edwards, hawkins, sandor

Nikki Party Jams

Soliloquy 1

AM Joy at I-10

if you've never done nitrous oxide around a camp fire then this is what you'd hear.


No2 moosehunt

Uploaded with AudioShare app - http://kymatica.com/audioshare

(null) - johnny cash new2

(null) - too young to die3.2trans4keys

recorded in 1987 with steve finleys' tascam 4track cassette.ping pong recording techniques were used and abused.
with a young ricky welch on first verse and outro tag.  my voice (tape speed manipulations) on backing harmonies, chorus', 2nd and 3rd verses.
i believe the drum machine was a korg ddm-110. the synth featured is the korg poly-800.
an oldy and moldy ehaw production that barely survived the fire when living with chris king.salvaged tape by pulling tape out of original cassette and putting it in a new housing.
digitally realigned 4 tracks, slight eq, slight noise filter, touches of verb, pitch whammy'd guitar solo.
sorry for the long ass dramatic chordal outro.but, i loved that synth patch!



Do what 'cha to do doo

Cindy Rollin The Halls

the worst sustain pedal in the world

my name is Eduardo Hawkins III. i have been known musically as Eddie, Zed, Febes Domoron, Muscience or Ehaw Music. i play all clavier, all battery, and all strings plecturned, scraped, rubbed, bowed, or acoustically excited by their amplified self or wind passing by. i am an audio engineer by profession with the Houston Grand Opera and Houston Ballet. i am a member in good standing with I.A.T.S.E. local 51 stagehands union specializing in the audio department.

i enjoy patterns of time, tapestries of frequencies with/without the range of the human ear, and breaking rules. i will improvise anything, anywhere, anytime, anyhow. i learn about music but more importantly i unlearn it. i compose for many genres, barely. i want to hear things that i've never heard before and approach music composition with this wish list in hand. i play drums/produce/write for a rock and roll band called horseshoe. but, on this soundcloud it's all about me and my sonic intentions. 

i've started a magazine called "Muscience" about the science of music....but, i never finished or published it. it's more like i'm living it. it is a word i coined from the idea of Mu is a reply which unasks the question (zen studies) and science, which nothing but asking questions. it's how i approach music with the learning/unlearning trick. also try to apply to elements of life that let me.  i am facinated with what is called the human muse. what inspires people? why? how? it is an unreply-able question. but, there are subtle hints. and to ride the wave of creativity is the only thing humans are good for in my opinion. not really, but sorta, but yeah...

when i was very young i experimented with strange sounds with dads reel to reel.  and that is basically the gist of what i have done since the beginning. 

i am available for childrens parties. if by children you mean adults who act like children. 

i once played keys in a jamband called potroast every wednesday night for 8 years.  then i realized how much i hate jambands.
some bands that i love right now are (in no particular order) deerhoof, buke and gass, the flaming lips, the super furry animals (rip).... and a bunch of others that i'm too tired to type.  

i want to someday record a tree growing for 40 years. then speed up the tape for a 4 minute sound. 

why yes, i would love for you to pay me to make music 24/7.

i suck at descriptions.

ehaw

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