ibraheem.official@gmail.com
ibraheem.bandcamp.com

-dwell as one-
info/contact: iajovvv@gmail.com

Bootleg series released on 12". Distributed by Above Board Distribution.
<a href="http://www.facebook.com/discofil" rel="nofollow" target="_blank">http://www.facebook.com/discofil</a>

http://aboveboarddist.co.uk/label/discofil


Bookings Worldwide: alex@fckng-serious.de
Reinier Zonneveld's label: @filthonacid

Reinier Zonneveld Bio
When it comes to stadium-sized techno, Dutch tastemaker Reinier Zonneveld reigns supreme. Over the past 13 years, he’s emerged as one of the Netherlands’ most prolific producers, DJs, event organisers, and label founders. He’s become a beacon for a new generation of ravers, drawn to his fast-paced, bruising beats that fuse the sensibility of techno’s past with the cutting-edge sound design of its future.
But there’s more to Reinier Zonneveld than just a leading producer of acid techno. He’s the founder of the acclaimed Filth On Acid record label, who’s ranked #22 in DJ Mag’s Top 100 DJs and previously the highest new entry of the year, a Guinness World Record holder, an Edison Pop Award winner, and one of the most in-demand live acts in electronic music. Regularly performing in venues with over 25,000 visitors, his live shows have become a benchmark for the modern techno experience, powered by classic machines like the Roland 909, 101, and other synthesizers, which he manipulates in real time to create his signature soundscapes.
Reinier’s reputation as a visionary and pioneer extends far beyond his production. He’s the creative force behind the technologically forward-thinking R² Festival, where he became the first artist in the world to perform back-to-back with his own AI, just trained on his own music, enabling him to experiment with wild new technics on stage while he performs on his synths and drum machines. In 2025, he’ll take this groundbreaking concept even further with a 10-hour AI B2B live performance, featuring a holographic version of himself with real-time audio-visual manipulation — redefining what it means to perform live in the age of AI.
Classically trained on piano from the age of three, Reinier studied econometrics and earned two master’s degrees at Erasmus University in Rotterdam, where his devotion to electronic music first took shape. He began releasing minimal, experimental club cuts in the early 2010s — including ‘Vuur’, ‘Flashers’, ‘Find Muck’, and ‘Remember’ before unveiling his debut album, Reverse Psychology (2013).
By 2015, his sound evolved toward the darker, faster side of techno, showcased on Make Me A Promise and Final Judgement, and cemented with his 2016 album Megacity Servant on Stil vor Talent, featuring the hit ‘Things We Might Have Said’ with Cari Golden. His monumental fourth album Heaven Is Mad (For You) pushed him to new heights, featuring some of his biggest tracks to date — including ‘Dance With The Devil (The 6th Gate)’ (16M+ streams) and ‘Move Your Body To The Beat’ (29M+ streams).
Since founding Filth On Acid in 2017, Reinier has continued to shape the global techno scene, consistently holding the #1 position on Beatport’s techno charts and collaborating with artists ranging from Carl Cox, Speedy J, and Angerfist to Armin van Buuren and Oliver Heldens. Now approaching its 200th release, the label remains synonymous with innovation and quality, balancing underground credibility with global reach.
Recognised as one of the most productive producers in the scene, Reinier has amassed over 83 days’ worth of his own released music, a staggering testament to his creative drive and output. He has also played a pivotal role in shaping the sound and tempo of modern techno, being one of the first artists in the scene since to push BPMs beyond 140 to 145 in the second decade of the year 2000, setting a trend that has defined the genre’s energy since 2018.
In a live setting, Zonneveld is renowned for his marathon performances from a 12-hour set at ADE 2019 to the record-breaking 11-hour, 11-minute show at his own Karren Maar Festival in 2023. His technical mastery, fearless experimentation, and relentless energy continue to redefine the limits of what’s possible in live electronic music.
Reinier Zonneveld stands as one of the most forward-thinking and influential figures in contemporary techno — an artist who continually pushes boundaries, challenges convention, and leads the evolution of the global electronic scene.

