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Un serie di cover eseguite dagli Eggs on a Plane

CoverEggs

Pogo - Upular

KEYS N KRATES returns in full force with four diverse tracks that exemplify the group’s unique style. The SOLOW EP features the new track “Dum Dee Dum,” which mixes the group’s trademark blend of hip-hop, trap, and electronica influences. Also featured on the SOLOW EP are tracks “I Just Can’t Deny”—an anthem built for stadium crowds and festival denizens alike—and the hip-hop heavy “Ratchet Hoe$,” which best illustrates KEYS N KRATES’ dominance of the current electro-trap movement, as well as “Treat Me Right.”

DUM DEE DUM

All of Me

All Of Me

Timber

Buy "Timber"

Megalithic Symphony

Sail

Download the Flume: Deluxe Edition album on iTunes here:

http://smarturl.it/flume_deluxe

ANZ: November 8
UK/Europe: November 11
North America: November 12

#flumedeluxe

Flume

The Greatest View (feat. Isabella Manfredi)

Follow me !!!

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In Partnership With Gamexperience !!

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Move Bitch (Get Out The Way)

Avenged Sevenfold - Warmness on the soul

Download Migos' "No Label 2" mixtape now! http://bit.ly/NoLabel2

No Label II

Fight Night

Buy Hookah On ITUNES

Tyga Ft. Young Thug - HOOKAH

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

Lyrics to Trojans:
Take it off
Take it in
Take off all the thoughts of what we've been
Take a look
Hesitate
Take a picture you could never recreate
Write a song
make a note
for the lump that sits inside your throat
Change the locks, change the scene
Change it all but can't change what we've been

Your trojan's in my head

It's ok if it's gone
The thoughts that you had that it was the one
And oh what is left?
For all those times is that what you get?
Oh regardless
The walls get painted anyway
Oh you're guarding
The gates, but it all got away

Your trojan's in my head

Take it off
Take it in
Take off all the thoughts of what we've been
Take a look
Hesitate
Take a picture you could never recreate
Write a song
make a note
for the lump that sits inside your throat
Change the locks, change the scene
Change it all but can't change what we've been

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Trojans

Buy on iTunes

New Album 'Paperwork' OUT NOW. Get it here:

iTunes: http://smarturl.it/PaperworkDLX
Google Play: http://smarturl.it/PaperworkGPDLX
Amazon: http://smarturl.it/PaperworkAmazonDLX

"About The Money" Featuring Young Thug available Now! Get it here:

 iTunes: http://smarturl.it/ATMSingle
Google Play: http://smarturl.it/ATMGooglePlay
Amazon: http://smarturl.it/ATMama

Stream on Spotify: http://smarturl.it/ATMspot

About the Money

About the Money (feat. Young Thug)

Buy 

OUT NOW: https://showtek.lnk.to/LoversRemix
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Subscribe to our channel now! → http://youtube.com/showtek
Join our Skink Radio Spotify Playlist! → http://spoti.fi/1pwhNJM 
More info → http://showtek.nl

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Spotify

David Guetta - Lovers On The Sun ft. Sam Martin (Showtek Remix)

Nearly two decades after its release, Seattle indie rock band Harvey Danger’s cherished debut full-length album, Where have all the merrymakers gone?, will be released on vinyl LP for the first time ever on July 29th via No Sleep Records.

The Vinyl packaging for Where have all the merrymakers gone? will feature new artwork, designed by band members Aaron Huffman, Evan Sult and Sean Nelson, that features the same house where the band lived together during their early years - as depicted in the original cover art - now updated to reflect the passage of time.

Originally released in 1997, Where have all the merrymakers gone? catapulted the young band to stardom with the massive radio and video success of their anthemic hit song “Flagpole Sitta.” The album has since sold over half a million copies with the single still receiving regular airplay on radio stations across the country.

For many critics, Harvey Danger’s history begins and ends with “Flagpole Sitta.” However, a revisitation of Where have all the merrymakers gone? reveals an album that transcends it’s most famous song with music that is smart, sardonic and dynamic and a band that was far more than simply a “one hit wonder.” 

Harvey Danger emerged from the garages and basements of mid-'90s Seattle playing music that walked a line between indie-rock and pop-punk, with an uncommon emphasis on the clever, heartfelt lyrics. They never sought worldwide notoriety, but managed the best they could when it was thrust upon them. Simply put it was four kids, Aaron Huffman (bass), Jeff Lin (guitar), Evan Sult (drums) and Sean Nelson (vocals), who created a song and an album that made a mark on rock music and whose pleasures have only deepened with time.

