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1000 de plus. Sans courir après les chiffres, voici encore une excellente excuse pour vous offrir de la musique, et vous remercier une fois de plus de votre soutien indéfectible à notre label et nos incroyables artistes.

Cette fois ci ce sont encore Kaval, Qant et Stacktrace accompagné·es d'une nouvelle recrue dans le collectif, qui n'est autre que notre cher Yaxx, qui payent leur tournée.

Enjoy, guidance.

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1000 more. Far from being obsessed about numbers, they provide yet another excellent excuse, if we ever needed one, to offer you some more free music in order to thank you all for your undying support to our label and our amazing artists.

This time around it's yet again Kaval, Qant and Stacktrace, joined by new recruit Yaxx, who are buying the rounds.

Enjoy, guidance.

Tracks produced & mixed by @ruffkaval, @qqantt, @stacktracedub & @yaxxlr.
Artwork by @stacktracedub
Mastering by @qantmastering

Qant, Stacktrace - Attic Dub

Get it here: https://yukumusic.bandcamp.com/album/kernel-panic

"Hi there, I’m really happy to present my new EP « Kernel Panic » released on one of my favorite labels « Yuku ». I’ve been discovering a lot of great music and new artists thanks to Yuku and I’m really happy to join the family.

My first release ever was a footwork release 8 years ago, and I wanted to experiment with this 160 bpm vibe again and merge it with a lot of different personal influences. I’ve been experimenting a lot with crazy polyrhythm sequencers and Euclidean algorithms for this EP. It was a lot of fun but my laptop didn’t like it at all. During the whole process, I experimented a huge amount and experienced loads of bugs and laptop freezes, so I decided to dedicate this EP to "Kernel Panics".

It might be the most hybrid EP I've done. You can hear breaks, electro, footwork, grime, percussive, and dub ingredient within. I also had the pleasure to collaborate with the very talented Kenyan rapper, Nah Eeto, for Piga Makofi, and I can’t wait to play this one live with her.

I asked my friend Vica Pacheco to create the artwork and she built this psychedelic 3d world based on « the hypnotic and dynamic energy » of the EP.

Big thanks to Yuku for following me into these new areas of experimentation."
— @le-motel
Featuring @naheeto
Vica Pacheco

Kernel Panic

Vinyl—Digital

Le Motel — Kernel Panic (feat. Nah Eeto)

Buy a limited edition 10" dubplate now: https://cocktailpartyeffectmusic.bandcamp.com/album/as-the-crow-flies-ep

Pre-order digital and get 'Sun Down' immediately.

Sun Down (clip)

In the Dark EP (previews) (out 26.01.24)

@annafruit b2b @dj_dolares live dj set in Barcelona

A.Fruit b2b DJ Dolares

Metro Size - Babai(UA)

MESS IN MY HEAD..o(〒﹏〒)o

CURDMASS

Manni Dee & Deft - This One, Art of the Possible

Future Foundations Part 3

2nd Drop Records

12" & Digital Out Now

Buy this track

Manni Dee & Deft - This One, Art of the Possible (2nd Drop Records)

https://band.link/burntheempire

Public Service Announcement:

Do. Not. Hyper-politicize. Every. Womxn*. Artist’s. Work.

After making her debut into the world of dark, deconstructed club music on Infinite Machine in late 2017, Ani Klang is releasing her latest hard-hitting, genre-blending EP on Russian label, Hyperboloid Records to round out a busy year of releases in 2020.

‘BURN THE EMPIRE’ is a powerful statement piece seeking to disprove the pervasive belief that womxn and queer people are primarily working and creating music to “empower others.”

After growing frustrated with commentators deeming every bold piece of womxn-made art as an “outspoken feminist act” and forcing political causes on female/non-binary compositions when none are intended, Klang has challenged this trend and created a piece of work that is emphatically not an “empowering anthem for womxn everywhere.”

