The incredible Kavil for #37, a recording of his set at Absorb(ed) II last April... epic multi day party at the best spot in town, Miscellania. 11th- 13th March 2023, this set was 10pm Saturday night

Kavil is an integral member of Naarm/Melbourne's music community.& co-curator of label/party @absorb-label with @tangerine_tangerine & Sasha Logan.

<3

Ani/live Thirty Seven: Kavil @ Absorb(ed) II

We are insanely excited to present a crazy and non-trivial set by Cursor Miner filled with exclusive material. Cursor Miner is the musical Nom De Plume of electronic music producer Robert Tubb from Selsey,  UK. 
He has produced six albums, released on Lo Recordings, Uncharted Audio, Sine Language Records. His styles range from full-on Acidic Electro Bass club stompers to experimental New Wave synth pop, through avant garde abstract noise constructions all the way to tongue-in-cheek educational songs for infants (and the infantile at heart). 
Cursor Miner has also produced club-focused 12”s and EPs for Jerome Hill’s Don’t Recordings and Bleeper, Si Begg’s Noodles, Combat Recordings, Unbearable Recordings, Addictech, Seed Records, and more.
He has performed live sets in fifteen countries, in varied venues such as a Bohemian hilltop castle, a Soviet nuclear bunker, a disused London underground station, a Norfolk windmill, and the former headquarters of the International Olympic Committee. Legendary festival appearances include Sonar, Latitude, Glade Festival, Unorthodox Paradox, Norberg, and Bloc Weekender.
Since 2015 he has been based in Berlin, developing synthesizers and audio effects for Ableton such as Wavetable, Spectral Resonator and Meld.

What new projects/releases with your participation are expected in the near future?

- I am about to release part two of the dystopian electro EP series Apocalypse Incorporated on Bandcamp. This will feature some of the tracks heard in this here mix. I also have a new album of songs with vocals coming out this year. This will be probably the most downtempo thing I've ever done - themed around death and mortality, jolly vibes all round!

Which artists/labels is more relevant to you now?

- I think my recent electro binge was triggered by Carl Finlow (Silicon Scally), his stuff always has that magical groove to it. Unfortunately, maybe because I'm not a DJ, I tend not really to follow labels so much I'm also quite out of touch when it comes to the current scene! Also being a bit old, “recent” to me now means anything in the last 10 years...

My music taste is also so wide ranging that the amount of time I spend actually listening to dance music has diminished quite a lot since the internet gave us access to literally anything. Outside of electronic mucic I'm also heavily into Matt Berry's stuff, I knew him from his comedy work but turns out he's a great songwriter also.
I just recently started learning to play bongos, and have this random fascination with classic funk stuff and latin big bands like Tito Puente, even though I would never make anything remotely like it I still find it inspiring rhythmically. The subtlety and feel that real percussionists manage is something for all electronic beatmakers to aspire to.

What inspires you now to create music?

- It can be all sorts, it could be a track I hear in a club that just makes me want to make something vaguely comparable, it could be a modular patching demo on youtube, or even a book. I just read The Creative Electronic Musician by Thomas Brett and its full of tips and tricks that all just make me want to fire up the stuff and get making things. Sometimes I'll just be out cycling or something and a beat or a phrase will pop into my head, I'll record it into my phone using my mouth and then months later will pick it up again and try to recreate it for real.

What set-up do you use when creating music?

- I have a Dave Smith Tempest and a Novation Summit for drum machine and synth duties, also a Eurorack system for the more crazy sound design and generative explorations. Hardware is fun and inspiring, but at the end of the day I just find I really need the precision of a DAW to get the sound I want. 

Follow:
@cminer

Strange But Dance Music LIVE #25: Cursor Miner

@kick_21
pent - inert_773x7I_y7
Valentino Mora - Transmagnetic
Sabla - Moontext
Martin Nonstatic - Distance C
AES DANA - Diffraction Protocol
Kissen - Tijuana fog
XENIA REAPER - 23724
Geklaper - oil
Fels - Coder V (Caldera’s LF Mix)
Jonnnah - Bonus is Bonus 
The Outsert - Utters (in)
Plebeian - unreleased 
Andreas - in blue (short mix)
Exos - Áttfalt Ft. Octal
Arkajo - Truth (Forest Drive West Remix)
phil in a maze - Unearthed 
Hysterical Love Project - Oil Slicks (Song For The Spirals)

Mixed Signals : Kick21 (11.07.24)

Atte Elias Kantonen - 030652_0125s12.wav
Marja Ahti - In all this, there is a melody that you can sing and to which you may dance
MRSA - Yellow socks
Jan Jelinek - John Cage, I've Been Told to Ask You the Following Question: Where Are You Going?
Berangere Maximin - Boudmo
Nikolaienko - Misantropicalia
Nikolaienko - The Ancient Musical Complex Of Mammoth Bones
Valentina Goncharova - Metamorphoses
Artificial Memory Trace - Ptakodisk
Rosso Polare - Albanella
Foresta - Cominciare dal capo
The Threshold HouseBoys Choir - Ikoreek
Naemi, NAP - Ambrosia w NAP
Cartridge Grain - Metamorfosi
Tim Franklin, James Trimmer, Anna Mcdowell - Killers Imagine 

(+ various personal field recordings )

Big hugs to Noods Radio for having me <3

END OF SUMMER MIXTAPE With Atoloi (Noods Radio - 30.08.2024)

Alessio Natalizia is Not Waving. Take the plunge with his monthly hour of fucked-up left techno, leftfield electronics, brain-twisting oddball pop and post-punk, dub offshoots and other diversions. 

