The Meditation Podcast is a free podcast designed to help you benefit from meditation in your everyday life. It is produced by Jesse Stern & Jeane July-Stern.

Our podcast is unique because it uses binaural beats in the audio that actually affect the brain waves, inducing a deep state of relaxation, and a brain pattern similar to REM sleep. This has the potential to bring about profound healing. We have received emails from people all over the world who have suffered from strokes, emotional losses, trauma, anxiety and insomnia, all of whom have benefitted from our podcast.*

We decided to make this podcast to help regular people who want to learn and practice meditation. This style of meditation is non-denominational, and we believe it can be used in conjunction with – or separate from – any church, temple or any set of religious or spiritual beliefs.

(*Please note that we are not licensed health-care practictioners, and we do not claim any specific health benefits from using this podcast. You are responsible for your own health.)

Big Heart City is a San Francisco-Based meditation group. An open-hearted and welcoming community, we aim to offer a safe and authentic spiritual home for those interested in inclining their hearts and minds towards love and wisdom.

Teachers of Recollective Awareness Meditation upload their talks and interviews here. This approach to meditation doesn't rely on strict techniques or a lot of instruction. Instead, by becoming aware of what goes on in their minds when they meditate, students are free to come up with their own definitions of what meditation is. An ongoing exploration of what happens in meditation leads to more understanding and questioning of self as well as the development of restful, still or quiet meditative states. 

Loud & Zen. Microphone Meditation. Lyrical Yoga.


James Webb is an artist, recognised for his site-specific interventions and installations. His practice often involves sound, found objects, and text, invoking references to literature, cinema, and the conceptualist traditions. By shifting objects, techniques, and forms beyond their original contexts and introducing them to different environments, Webb creates new spaces of tension. These spaces bind Webb’s background in religion, theatre, and advertising, offering poetic inquiries into the economies of belief and dynamics of communication in our contemporary world.

As Brandon LaBelle writes, “The works of James Webb circulate around a complex mixture of emotional and affective states; of longing and despair, of the ecstatic and of hopefulness, states of bodies and minds that move throughout his practice to raise questions of individuality and community, belonging and displacement, fragmentation and recuperation.” (Xenagogue, edited by Anthea Buys, published by the Hordaland Kunstsenter, 2015.)

Webb has had solo exhibitions at, amongst others, the Art Institute of Chicago, USA (2018); SPACES, Cleveland, USA (2018); Norrtälje Konsthall, Norrtälje, Sweden (2018); Yorkshire Sculpture Park, Wakefield, United Kingdom (2016); Hordaland Kunstsenter, Bergen, Norway (2015); CentroCentro, Madrid, Spain (2013); Johannesburg Art Gallery, Johannesburg, South Africa (2012); and mac, Birmingham, United Kingdom (2010).

Major group exhibitions include the 13th Biennial of Dakar (2018), 4th Prospect Triennial of New Orleans (2017), Documenta 14 (2017), 13th Biennial of Sharjah (2017), 12th Bienal de la Habana (2015), 55th Biennale di Venezia (2013), 3rd Marrakech Biennale (2009), Melbourne International Arts Festival (2009), and the 8th Biennale d’Art Contemporain de Lyon (2007). Other notable group shows include  those at spaces such as Wanås Konst and Historiska, Sweden; MAXXI Roma, Italy; Darat al Funun, Jordan; Théâtre Graslin, France; and the Tate Modern, London. 

Webb’s projects have been the subject of the two monographs, “. . .” (blank projects, 2020), and “Xenagogue” (Hordaland Kunstsenter, 2015). 

Impressum: All rights reserved. The copyright for these audio pieces and artworks  are reserved. Any replication or use of the content such as images, audio, and texts is not permitted without James Webb’s written consent.

Gallery representation: 
Galerie Imane Farès, Paris www.imanefares.com 
blank projects, Cape Town www.blankprojects.com

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