Armed with frustration, pain, and a little irony, Klang has built her own empire on the outskirts of genre, and all who are open are invited. She is releasing this record with hopes to begin dismantling the notion that womxn’s music is only meant to serve as a political weapon to fight misogyny. There must be something more meaningful womxn have to say to each other besides ‘you can do it too.’

She began grappling with this idea several years ago, when she felt pressured by the underground club community to be “outspoken” to have her music heard. In a 2018 Instagram post, she explained her frustrations as follows:

“I feel like being ‘outspoken’ is almost a prerequisite for being a successful woman at anything these days.It’s not enough to just be an artist who happens to be female – you have to empower women somehow and put your political opinions at the forefront of your art to be considered ‘relevant’. To be completely honest, I find it frustrating as hell. […] I want women to feel empowered but there are so many other creative ways to do this than just talking about feminism. We should be allowed to just BE artists who make records about death, masturbation, chocolate cake, or whatever the hell we want!”

‘BURN THE EMPIRE’ journeys from 145-160 BPM and showcases punchy, fluttery, footwork-inspired kick patterns, layers of heavily manipulated industrial textures and ironically political self-recorded samples (i.e. feminist podcasts, orgasms, and ex-girlfriends crying and singing) bound together by a rave-friendly mentality. Featuring scorching remixes by formidable artists like A.Fruit, Daniel Ruane, and Pixelord, ‘BURN THE EMPIRE’ is an intense sonic excursion through the mind and body of a female artist, eager to set the underground club scene on fire.

With match in hand, Ani Klang urges listeners to fully understand the following before organizing a livid mob armed with extinguishers on her front lawn:

“I am not intending to belittle or invalidate any collective or artist whose primary premise and passion is to empower others. Rather, I am encouraging commentators and listeners to understand and appreciate our unique concepts and technological capabilities before lazily assuming our artistic motivations.

It’s time we Burn the Empire of exhausted empowerment and construct our own domain, fortified by authenticity, legitimacy and resiliency. We’re are not examples, we are exasperated, and we’re gonna burn shit.”

* ‘womxn’ inclusively refers to any female-bodied or non-binary individual, queer or an otherwise unique human who deviates from standard cisgender identities.

Burn the Empire

DIGITAL / CASSETTE

ANI KLANG - THE PROBLEM = (A.FRUIT REMIX)

Label founders Grave Grooves stepping up with this dubbed-out 160 acid jungle cut "Fuel", taken from the cassette compilation "The Grooveyard: Vol. 1" [DDTX001] // OUT NOW (limited to 50 copies) > https://deadtraxuk.bandcamp.com/

Label: Dead Trax
Catalogue Number: DDTX001
Title: The Grooveyard Volume 1
Artist: Various Artists
Genre: UK Garage / Breaks / Jungle / Rave
Release Date: November 6th 2020
Format: Limited Cassette Tape / Digital
Artwork: Nathan “Boris” Carr & BARE1

Tracklist:
A1. Earthnut - Even
A2. Hartta - Aku Dub (Ten Levels Remix)
A3. Grave Grooves - 66
A4. Hartta - If You
A5. Local Group - Fire
A6. D. Perignon - Glow Worm
A7. Agora - Reach 4 The Lasers
B1. Digital Diógenes & Hartta - Running Wild
B2. Margari’s Kid - Serotonin
B3. Grave Grooves - Fuel
B4. San - Everybody Out
B5. Lo Chi - After Effects
B6. Occitanie - Homecoming

DEAD TRAX:
FB: https://www.facebook.com/deadtraxuk/
IG: https://www.instagram.com/deadtraxuk/
Bandcamp: https://deadtraxuk.bandcamp.com/
Mixcloud: https://www.mixcloud.com/deadtraxuk/

The Grooveyard: Volume 1

OUT NOW

Grave Grooves - Fuel [DDTX001]

Webradio and Label from Toulouse to Worldwide

Contacts / News
>> https://linktr.ee/EGREGO.RE.COLLECTIVE



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local, independent 

Fréquence Collective

Qant, Stacktrace - Attic Dub

Egregore Collective