J. S. Bach: Six Sonatas for Violin and Harpsichord, BWV 1014-1019

Sonata in E major, BWV 1016: Adagio ma non tanto

De Matthäus Passion geldt in Nederland als de favoriete compositie in de passietijd en is verankerd in onze cultuur. The Bach Choir & Orchestra of the Netherlands is als geen ander in staat de symboliek, emotie en troost over te brengen aan u als luisteraar. 

Johann Sebastian Bach bedacht voor zijn magnus opus een unieke opstelling: twee koren en twee orkesten. De compositie vertelt het chronologische lijdensverhaal van Christus waarbij symboliek een grote rol speelt. Bach gebruikt allerlei muzikale middelen om rijke effecten te krijgen. Hij schreef voor zowel instrumenten als solisten specifieke rollen. De verteller: de evangelist, neemt u mee door het verhaal. Hij wordt afgewisseld door het koor, enerzijds intiem en dan weer overweldigend. Iedere solist heeft een eigen emotionele dimensie zoals liefde, smart, troost, beschouwend. 

De musici van the Bach Orchestra bespelen authentieke instrumenten uit Bachs tijd en het The Bach Choir wordt geroemd om haar dynamische en expressieve klank. De (inter)nationale solisten hebben een enorme toewijding wat hoorbaar en zichtbaar zal zijn tijdens de meesterlijke aria’s. Onder leiding van dirigent Pieter Jan Leusink zijn zij als geen ander in staat de symboliek, emotie en troost over te brengen aan u als luisteraar.

25 Koraal Was Mein Gott Will Das Gscheh Allzeit

(This track is a live recording)

Pléiades Collection
German Baroque Sacred Music
Passion & Resurrection
Ricercar Consort 
Les Agrémens 
Choeur De Chambre De Namur

7 Cds Box 
More info: http://bit.ly/1oYZ3U2

J. S. BACH: Johannes Passion - CHOEUR DE CHAMBRE DE NAMUR - LES AGRÉMENS / Guy VAN WAAS

Bach: Partitas Nos. 1 - 6, BWV 825 - 830 by Glenn Gould

Partita No. 4 in D Major, BWV 828 - V. Sarabande (Remastered 2022, Version 1963)

Partita No. 5 in G Major, BWV 829 - I. Praeambulum (Remastered 2022, Version 1957)

Kiiruhda katsomaan! - Pääsiäinen sävelin

Christ lag in Todes Banden, BWV 4: VI. Aaria: Hier ist das rechte Osterlamm

Mr. Dicker has earned degrees from UCLA, The University of Michigan, and The Juilliard School where he was the recipient of the Juilliard Alumni Scholarship in Performance. His teachers have included Norman Herzberg, Harold Goltzer, Mitchell Lurie, and Mehli Mehta.

Mr. Dicker's performing career began with the United States Military Academy Band at West Point. He served as Principal Bassoonist with the Wichita Symphony. His European experience began as bassoonist with the Belgian Radio Symphony in Brussels after which he spent several years in Germany as Associate Principal Bassoon of the Gelesenkirchen Philharmonic. During his years in Germany, Mr. Dicker also performed with numerous ensembles including Dortmunder Oper, Essen Philharmonic, Deutsche Oper am Rhein, Philharmonia Hungarica, and Deutsche Bach Solisten.

Fox Products Corporation, prominent maker of bassoons and oboes, has engaged Mr. Dicker as International Representative and Clinician since 1979. In this capacity, Mr. Dicker has presented clinics throughout the United States, Canada, Europe, and Japan. He has performed bassoon service/acoustical clinics in Wels, Austria and in Tulsa, Oklahoma on behalf of Fox. Most recently Mr. Dicker has served as recitalist and clinician for Fox at the first Asia Double Reed Society Convention in Bangkok, Thailand. 

Mr. Dicker has taught at Wichita State University, Blue Lake Fine Arts Camp, Musikschule Bochum (Germany), Orvieto Musica (Italy), and Illinois State University. He has presented masterclasses at the International Double Reed Society and in several conservatories and universities throughout the United States, Belgium, Germany, Italy, Japan, Portugal, and Switzerland. Mr. Dickerís former bassoon students currently hold positions in New Mexico State University, Angelo State University, Moorhead State University, The National Orchestra of Portugal, the Nordwest-Deutsche Philharmonie, and The New York Philharmonic.

Mr. Dicker has been a member of the faculty of the Illinois State University School of Music since 1986. He has performed with the Sonneries Quintet in Europe and Japan and throughout the Midwest United States. Mr. Dicker serves as Principal Bassoonist of the Peoria Symphony Orchestra and of the Heartland Festival Orchestra.  He serves as contrabassoonist of the Illinois Symphony.

Michael is married to Judith Dicker, Assistant Prof. of Oboe at Illinois State University.  Their daughter Erica is a professional violinist and daughter Talia is a professional cellist.


J.S. Bach Prelude and Fugue a moll, BWV 543, Fugue

Egor Ermolaev