чил6

Beveled Edges

Wilson Tanner come to shore with a new album of floating melodies, lightly salted. Throwing electroacoustic conventions overboard, Andrew Wilson (Andras) and John Tanner (Eleventeen Eston) recorded this new work aboard a 1950s riverboat with a resourceful array of weatherproof electronic instruments and a long extension lead. These eight compositions pull in a by-catch of maritime folklore; of Siren and Selkie, Seagull and engine oil slick. A change of course from their debut album 69 (Growing Bin Records, 2016), the ambient temperature drops as II casts out to sea in uncertain weather and returns to the safe harbours of Port Phillip Bay. 

The seafarers head out to My Gull’s poised optimism. The birds watch but do they listen? By the arrival of Loch and Key, the shoreline has dissolved completely, the boat floating in serene infinity as the rest of the world spins. Conditions soon take a treacherous turn on Killcord Pts I-III - a 12 minute odyssey that battens down the hatches as these sailors eye merciless waves and blinding ocean spray, jointly channelling Berlin-school electronics and sea legs. In the aftermath, the waterlogged bleeps of Idle survey the damage as our parched crew sound the distress signal and ultimately descend into delirium. 

Known for navigating individual courses as solo musicians, Wilson and Tanner’s collective storytelling is saturated in detail, buoying between tension and harmony. II modestly stands as some of both artists’ most accomplished material.

WILSON TANNER - II (ES013) OUT NOW

Wilson Tanner come to shore with a new album of floating melodies, lightly salted. Throwing electroacoustic conventions overboard, Andrew Wilson (Andras) and John Tanner (Eleventeen Eston) recorded this new work aboard a 1950s riverboat with a resourceful array of weatherproof electronic instruments and a long extension lead. These eight compositions pull in a by-catch of maritime folklore; of Siren and Selkie, Seagull and engine oil slick. A change of course from their debut album 69 (Growing Bin Records, 2016), the ambient temperature drops as II casts out to sea in uncertain weather and returns to the safe harbours of Port Phillip Bay.

The seafarers head out to My Gull’s poised optimism. The birds watch but do they listen? By the arrival of Loch and Key, the shoreline has dissolved completely, the boat floating in serene infinity as the rest of the world spins. Conditions soon take a treacherous turn on Killcord Pts I-III - a 12 minute odyssey that battens down the hatches as these sailors eye merciless waves and blinding ocean spray, jointly channelling Berlin-school electronics and sea legs. In the aftermath, the waterlogged bleeps of Idle survey the damage as our parched crew sound the distress signal and ultimately descend into delirium.

Known for navigating individual courses as solo musicians, Wilson and Tanner’s collective storytelling is saturated in detail, buoying between tension and harmony. II modestly stands as some of both artists’ most accomplished material.

Basta van

„ NEW from Kristy And The Kraks „Snakes On The Phone“ 4 Tracks EP on Fettkakao. Kristy And The Kraks, affectionately known as the two-headed love child of Kate Kristal and Ana Threat, are wreaking havoc on the sensibilities of unsuspecting analog lovers, club kids, and vinyl freaks from Vienna to Chicago. Bristling with handfuls of vipers, ripped-out telephone cords, haywire guitar strings, strangulated utterances, and femme fatale crash & flash, KATK have elevated CAVE-GIRL garage anthems to a new level of sleek ULTRA TRASH AuGoGo. If you are not listening to „SNAKES On The Phone“, you’re wasting your time.“
- Tav Falco, 2017

Snakes On The Phone

Kristy And The Kraks - Ready

READ > inverted-audio.com/premiere-youthman29-632

Hot on the heels of Sasha Zlykh's 'Lie To Your Mom' EP, Hamburg-based label @thepressgroup resurface this spring with the debut solo offering from the mysterious @vlmtpg, flexing out the killer breaks and luxuriant pad tapestries for a sensuously rhythmic and atmospheric hybrid treat.

Youthman(29) - 6:32 [The Press Group]

Wilson Tanner (Andras and Eleventeen Eston) return to shore with II - a new album of floating melodies, lightly salted. The 12 min odyssey Killcord Pts I-III battens down the hatches as these sailors eye merciless waves and blinding ocean spray, channelling Berlin-school electronics and sea legs.

Wilson Tanner - Killcord Pts I-III (ES013)

Healing sounds and soothing landscapes assembled by the brilliant @ullastraus.

Check her latest releases in @quiettimetapes and @westmineral

Recorded on Philladelphia 28/04/19.

artwork x @iq94

FR035 Ulla Straus (Philadelphia, Pennsylvania)

Useful Information

@harmoniousthelonious
Unidentified Ensemble Plays... Harmonious Thelonious

A1. Women's Chorus From The Region Of...
A2. Halb Ding
B1. Delusion (Version II)
B2. Unidentified Soundtrack

