing (STW Premiere)

Artist : @misskittin
Remix : @truncate
Label : @zonerec

Release Date : 23rd March / 28th March 2018

Pre-order link : https://idol.lnk.to/1993EACID

More premieres : bit.ly/2eTWTpU

EACID

Premiere : Miss Kittin - EACID (Truncate Remix)

DJ Seinfeld presents an immersive EP exploring the balance between fragility and force. Sakura EP is out on Deep Sea Frequency in April. 
The four tracks draw from a multitude of inﬂuences. Breaks, electro, dub and trance elements band together with a familiar lo-ﬁ approach where distortion acts as an instrument of its own.
Title track "Sakura" is a subaquatic dose of old school electro with swollen bass and fuzzy harmonics. Sagrada brandishes swirling melodies with layers of detail whilst Belvedere uses looped breaks and a sub-driven bassline to build animated funk. Battery rounds out the EP playing with delicate melodic inﬂections over a cavernous low end.

Segrada EP

LISTEN ON YOUTUBE

PREMIERE : DJ Seinfeld - Sakura

Housemates (@ex-terrestrial & @priori-ties) make their debut on NAFF with a blinding prog-house anthem conceived last summer at Casa Di Ruffino, Montreal. The ultimate dollar bin jumper, Soul Value shines with the sax magic of regular collaborator Emmanuel Thibau. Remixes by Florist (@fl-rist) and Lamusa II (@lamusalamusa) appear on the flip to round out the trip. Pure house energy for every dance floor on and off the planet. It just works!

Housemates - Soul Value (Preview)

A2 Eris Drew - Trans Love Vibration (Eris Goes to Church)

vinyl

bad space habits

grab the wheel

leave it open

One of the more balearic, lower tempo picks on 3AM Spares, the new compilation from Andras and Instant Peterson on Efficient Space. Hazy bleeps, piano stabs, wistful trumpet and tasteful guitar sounds like a collaboration between Jose Padilla and Higher Intelligence Agency.

Read more & buy: http://www.stampthewax.com/2018/11/01/premiere-ian-eccles-smith-the-slaughtering-eye/
Listen on Youtube: http://bit.ly/ian-eye

Andras & Instant Peterson present 3am Spares

Listen on Youtube

Ian Eccles-Smith - The Slaughtering Eye (STW Premiere)

3AM Spares: Compiled by Andras and Instant Peterson

D1 Third Eye - Behold The Angel Of Frequency 5:11 (ES009)

3AM Spares is a new compilation of Australian Electronic Dance Music selected by Andras and Instant Peterson, encompassing the darker sounds and later nights of the 1990s and beyond. Following on from forerunner compilation Midnite Spares, this double LP draws from local 12” releases, CDRs and the archives of community radio station 3RRR FM to make a diverse and pumping scene audible once more. No longer confined to beer barns and back rooms, this generation of producers, DJs, clubbers and ravers spilled out into pavilions, warehouses and paddocks, embracing a new culture of machine-metaphor and chemical love.

Future Sound of Melbourne’s warehouse triptych Resist The Beat embodies a time when the country’s youth united with juggernaut stamina, partying beyond the long arm of the law. Restored from the ARIA award-winning trio’s original DATs, this debut 12” incited label offers from Jeff Mills, Frank De Wulf and Carl Cox.

Released by the likes of Clan Analogue, Creative Vibes, Volition, DanceNet, Juice and Psy-Harmonics, this era’s material has evaded sufficient digital documentation until now, some lost in the decommission of Angelfire, Tripod and Geocities websites. Often these bedroom experiments and one-off collaborations existed solely for compilation inclusions, a plausible scenario for the mysterious Inner Harmony. In the case of Tetrphnm, graphic artist Jeremy Dower’s glacial sub-bass was digitised from the only known CD-R copy, preserved by the 3RRR FM library.

Many key figures of this narrative have deep roots in the DIY/post-punk family tree. Third Eye, the impressive evolution of Whirlywirld founder and industrial legend Ollie Olsen, finds common ground with I Will Go, a hypnotic concoction by Adrenalentil and Poets of the Machine associate Jandy Rainbow, a transgender artist whose liberated electronics trace back to 1978.

The most unique take on this new wave of dance music comes from Turrbal-Gubbi Gubbi woman and Stolen Generations survivor Maroochy Barambah. Recorded in New York, Mongungi incorporates two lines of a traditional Gubbi Gubbi song Gurri Nina Nami with the sound palette of tribal house, highlighting the broadening ways that identity and culture were being negotiated and manifested within club music.

