im a little nervous about uploading something this different from my previous releases, but i hope it resonates with someone <3

mastering: @outfed

but when the sky cleared up, i was ready to beat my wings

041225 lwor

pond

num fau den aiph ihasya r.f.r.m.
erra teyys mea van
 valwa even if harra nozess    ... lir
erra teyys mea van
disest oure

nafan... nafan...

... nafan...

4r21b  a9n xn2

i should be scared

A part of the forthcoming project: "Tales of Staten Island, NY."

Artwork done by my friend rei:
ig:1999nier
ein:
https://soundcloud.com/eingarden 
acounta:
https://soundcloud.com/acounta

Claypits Pond

unfinished breaks

10125.mp3

I luv ur mortal sin </3

Altered Motive
Night has already exhaled, and in the hush before dawn a small force hangs in the air. It doesn’t flap its wings—it quantizes the air: a short stroke, a pause, another impulse, as if the music were testing the load-bearing capacity of silence. Altered Motive is the moment when the thrust stays the same but the trajectory shifts at a deeper level—by the DEEPNAS canon: not louder, but closer; not faster, but sharper.

Drillcut works at micro scale. His hit is a metronome’s needle; the bass a warm contour that holds altitude while everything else pivots in place. Every percussive figure is a sip of nectar: brief, directed, without excess sugar. The sub doesn’t crush—it stabilizes, building an invisible platform for the listener, that very DEEPNAS depth on which you can hover, turn, and slip sideways without losing level.

Altered Motive is music for those who can linger above the decision point. A hummingbird pivots on the spot and flies on; Drillcut’s tracks do the same with your attention. In headphones, on a system, on the move—this is not showmanship but craft, the precise restraint of DEEPNAS: exact micro-motions that add up to a major forward shift.

4r21b a9n xn2

Ein (@ein.garden)