In preparation for the upcoming release, singer Sean Nelson wrote a foreword for the vinyl release, looking back on the album and its unexpected success.

“Under the long shadow of 17 years’ worth of memory, I must say that listening back to the 10 songs that changed everything for us is a bracing sensation. To hear the person you were when you weren’t yet who you are now is to understand how little you understood, and to recognize how little you even could have understood. This is doubly bracing when you consider that the person you were then had everything riding on the depth of his understanding. It’s tempting to be hard on your past self, the one who made all those idiotic mistakes, who scorched so many friendships, who insisted he knew exactly what we was doing while steering car after car into ditch after ditch. And yet, temptations aside, it feels a lot better, and in a much bigger way, to hoist hindsight’s binoculars to your deteriorating eyes and spy something you love.” (full essay from Nelson can be found in the liner notes of the vinyl LP)

Flagpole Sitta

Vikings out now on DCD2/WBR. Get it on iTunes http://bit.ly/1MofhmJ Amazon http://amzn.to/1KkNqPR Google Play http://bit.ly/1gwG1VO or listen on Spotify http://spoti.fi/1MrWc4D or Apple Music http://apple.co/1K4byWW

Catch us on the Wilderness Politics Tour presented by Journeys this fall 
New Politics + Andrew McMahon in the Wilderness, The Griswolds & LOLO 
DATES + TICKETS: http://newpoliticsrock.com/tour

http://newpoliticsrock.com
http://instagram.com/newpoliticsrock
http://twitter.com/newpolitics
http://facebook.com/newpolitics
http://spoti.fi/W7xwX5
http://apple.co/1K4byWW

Everywhere I Go (Kings And Queens)

New Politics - Everywhere I Go (Kings And Queens)

BOOKING
teemid@orange.fr

Follow me:
www.youtube.com/user/TeemidProd
www.facebook.com/teemid
www.instagram.com/teemid.music
https://open.spotify.com/artist/6zGCrS2y63IEUJfyn9Bpuc

Download

Robin Schulz - Sun Goes Down feat. Jasmine Thompson (TEEMID Remix)

Machines

Black And Yellow

New album out now!

https://linktr.ee/michaeltillmusic

Kiss With a Fist (New album, link in description)

www.facebook.com/FrenchMontanaOfficial
https://twitter.com/FrencHMonTanA

French Montana - Pop That (feat. Rick Ross, Drake & Lil Wayne)

Art Vs Science - Parlez vous français

Lil Wayne - No Worries feat Detail (Dirty)

♪ Screw the Nether (Moves Like Jagger Parody)

God Loves You When You’re Dancing EP on iTunes: http://smarturl.it/glywyd  

God Loves You When You're Dancing

Riptide

Of Monsters and Men "Mountain Sound"

Play Hard (feat. Ne-Yo & Akon)

Play Hard (feat. Ne-Yo & Akon) [R3hab Remix]

Salute Your Solution

Migos ~ Versace Feat. Drake

Hate to Say i Told You so (The Hives cover)

Kung Fu (Ash Cover)

Salute Your Solution (The Raconteurs cover)

The Beginning Of The Twist (Futureheads cover)

Time Bomb (Rancid Cover)

Big Sean f/ Lil Wayne & Jhene Aiko. Beware. Available on iTunes now. 
http://smarturl.it/ibewareex

Hall Of Fame

Beware (feat. Lil Wayne & Jhené Aiko)

Gli Eggs on a Plane nascono nell'autunno del 2010 quando Mons (ora cantante e chitarrista) e Jabba (batteria) si ritrovano con l'intento di tornare di nuovo a suonare assieme, quasi dieci anni dopo i gloriosi tempi metallari delle superiori.
In men che non si dica il progetto parte con la stessa carica ma indirizzato verso sonorità decisamente più soft quali il rock, l'indie e la musica britannica in generale.
Per completare la formazione si aggrega subito anche Malfe, altro compagno d'avventura delle superiori che non esita a riprendere in mano la chitarra e infine, ultimo ma non ultimo, entra a far parte della band anche Save in qualità di bassista.
In poco meno di due settimane la line up è completa, viene scelto il nome "Eggs on a Plane" (tripudio di trash e stupidità) e le prove cominciano subito per portare le uova sempre più in alto.

Il resto è Piergiorgio.