Video ecc

Ambient electronic music by Eigenfrequenz. Main equipment used on this track: Roland Juno-60, Roland RS-202 Strings.

This track originated as a request from my partner for some wave sounds to help her sleep. It ended up as a 39 minute ambient work combining field-recorded natural sounds and synths. The piece has a story or progression, starting with a peaceful beach-side feel, then the wind gets up and the sea becomes rough, later on turning into a full-blown thunderstorm:

0.00    Part I - Evening Waves on Shingle
16.12  Part II - Heavy Waves
25.50  Part III - Storm & Rain

About Eigenfrequenz:
Eigenfrequenz creates electronic music based around vintage analogue synthesizers, guitars and sounds, from melodic instrumentals to abstract soundscapes, inspired by the sounds and instruments of the 70s and 80s. Influences include Tangerine Dream, Klaus Schulze, Jean Michel Jarre, Vangelis, Kraftwerk, Cluster, Neu!, Brian Eno, Orchestral Manoeuvres In The Dark (OMD), Ultravox, John Foxx, The Human League, Gary Numan, Cabaret Voltaire and Throbbing Gristle.

Eigenfrequenz is also looking at moving images as a way to connect music and visuals, in a different way to the conventional ‘music video’.

Instruments
Roland Juno-60 (1982), Yamaha CS-15 (1979), Roland SH-101 (1983), Yamaha DX7 (1983), Sequential Circuits Pro-One (1981), Roland VP-330 Vocoder Plus (1979), Roland RS-202 Strings (1976), Korg M500 Micro-Preset (1977), Roland CR-78 (1978), Roland TR-505 (1986), Roland TR-606 (1982), Moog Etherwave Theremin, Doepfer Dark Time, Gibson Les Paul Standard, Epiphone EB3, Yamaha 12-string acoustic

Effects
TL Audio C5021, Yamaha E1010 (1978), Korg SE300 Stage Echo (1979), Roland Dimension-D (1979), Roland SBF-325 (1979), Roland RV-100 (1978), Lexicon PCM70 (1987), Yamaha SPX90 (1985), Yamaha SPX90II (1987), Korg A2 (1991), Electro-Harmonix Small Stone (1976), E-H Small Clone (1979), E-H Frequency Analyzer (1976), E-H Deluxe Electric Mistress (1976), E-H Big Muff Pi (NYC) (1971), MXR Phase 100 (1977)

Recording
Revox B77 HS (1978), Mackie 1402 VLZ Pro, AKG Perception 420, Shure SM57, ART Tube MP Studio V3, Tascam US 122 MK 2, Mackie Big Knob, Tascam DR-40, AKG K702, Genelec 6010A, Laney CUB-12R, Logic Studio Pro 9 (as multi-track recorder – no MIDI, no plugins)

Download on Bandcamp

Frequenz 10: Littoral Interpretation

Contrastive Focus Reduplication EP
Record Record & OWSLA
••

Point Point - Life In Grey

Instrumental electronic music by Eigenfrequenz. Main equipment used on this track: Roland Juno-60, Roland RS-202, EH Small Stone. This track is an instrumental piece based around phased Juno chords.

About Eigenfrequenz:
Eigenfrequenz creates electronic music based around vintage analogue synthesizers, guitars and sounds, from melodic instrumentals to abstract soundscapes, inspired by the sounds and instruments of the 70s and 80s. Influences include Tangerine Dream, Klaus Schulze, Jean Michel Jarre, Vangelis, Kraftwerk, Cluster, Neu!, Brian Eno, Orchestral Manoeuvres In The Dark (OMD), Ultravox, John Foxx, The Human League, Gary Numan, Cabaret Voltaire and Throbbing Gristle.

Eigenfrequenz is also looking at moving images as a way to connect music and visuals, in a different way to the conventional 'music video'.

Instruments
Roland Juno-60 (1982), Yamaha CS-15 (1979), Roland SH-101 (1983), Yamaha DX7 (1983), Sequential Circuits Pro-One (1981), Roland VP-330 Vocoder Plus (1979), Roland RS-202 Strings (1976), Korg M500 Micro-Preset (1977), Ace Tone Top 8 (1968), Roland CR-78 (1978), Roland TR-505 (1986), Roland TR-606 (1982), Moog Etherwave Theremin, Doepfer Dark Time, Gibson Les Paul Standard, Epiphone EB3

Effects
TL Audio C5021, Yamaha E1010 (1978), Korg SE300 Stage Echo (1979), Roland Dimension-D (1979), Roland SBF-325 (1979), Roland RV-100 (1978), Lexicon PCM70 (1987), Yamaha SPX90 (1985), Yamaha SPX90II (1987), Korg A2 (1991), Electro-Harmonix Small Stone (1976), E-H Small Clone (1979), E-H Frequency Analyzer (1976), E-H Deluxe Electric Mistress (1976), E-H Big Muff Pi (NYC) (1971), MXR Phase 100 (1977)

Recording
Revox B77 HS (1978), Mackie 1402 VLZ Pro, AKG Perception 420, Shure SM57, ART Tube MP Studio V3, Tascam US 122 MK 2, Mackie Big Knob, Tascam DR-40, AKG K702, Genelec 6010A, Laney CUB-12R, Logic Studio Pro 9 (as multi-track recorder -- no MIDI, no plugins)

Frequenz 15: Sunday, 8am

Eigenfrequenz (aye-gen-free-kwenz) creates electronic music based around vintage analogue synthesizers, guitars and sounds, from melodic instrumentals to abstract soundscapes, inspired by the sounds and instruments of the 70s and 80s. Influences include Tangerine Dream, Klaus Schulze, Jean Michel Jarre, Vangelis, Kraftwerk, Cluster, Neu!, Brian Eno, Orchestral Manoeuvres In The Dark (OMD), Ultravox, John Foxx, The Human League, Gary Numan, Cabaret Voltaire and Throbbing Gristle. All hardware instruments and effects are used, with no MIDI-sequencing and no use of software plugins.

Eigenfrequenz is also looking at moving images as a way to connect music and visuals, in a different way to the conventional ‘music video’.

Instruments
Roland Juno-60 (1982), Yamaha CS-15 (1979), Roland SH-101 (1983), Yamaha DX7 (1983), Sequential Circuits Pro-One (1981), Roland VP-330 Vocoder Plus (1979), Roland RS-202 Strings (1976), Korg M500 Micro-Preset (1977), Ace Tone Top 8 (1968), Roland CR-78 (1978), Roland TR-505 (1986), Roland TR-606 (1982), Moog Etherwave Theremin, Doepfer Dark Time, Gibson Les Paul Standard, Epiphone EB3

Effects
TL Audio C5021, Yamaha E1010 (1978), Korg SE300 Stage Echo (1979), Roland Dimension-D (1979), Roland SBF-325 (1979), Roland RV-100 (1978), Lexicon PCM70 (1987), Yamaha SPX90 (1985), Yamaha SPX90II (1987), Korg A2 (1991), Electro-Harmonix Small Stone (1976), E-H Small Clone (1979), E-H Frequency Analyzer (1976), E-H Deluxe Electric Mistress (1976), E-H Big Muff Pi (NYC) (1971), MXR Phase 100 (1977)

Recording
Revox B77 HS (1978), Mackie 1402 VLZ Pro, AKG Perception 420, Shure SM57, ART Tube MP Studio V3, Tascam US 122 MK 2, Mackie Big Knob, Tascam DR-40, AKG K702, Genelec 6010A, Laney CUB-12R, Logic Studio Pro 9 (as multi-track recorder – no MIDI, no plugins)