Formerly known as Opuswerk.
High-quality electronic dance music from the Swiss lakeside, 

Affiliated to labels like @dement3d, @artsltd, @semantica-records,, @krillmusic and @knotweed-records

1/2 of HISS:1292 with @francoisx

Curator of the #OPUS parties with guests such as:
Iori, Agonis, Cosmin TRG, Henning Baer, Sandrien, JP Enfant, Yotam Avni, Blawan, Svreca, Ulf Erikson, Nikita Zabelin, Barker
______________________________

Half Dutch, Half Egyptian, and based in Geneva, Hendrik van Boetzelaer has established himself as a key player of the Swiss scene. He is known for his passion for warm and forward thinking music for the body regardless of the genre. Following years of activism as Opuswerk, his first work under his real name, the “Mémoire Du Présent EP”, on François X’s Dement3dXXX, reveals an artist’s coming of age in continuity of his past work.
Trained as an architect, and passionate by the concept of “the club”, he thrives for what triggers raw emotions. Maturing from years of self-education, spawned with dub and drum and bass sound systems, he plays and makes music that is both adventurous and inventive with a defined futuristic aesthetic and firmly grounded in the experience of one’s body on the dancefloor. It’s as if he found his sound as much as it found him, delving inspirations from the wide spectrum of what dance music has to offer: House, Techno, EBM, Electro, IDM, Balearics, old and new.
His approach to producing, both visceral and highly technical have gotten him to team with artists like François X for the HISS:1292 project or Ripperton for the Aelectricitae Live project. As Hendrik van Boetzelear his work has reached a new plateau of explorations where he channels his many cultural origins into freeform experimentations. As a testimony to his never ending hunger for knowledge, and representative of his research process, his previous work using the Opuswerk pseudonym, came out on labels such as Bleed Music, Semantica, ARTS or Dement3d. As Hendrik van Boetzelaer, he has shed his skin and dropped the moniker.
His style is always forward thinking and finds adventurous ways of transporting the dancers beyond the boundaries of the club all the while challenging them. His musical consistency, brings him to play, in the best clubs and festivals from Concrete to Tresor or Mute, CTM Festival and Montreux Jazz or Paleo.
______________________________

The future:

08/11 Ormside, London (UK)
21/11 NE x Headframes, Kiruna (SE)
12/12 Tresor, Berlin (DE)
19/12 Under Bron, Stockholm (SE)
20/12 Astron, Athens (GR)
31/01 Industrial Copera, Granada (ES)
13/02 TBA Tblisi (GE)
06/03 Under Bron, Stockholm (SE)


Requests/Booking:

booking@northernelectronics.se

The cohesive array of depth charged devices that Anthony Linell has produced is formidable. From his opening statements as Abdulla Rashim on his early label of the same name, right through to his recent work that puts his aliases aside, there is a robust and rigorous intent that compounds the elemental strategies of techno's models to apprehend his singular vision.

Presiding over Stockholm's Northern Electronics label with Varg (Jonas Rönnberg), Linell dispenses with mechanisms of attention on all fronts. Marked by an indefatigable self-reliance, the label presents exactly what it means to display, and no more. Carving an idiosyncratic platform for his music is as great of a warning as there could be that Linell's leveraging little toward the benefit of the audience. By his measure, the familiarity and comfort of contemporary techno is stripped back to its rushing heart, the senses left tailgating the strobe in a fit of intuition over decision. The greater this is exposed the colder it gets, and its in these extremes that Linell's caustic rhythmic precision hits. Live, it comes off as a galvanizing strike from the outside; analysing the room as a DJ, it's a case of being pursued through the dark.

Just as the brevity of Linell's output in the eyes of techno is exalted as it is brought into focus, the background to this blurs as you start to decipher his other projects. Lundin Oil skirts the fringes of noise and experimental music, and in collaboration with Varg as Ulwhednar, this is perhaps even more pronounced.

Purposively ricocheting between the techno world and experimental electronic music, Linell forges a distinct passage that gathers the aesthetically uncompromising motifs and missions from across this spectrum. It's this combination and resolve that's brought Linell to the world's attention, however little that attention has been solicited.

Lärm is following