Toru Takemitsu "Rain Tree Sketch II" c. 1992
Recorded Live (2006)


Toru Takemitsu - Rain Tree Sketch II

Franz Schubert - Piano Trio In E-Flat, op. 100

Symphony for alto, tenor and orchestra after the literary collection
"Die chinesische Flöte" by Hans Bethge 
Christa Ludwig, mezzosoprano
Rene Kollo, tenore
dir. Herbert von Karajan 
Salzburg Festival, Grosses Festspielhaus, Salzburg
27 August 1972

Gustav Mahler: "Das Lied von Erde"

Solo Piano.  Created in Real-Time LIVE at the Church of the Wayfarer, Carmel CA.

Photo provided by Greg Carr, my brother.

Year of Music: September 9, 2025

Jamie Duffy - solas

Vesevo - O' Rre Rre

https://dronarivm.bandcamp.com/album/illuminations-ii-the-new-year-2018-charity-compilation

30 exclusive tracks. About 3 hours of pure illuminations.

All money raised from this compilation will go to 4 Paws for Ability which enriches the lives of children with disabilities by training and placing quality, task-trained service dogs.

Find out more here: 4pawsforability.org

Thanks to all artists who kindly contribute a song for this compilation.

Released January 5, 2018.

mastered by Jason Corder
cover art by Staszek Sokołowski
curated by Bartosz Dziadosz and Dmitry Taldykin

Fallen Ground

The Mystery Sonatas
Martinson
Christina Day
Boston Baroque
Pearlman
Martin

Heinrich Biber’s astonishingly powerful and deeply emotional Mystery Sonatas represent a triumph of Baroque invention. Boston Baroque’s Christina Day Martinson delivers a technical tour de force, as she navigates the virtuosic challenges presented by the fiendishly demanding changing scordatura. Boston Classical Review described her live performance as ‘a flourish of technical complexity and musical wizardry’, whilst the Boston Globe wrote, ‘Day Martinson…didn't just survive, she triumphed.’ The adventurous use of six baroque violins in fifteen different tunings creates otherworldly soundscapes that result in a deeply moving and glorious listening experience. This highly disorientating practice reaches its pinnacle in Sonata XI ('The Resurrection') where the middle two strings are crossed over each other both in the peg box and behind the bridge, so that one can literally see a cross on the violin. The fifteen sonatas have been traditionally grouped into three sets of five: five joyful mysteries, five sorrowful mysteries, and five glorious mysteries. Boston Baroque’s founder Martin Pearlman plays organ and harpsichord, with Michael Leopold on theorbo and guitar and Michael Unterman on cello.

Heinrich Biber - Sonata I in D minor 'The Annunciation'

A short ambient piano piece off my newest release, "Penumbras".

Quietly

Էդգար Հովհաննիսյանի Տերյանական շարքից մի խմբերգ

Անուշ անուրջով-Էդգար Հովհաննիսյան / Anush anurjov-Edgar Hovhannisyan

“01Duo” is working on live audio performances, audiovisuals, installations, game sound design and performance arts. “01Duo” was formed in Tehran, Iran, 2018 by two sound artists Farbod Maeen and Deniz Tafaghodi. 

Farbod Maeen Born in 1985.02.11, Tehran, Iran. Graduated in Power and electricity engineering and interior design architecture. Started his career in music as a Jazz and Blues guitar player with Bahman Nasri in 2001, Composing Music and sound designing for dance performances, theaters, films , games since 2009.

Deniz Tafaghodi Born in 26.08.1997, Tehran, Iran. Studied B.A in Music, Azad Art and Architectures University of Tehran. She started playing the piano since 2003 and composing music and Sound designing for theater, contemporary dance , games, performance arts since 2012.
.
"33 1/3"
This quadraphonic piece for two computers and a turntable is made by mixing the pure and processed sounds of locked grooves (the inner groove on a vinyl record in the form of a closed loop, which traps the tonearm and needle, preventing it from entering the label area).
These loops are not exactly the same each time they are played, because of some condition changes(grooves damage, dust,cartridges,needles,etc.)
So this piece will change in each performance, even though it has a specific music sheet in ABAَ form.
The poly-rhythmic part turns into an ambient space, then back to the variations of the first part.

Toru Takemitsu - Rain Tree Sketch II

Grace Eun Hae Kim