TTT073

Unidentified Ensemble plays... Harmonious Thelonious

TTT at Honest Jon's

Harmonious Thelonious – Women's Chorus From The Region Of…

Алексей Борисов, студент исторического факультета МГУ, создает свою первую группу Проспект в 1981 году; вдохновленные летними посиделками на столичных кухнях, они с друзьями играют легкую гитарную музыку с оглядкой на западную «новую волну». Группа распадается в 1984 году, чтобы через год вернуться на сцену в обновленном виде, уже как Ночной Проспект. К Борисову присоединяется энтузиаст электронной музыки и коллекционер редких синтезаторов Иван Соколовский, а новое звучание группы совершает плавный переход в «сумеречную зону» индастриала и тягучего синти-попа. Под новой вывеской коллектив записывает и издает несколько концептуальных, новаторских альбомов, работая с важными деятелями советского авангарда — например, Жанной Агузаровой, — после чего Борисов и Соколовский решают сфокусироваться на сольных проектах.  
	В 1986 году музыканты воссоединяются на студии Борисова на Проспекте Вернадского, чтобы записать единственный инструментальный альбом в дискографии группы, «Курорты Кавказа». Главные инструменты на записи — перкуссионная драм-машина, звуки которой придают альбому несколько афро-карибский, «тропический» характер, а также редкие синтезаторы: от советского «Фаэми» до итальянского «Бонтемпи». Альбом получит противоречивые отзывы и останется непонятым современниками, во многом из-за того, что звучит слишком странно и нетипично, даже для самих участников дуэта.  Запись так и не будет издана официально, эти композиции ни разу не сыграют вживую. Вскоре после своего появления на свет «Курорты Кавказа» уберут подальше в архив и забудут, а музыканты переключатся на создание более монументальных произведений — например, своих культовых «Кислот». 
	Спустя 33 года после записи «Курорты Кавказа» издаются впервые.
_____________________________________

In 1981, Alexei Borisov, a history student at the Moscow State University, formed his first band Prospekt (Avenue), drawing inspiration from kitchen table talks and new wave music coming from the West. They broke up in 1984 and 
a year later Borisov joined forces with Ivan Sokolovsky, 
an electronic music enthusiast and a connoisseur of rare synthesizers, to introduce the new and «updated» version of the band. By becoming Notchnoi Prospekt (Night Avenue), Borisov and Sokolovsky started moving towards industrial music and viscous, psychedelic synth pop. 
	In 1986, after a few conceptual, revolutionary albums 
as Notchnoi Prospekt, various solo projects and collaborations, the duo reunited in the studio to record their only 
instrumental album «Kurorty Kavkaza» (Resorts of the Caucasus). Built around the hypnotic meshing of afro-caribbean drum machine percussion and vintage Soviet and Italian synthesizers' vivid sonic palette, the resulting record was something that was absolutely different from Borisov and Sokolovsky's dark signature sound and wasn't well 
received both by the public and underground scene. Until now, these tracks were never released and Notchnoi Prospekt never performed them live. Shortly after the recording session the duo focused on a return to their industrial roots that resulted in a number of monumental albums including «Kisloty» that became an instant underground classic. 
	«Kurorty Kavkaza» lay dormant and forgotten for decades, and thirty three years after its recording, it gets the deserved official release.

Notchnoi Prospekt  "Health Resorts of the Caucasus" (1987)

Side 1
A1 – From the depth (5:09)
A2 – Fishes (8:46)
 
Side 2
B1 – This Night (7:40)
B2 – On the coast (6:27)
B3 –  Sea walk (4:23)

Side 3
C1 – Lukich on the beach (5:20)
C2 – Oriental sweets (4:12)
C3 – Heat (4:47)

Side 4
D1 – Road to mountains (11:59)
D2 – Caves (6:02)

guitar, percussion, effects — A. Borisov
keyboards, electronic percussion, TB-303 – I. Sokolovsky
text – E. Galochkin, S. Sharifullin
photo – O. Kornev, V. Marochkin
art direction – P. Milyakov
executive producer — I. Zaynetdinov

2 x 12" LP, 180 grams
© «ГОСТ ЗВУК», Moscow, Russia, 2019

Bleep

ГАР002: Ночной Проспект «Курорты Кавказа»

Read more: https://electrocorp.fr/2019/06/18/wilson-tanner-ii/ 

"These eight compositions pull in a by-catch of maritime folklore; of Siren and Selkie, Seagull and engine oil slick". This is how we got introduced to the new album of Wilson Tanner. 

Wilson Tanner is the mutual project of Australian artists Andras (Andrew Wilson) and Eleventeen Eston (John Tanner). Here they release "II", a follow up to their debut full-length published in 2016. 

Through the 8 tracks, Andrew and John captured Ambient and Electronica landscapes, all recorded in 3 days, on September 2017, aboard a 1950s riverboat with weatherproof instruments. 

While listening to the LP, we instantly felt in love with the whole aesthetic and the peaceful feeling that spead throughout the tracks. "All Hands Bury the Dead" is our pickup from the release with its early 70s / late 60s electronic sound that brings back a lot of music and visual memories.

Premiere: Wilson Tanner - All Hands Bury the Dead [Efficient Space]

Hüseyin Ertunç Sextet ‎– Unhinged-Ness Voices (Excerpt)

Library-style ambient with a maritime theme from the pairing of Wilson Tanner, AKA Andras and Eleventeen Eston.

‘II’ is out July 5th on Efficient Space.

Pre-order: bit.ly/2KYNlwg

@andraaaaaas
@eleventeeneston
@efficientspace

Premiere: Wilson Tanner - Loch and Key [Efficient Space]

05 Wilson Tanner - Idle 6:17 (ES013)

03 Wilson Tanner - Perishable 3:35 (ES013)

01 Wilson Tanner - My Gull 2:11 (ES013)

Label run by @noise-in-my-head

Distribution queries:

Australia | info@noiseinmyhead.com.au
Rest of the World | www.wordandsound.de