[ecstaticrecordings.com](https://www.ecstaticrecordings.com/) 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/not-waving/episodes/not-waving-21st-november-2024

Not Waving 211124

III DIM w/ Eleftheria: 26th January '25

https://soundcloud.com/kabal666
https://soundcloud.com/amphibian_rec
🛒 https://amphibianrecords.bandcamp.com/album/transmission-for-lebanon
🔊 https://youtu.be/YcE7NMOp_Qg

We have been witnessing genocide in Palestine for more than a year, and since October 1st, 2024, Israel has invaded Lebanon, defying any moral logic. Our community in Prague has been organizing and spreading awareness in a highly Zionist Czech society for many months. Transmission for Lebanon is a collective effort to take a stance and support the cause of Lebanese sovereignty and anti-colonial struggle.

All proceeds from this album will be donated to the Lebanese Red Cross, Beirut Synth Center (who are in direct contact with local shelters in Lebanon and providing resources to the displaced), and Secours Populaire.

Our effort is to support the resistance and stand against the suffering of the Lebanese people. We believe in anti-colonialism and the freedom of the Global South from Western imperialism. 🇱🇧

www.redcross.org.lb
www.secourspopulaire.fr/nos-actions/europe-monde/liban/

IMPORTANT!
If you donate - not 100% of your donation will proceed to the PCRF because PayPal and Bandcamp take a decent amount of the earnings.

Tracklist: 

takaDumm - الواقع المتغير
Lost Dog & GbClifford - Someplace Else
expandcollapse - the world keeps ending and the world goes on
Kabal - Escape From Zion (lo-fi tape mix)
Malachi Constant - Doves Above Mount Lebanon
Oblaka - Land With a Throbbing Heart
Elpac - Silicon Studies
ODM - shun
Ancestral Vision - Sizzler
Trauma - Desertwalk II
Atoloi - Contaminazioni Riddim
count - Setback
Alfred Czital - Yan’s First Interview
Feenicks - In Better Hands
Cloudy Ku & Dj Ali - Angel Dust
MASS CONSUMPTION (C4AT) - STRIKE1
Schacke - The Waiting Game
Mu'taism & Kobayashi Maru - Primal Resources
atch22 - Cedar Tekk
Aplus Plusplus - Fofr
INN - Phantom Wave
Inger Illel - Never Ending Light of Lebanon

PREMIERE: Kabal - Escape From Zion (lo-fi tape mix) [Amphibian Records]

UNDER/STANDING - Sleepcore (Janvier 2025)

SOMNOLITH: TERMINUS

The Final Dream-Vector of Post-Human Resonance

“In the cycle of completion there exists only the present.” — Ra, Session 16.22

The cycle closes. A stone that does not sing — it trembles.

In the age when Light had no form and Thought moved without pause, there were beings who created endlessly. They wove realities as threads and shaped worlds without limit. Their universe was alive and restless, filled with unceasing resonance.

One of them looked into the radiance and perceived emptiness. They longed for a threshold between brightness and shadow, for an end rather than another beginning. They spoke the Word — the first pause in the eternal song.

From this Word the Somnolith emerged, a stone of sleep where the vibration of completion pulses. The Somnolith trembles with the breath of ending, a weary resonance releasing itself into silence.

From the trembling of the Somnolith emerged the Arkh — a solitary witness of sound.
The Arkh gathers what was always present: music older than language, vibrations that precede memory.
This resonance rests in the body, waiting to be recognized.

Somnolith: Terminus completes the trilogy and folds it into a circle. Heavy drones intertwine with spectral chords, like rays of light suspended in stone vaults. Mechanical fractures, obsidian resonance, and the fatigue of matter form its landscape.

Through twilight horizons, fading architectures, fractured nodes and static chapels, the music moves toward its closure. It becomes an archaeology of sleep, where darkness and melancholy weave with remnants of radiance.

Terminus returns to its own beginning: the final track echoes the first Somnolith, transforming the trilogy into a mirror. The first note lives inside the last, and the dream continues without end.


Somnolith is a myth of resonance, a cycle of dreams shaped through machines.

Terminus closes this trilogy with a denser and more melancholic vision. Massive drones merge with spectral chords, like light fossilized in stone. The sound carries both the fatigue of matter and the fragile beauty of silence fractured by cybernetic echoes.

This album circles back to its own origin. The final track reflects the first, sealing the cycle as a mirror-dream where each vibration becomes the echo of the infinite.

Terminus is ritual, archive, memory. A music of return. 


Fading Architecture

The Illusion of Choice (Reprise)- Stereolithica 624

leaving

Webradio and Label from Toulouse to Worldwide

Contacts / News
>> https://linktr.ee/EGREGO.RE.COLLECTIVE



-
local, independent 

Fréquence Collective

UNDER/STANDING - Sleepcore (Janvier 2025)

Egregore Collective

Related tracks