A lesson in intelligent appropriation, Artificial’s Sobriquet remix bends one of the most looped samples of all time to fit a wired new generation’s interrogation of that thing called disco. Artificial’s ingenuity was vital impact to the scene, releasing three influential albums as one half of B(if)tek and establishing the WINK Awards - a music prize that recognised and encouraged subversive electronics. Her playfulness is mirrored in Blimp’s frisky garage house, recalling Paul Johnson, while Ian Eccles-Smith’s borrowing is comparatively more discrete on the chillout sampledelic collage The Slaughtering Eye.

Andy Rantzen returns to Efficient Space in two incarnations - as one half of Itch-E + Scratch-E ambient alias Screensaver, and in collaboration with General Electrik on Leather Lover, a cocked and loaded glimpse at the bottom end of Oxford street, originally recorded for the Club Kooky compilation Gay In The Life: Adventures in the Queer Underground. Reinventing himself as Hypnoblob, fellow Sydney Oz Wave artist Ian Andrews also gives us his pneumatic-drill-step Deep Down.

B2 Jandy Rainbow and Adrenalentil - I Will Go 7:24 (ES009)

B1 General Electrik Meets Andy Rantzen - Leather Lover 5:53 (ES009)

A2 Hypnoblob - Deep Down 5:00 (ES009)

A1 FSOM - Resist The Beat 8:04 (ES009)

Out now on Ninja Tune: https://mariedavidson.lnk.to/soulwaxSo

Follow Marie Davidson -
Spotify: http://found.ee/marie-sp
Apple Music: http://found.ee/marie-am
Instagram: http://found.ee/marie-ig
Facebook: http://found.ee/marie-fb
Twitter: http://found.ee/marie-tw
Youtube: http://found.ee/marie-yt
Soundcloud: http://found.ee/marie-sc

Work It (Soulwax Remix)

Marie Davidson - 'Work It (Soulwax Remix)'

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For this new Premiere, we have a track of the legendary US producer John Selway from the upcoming EP "Light Language" [SER-025] on his own NYC-based Label : Serotonin. 
It should be noted that the very first release on its label dates back 24 years now!

The track we have chosen to premiere is the A2 and is entitled ‘Light Language’.

It will be available from May 13th, 2019 on Vinyl + Digital.

Pre-order your copy here : https://johnselway.bandcamp.com/album/light-language

Release Info :

John Selway - Light Language EP [SER-025]

Vinyl/Digital pre-order : https://johnselway.bandcamp.com/album/light-language

Preview : https://soundcloud.com/serotonin-records/ser025-preview

A1. We Are Ready
A2. Light Language
B1. Gravity Probe
B2. Stars In The Gutter

Release date : 13 May 2019

When John Selway brought his dancing hands to the keyboard to begin work on his first full EP on Serotonin Records since ‘Zoids Vol 2’ in 1998, he channelled cosmic soul to create the next generation of intergalactic funk. His EP ‘Light Language’ surfs the solar winds to the space between breaks and electro where his musical adventures are free to explore the frontiers of dance. ‘Light Language’ permeates with the angelic voices of our true selves. The voice is the primary and complete musical instrument. When John was not yet born his mother sang to him in utero. A musical soul so innate it resonates celestial tonalities. All captured here on this twelve inch disk delivered by the galaxian voyager and pressed for human kind by Serotonin Records.

John Selway became an indispensable element of the history of the New York sound by virtue of building an extensive catalogue of high quality releases spanning almost three decades and multiple genres of electronic music. From his first success in the techno world as part of the seminal New York duo Disintegrator to the most successful of his collaborations, Smith & Selway, and his deep and minimal techno label CSM; from the intelligent electro-funk of Synapse and Serotonin Records to his darker explorations as Semblance Factor, Selway has created one of the richest bodies of work in the world of electronic music.

Follow John Selway :
Bandcamp : www.johnselway.bandcamp.com
Discogs : www.discogs.com/fr/artist/17-John-Selway
Facebook : www.facebook.com/selwaymusic

Follow Serotonin Records :
Bandcamp : www.serotoninrecords.bandcamp.com
Discogs : www.discogs.com/fr/label/2847-Serotonin
Facebook : www.facebook.com/SerotoninUSA
SoundCloud : www.soundcloud.com/serotonin-records
Website : www.serotoninusa.com

Light Language EP

Light Language

TL Premiere : John Selway - Light Language [Serotonin Records]

curated by jorge cruz, mastered by nate oberman. produced by rachael cain, onehouseinc.

Hot Hands - Hula

Accelerator

Papua New Guinea

Label run by @noise-in-my-head

Distribution queries:

Australia | info@noiseinmyhead.com.au
Rest of the World | www.wordandsound.de