沉釀25年的青春 - 打開歲月的酒罈，曾經凝炙的情感又鮮活耳邊。這是超過20～30年前的創作集錦。第三輯為演奏專輯，包括三個主題組曲：一部法國電影的回憶、花與男人的影子、神祕王朝，屬性分別為年少回憶、敘事散樂、歷史幻想。

A 25-year-old vintage of youth - opening the wine jar of time, the once-burning emotions come alive again. This is a collection of compositions from over 20 to 30 years ago. The third volume is an instrumental album, including three themed suites: Memories of a French Film, Shadows of Flowers and Men, and Mysterious Dynasty, which are respectively categorized as youthful memories, narrative arias, and historical fantasies.

黑暗中的人影

旅程

Instrumental tribute inspired by Devin Morrison’s “Partner Pathways.” Full respect to Devin Morrison this is an original interpretation, not an official remix.

Pathways (Tribute to Devin Morrison)

Photo: Glen Lyon, Scotland. 2025.

Gentle, spacey wee journey this one.

As ever, listen all the way through = good karma... thank you.

Drums: NI 40's Very Own Drums and Kontakt loops.
Bass: Sandberg Elektra 4-string with flats through NI Guitar Rig.
Guitars: Fender Telecaster into NI GuitarRig and Archetype Mateus Asato.
Keys: various VST from NI, Spitfire and Arturia.
Mastering: Ozone 11 Standard.
DAW: Ableton 12

Bandcamp

Confluence

PREMIERE > inverted-audio.com/premiere-riccardo-schiro-cashmere-complex

@riccardoschiro opening track ‘Cashmere Complex‘ softly intertwines ligneous synthesizers – recalling the sound of watery streams clashing – whilst plucked strings and a padded trumpet take over the refrain. Reverb has an ever-present role here, imparting the track with a four-dimensional feeling, enhanced by cascading sounds of a paradisiac foreshore, crying seagulls and squishy cymbals. Splash!

Riccardo Schirò - Cashmere Complex [Gravity Graffiti]

OUT JULY 15TH 2017 ***

On the A side - fresh aus das Legalize Lambada vaterland, the EX-YU! We bring you two white magic truffles - one a  jazz-funk original number courtesy of Anelidi and the other a bangin-disco-stomper edited by Lule.
For the B side – 2 more precious black truffles, dug out by our wild boars on their recent trips to the motherland - Africa. 
Our main man MikeBurns delivers a mental-afro-hand-raiser while Albion caters a deep-teeth-clencher.

Legalize!

ALBION - SUNSET IN ZANZIBAR

Following the success of Mildlife's 'Phase', Research brings you an all-star cast delivering their take on their pick from Mildlife's debut album released early 2018 via Research Records. 

Melbourne-Berlin transplant, master producer Tornado Wallace kicks off the EP with his take on 'The Magnificent Moon'. Wallace delivers a stripped back, break infused cruiser, mutating Kevin McDowell's vocals into an unknown alien tongue whilst staying true to the originals infectious melodies. 

Joining Wallace on the A side is Melbourne's own, Butter Sessions label-bosses, beat makers and party starters, Sleep D.The duo takes you on uncharted odyssey through their version of 'Im Blau'. Psychedelic swells lurk under dubbed out chords, cosmic fragments of the original are revealed before a bounty of bongos and congas take over! 

On the flipside Swedish disco-house rockers Mount Liberation Unlimited turn 'The Gloves Don't Bite' on its head with an extended 12-minute take! A re-imagined bass line mixed with quirky Swedish vocals, and their signature drum freak-outs makes for a memorable ending to this diverse EP.

A2. Im Blau (Sleep D Remix)

REF : CHUWANAGA004
Label : CHUWANAGA
Artist : SUNPALACE
Title : THE LOST SONGS 1982-1984
Format : 12’’ 

Tracklist : 

A1 - Dancing The Night Away
A2 - Love, Love, Love
B1 - If You Wanna Be A Beggar
B2 - Somebody’s Watching

Pre-order : https://chuwanaga.bandcamp.com/album/the-lost-songs-1982-1984

You may know of « Rude Movements », an early dance music classic produced by SunPalace (Mike Collins and Keith O’Connell) back in 1983 that brought together proto-house, balearic beats and funky vibes. In 1984, the tune quickly became an anthem that could regularly be heard at David Mancuso’s “The Loft” or at Larry Levan’s “Paradise Garage” for example. 

Thanks to Mike Collins, the studio veteran still in the business after more than 35 years and currently busy perpetuating the legacy of SunPalace, more material from the archives has been ‘surfacing’ over the past few years on UK-based record labels. After a very productive meeting earlier this year, Parisian label Chuwanaga is really proud to present four unreleased songs produced between 1982 and 1984! 

