This is who I am. I rap because it's my passion, if you like me... Great. If you don't... thats great too. Thanks for listening everybody!

Management:
Jason Aron
jason@anitpop.com

With international support growing from renowned DJs and producers including Tiesto, Hardwell and Nicky Romero, as well as two successful Spinnin’ Records singles under their belts ("I Like It Loud" & "Michael Jackson"), New York’s emerging electronic three-piece Cash Cash has signed with legendary dance music imprint, Big Beat Records, home to a diverse electronic roster which includes Skrillex, Icona Pop, Chuckie, Martin Solveig, Flux Pavilion, Rudimental and Walden.

The group, which consists of best friends and brothers, Jean Paul Makhlouf, Alex Makhlouf and Samuel Frisch first made their way into the hearts of core dance music enthusiasts with their vibrant remixes for the likes of Nicky Romero ("Symphonica"), Capital Cities ("Safe And Sound"), Vicetone (“Heartbeat” ft. Collin McLoughlin) and Krewella ("Alive"); as well as Bruno Mars (“Treasure”), Calvin Harris (“Let’s Go” ft. Ne-Yo) and Lady Gaga (“Marry The Night”), several which have reigned on the Hype Machine charts.

But the trio truly impresses with their originally produced material, including Krewella’s next single, "Live For the Night," coming just before their first official Big Beat release, "Take Me Home" ft. Bebe Rexha, dropping on July 16th along with a remix package to all digital retailers.  The track recently premiered during the trio’s guest mix on Nicky Romero's ‘Protocol Radio’ Sirius/XM Radio show and officially debuted on BPM, hailed as the “best new track… heard in a long time” by host, Austin Kramer.

The group’s fusion of captivating pop vocals and signature banging electro-house beats have already captivated dance music insiders and tastemakers like Elektro Magazine, Complex’s Do Androids Dance and Dancing Astronaut, who named Cash Cash one of their “five breakthrough artists for summer 2013.” Expect to hear more praise for this crowd-pleasing act from EDM and pop music fans and writers alike.

BRETT YOUNG

Watch a pitcher out on the mound, on any team, from a nine-year-old kid in the Babe Ruth league all the way up to a million dollar ace in the Majors. There’s a look in his eyes—an intensity—that goes right to his core.

And when you see that look in Brett Young’s baby blues, it isn’t too hard to understand what took this California boy from a ball field to the recording studio. His gritty vocals and impassioned lyrics are built on the same firm foundation that had him as a pre-draft selection of the Tampa Bay Devil Rays straight out of high school—hard work, sheer talent and that thing music industry execs and baseball talent scouts alike simply call heart.

Those same qualities have gotten Brett’s songs placed on television shows like MTV’s The Real World and Kardashian pop culture favorite Kourtney and Kim Take New York, and his feet planted firmly on some of the most well-known stages in the world—The Roxy, The Troubador, The Viper Room, sharing those stages with some of pop music’s best and brightest, from Colbie Caillat to Gavin DeGraw to Katy Perry.

Not bad for what Brett Young once thought would just be a “hobby.” But when a major elbow injury and reconstructive surgery took him off the pitcher’s mound for good, he found out that his love for music became so much more, and what he thought was the end was only the beginning.

“Everyone leaves a trail of ‘almosts’ and bittersweet memories behind on the road to ‘the one’,” says Brett. “It happened to me on my journey—it happens to everyone. Now I use those moments when I write music. I guess it is fortunate for me that people most easily relate to heartbreak. I’m an over-emotional, hopeless romantic who feels everything, and that shows in my songs.”

With three independent albums already under his belt, Brett is taking his newest batch of songs into the studio with David Hall at the production helm, known for his GRAMMY Award winning work as an engineer, with artists of nearly every genre. And true to form, he’ll be showcasing that intensity and emotion in his recordings, of songs like “Fire” and “Breathe Again.”

“I grew up with Al Green, Marvin Gaye—soul singers. I like that the emotion carries the songs, where the music is almost secondary,” he says. “Van Morrison’s ‘Crazy Love’—that’s just timeless. They influence me; as a songwriter and a performer, I want to connect like they did. And when your audience feels like they can relate, then you have something much more special than a show, or a sale. You have a fan.”

When it comes to Brett Young, it isn’t so far from a pitcher’s mound to a major stage, and it doesn’t really matter what kind of Big Show you’re talking about. Because in the end, when you have that thing called heart, it shows. You may see it in his eyes, but you’ll hear it in his voice.  

Brett has since played venues ranging from House of Blues to Troubadour, and shared the stage with such artists as Mandy Moore, Tyrone Wells, Jason Reeves, Gavin Degraw, Tyler Hilton, Katy Perry, Hoku and many more. Brett recently  released his second record, Make Believe and is currently in the studio finishing up his latest album.

Official SoundCloud Channel of Jon Bellion.

⚡⚡
Glory Days out now
// https://lnk.to/TWINSICK-glorydays

TOUR TICKETS ⬇️
 // https://www.twinsickmusic.com/shows

Mgmt:
nick@northsideartists.com
Booking:
rob@spinartistagency.com
Promo:
twinsickmusic@gmail.com

The details of my life are quite inconsequential.
Birthed by Friday Beers & Almost Friday 🤝
About: https://pressplay.komi.io

Management & Bookings: tourmgmt@almostfriday.com

#1 in College Party Music
Launched January 2023
https://www.instagram.com/wasted.tuition/
https://www.tiktok.com/@wastedtuition
For Booking & Inquires, email wastedtuitionbooking@gmail.com

ehalada is following