Co-written by Mike Collins from SunPalace and Breeze McKrieth, a founder member of Britfunk bands Light Of The World and Beggar & Co, these « Lost Songs » are the almost forgotten result of this seminal collaboration, an exclusive musical rendezvous between experienced studio music makers and funksters at the top of their game, including some of the finest Britfunk musicians. Bringing together eighties influences and futuristic sounds, the result covers a wide range of genres, from jazz-funk to new wave: it captured a unique moment in British musical history, a smooth transition to a more electronic sound. Definitely not one to be missed!

All tracks recorded and produced by Mike Collins for SunPalace between 1982 and 1984 in London.
All songs composed by Mike Collins and Breeze McKrieth.
Vocals: Breeze McKrieth 
Guitars: Mike Collins & Breeze McKrieth
Synthesisers, Keyboards and Drum Machines: Mike Collins
Additional Keyboards, Trumpet and Hand Percussions from our friends including the many fine UK Britfunk musicians associated with Incognito, Light of the World, Beggar & Co, and others. 
Artwork: William James Thurman
Executive Producer: Maxence Robinet
Photo Credits: Mike Collins
All tracks licensed from Mike Collins, remastered from tapes at The Carvery, London
(P) 2018 Chuwanaga

Buy on Bandcamp

SunPalace - The Lost Songs 1982-1984 - SNIPPETS (CHUWANAGA004)

"Argonauta (I’ve Been So Lonely)"
Scritto da Filippo Colonna Romano • Arrangiato e prodotto da F. Colonna Romano e Dario di Pace • Voce di Pamina Chaveau • Strumentazione utlizzata: Roland Juno 106, Yamaha DX 21, Roland TR 606, Linn Drum • Registrato presso il West Hill Studio nel Settembre 2018

"Descending the Abyss"
Scritto, arrangiato e prodotto da Filippo Colonna Romano • Strumentazione utlizzata: Roland Juno 106, Korg Polysix, Roland TR 606 • Registrato presso il Montenuovo Studio nell’Agosto 2018

PRD1012 • Modula - "Argonauta"

They ran rampant and wild, unchained ideas which darted around his head like crazed animals and had the potential to overrule any such knowledge amassed through age. Unprecise thoughts, bitter whispers and hideous messages plagued the day by day drivel and he wondered if there was to be any way out. It would require patience and militant skill to outrun the conscious but he knew that he must in order to live amidst the free world. Until then he would be tied and tangled amidst a sea of his own complex confusion. 

Too Smooth Christ is a producer who has moved from strength to strength, channeling niche elements of house music into a luxurious package which makes things tick. A new release on eudemonia delights and intrigues.

PREMIERE: Too Smooth Christ - Unprecise Thoughts [eudemonia]

TASCAM DR-40

Survival - Joy in the Rain

Three emotional years in the making, Be With and Efficient Space finally present Steve Hiett’s Girls In The Grass. Pressed alongside the long awaited reissue of his one-shot masterpiece Down On The Road By The Beach, these ten balearic soul instrumentals are of equal necessity; unrivalled beauty rescued from the fashion photographer-guitarist’s Paris Tapes (1986-1997).

While recordings unintended for release should often be approached with caution, this is a rare case of unheard material being assembled as an indispensable and coherent piece. Girls In The Grass is something super special. The light and shadow that defines Hiett’s music is arguably more compelling here. It speaks to us in a language that feels profound, yet entirely comforting and familiar.

Girls In The Grass reintroduces Hiett’s languid electric blues boogie, crafted on Saturday afternoons with fellow art director Simon Kentish. Kentish would cook, pour some wine and then utilise his arsenal of technology. He’d dial up a chugging rhythm, together with some ambient pads or keyboard textures, and anchor the weightless gauze of Hiett’s six-stringed touch.

Hiett’s guitar sings with the same clean, crisp tone as Down On The Road, animated by a carefree weekend groove. Unlike his defining album which was boiled under pressure, these subsequent sessions have all the time in the world. The naïve melodies chart a missing link between Vini Reilly’s ventures into electronica and Booker T, sounding like sun-warped takes on wordless, fractured non-hits from his heroes The Beach Boys.

Remastered for public pleasure by Simon Francis, these private moments are adorned with Hiett’s singular photography and feature typically idiosyncratic liner notes from Mikey IQ Jones.

Steve Hiett - More Rain In The Woods (ES011/BEWITH062LP)

Label run by @noise-in-my-head

Distribution queries:

Australia | info@noiseinmyhead.com.au
Rest of the World | www.wordandsound.de