From Pete Rodriguez's "Obstacles" (8/6/21) on Sunnyside Records.

Life is a journey filled with ups and downs. The trials and tribulations the traveler encounters shape his or her personality and relationships, determining the kind of person he or she is. It is healthy to measure both the positives and the negatives, as even bad things can eventually work for the good. 

Trumpeter/composer Pete Rodriguez has had an eventful life. Born in New York and raised in the Bronx and Puerto Rico, Rodriguez, son of the famed salsero Pete “El Conde” Rodriguez, has been ensconced in music since birth. His love for music set him on a path to make it his life’s work, whether through performing or teaching. Rodriguez’s new recording, Obstacles, was recorded as a way to confront his obstacles and working through them in a healthy way, by channeling his emotions and feelings into art. 

Before college, Rodriguez spent four years in the army and then moved to New Jersey, where he attended Rutgers University in the 1990s to broaden his musical base into the realm of jazz music. Instructors like bassist Larry Ridley, pianist Kenny Barron, guitarist Ted Dunbar, trumpeter William Fielder, and saxophonist Ralph Bowen were instrumental in building both his love for jazz and his chops. At the same time, Rodriguez began to perform professionally in the vibrant salsa scene, which he had already become well immersed in because of his father and his Godfather, Johnny Pacheco. 

While living in New York, Rodriguez familiarized himself with many of the local jazz players, but it wasn’t until he was on his first tour with Eddie Palmieri that he met pianist Luis Perdomo. It would be a couple years until he and Perdomo became fully acquainted in the City. It was Freddie Hubbard who had told Rodriguez that the most important thing in picking a band would be to have a good rhythm section. Having already found a great pianist, he asked Perdomo who else he would suggest. 

Perdomo suggested drummer Rudy Royston, a true monster behind the kit, and they also brought in bassist Ricky Rodriguez, who the trumpeter already knew could handle any music put in front of him. Already familiar with the rest of the group, saxophonist John Ellis fit in perfectly as a counter voice to the leader’s trumpet. From there, Pete Rodriguez never needed to look to other musicians for his ensemble and made a number of recordings featuring derivations of this group. 

Growing up in the City presented many challenges for a Latino; Rodriguez was regularly profiled by police. In 2000, his father passed away, which led Rodriguez to stop playing trumpet for three years. His work as a physical therapist assistant led him to meeting high level runners and bicyclists, activities that he would adopt and that would bring him out of his depression. The birth of Rodriguez’s daughter led to fluctuations in his family’s life and his practice routine, something that was difficult to adapt to. Rodriguez and his family moved to Austin, Texas ten years ago. He took a teaching job at a local State University, where he faced a number of hurdles and individuals who got in the way of his success and eventually led to his dismissal. 

All of these events could have taken a real toll on Rodriguez, but he decided to use them as inspiration. He began to compose pieces that conveyed his feelings about situations and individuals who stood in his path. The resulting pieces were composed and presented to knock down another stigma he faced as a Latin American jazz player, frankly, that he could only play Latin jazz. Obstacles is a straight-ahead jazz album that swings with the best of them.

Obstacles

Pete Rodriguez - 50

薔薇と野獣(HARUOMI HOSONO cover)

Turbo from the album Turbo by Cory Wrong and Dirty Loops

Cory Wong & Dirty Loops ⧸⧸ TURBO

Good Morning JAZZ -心地よい目覚めのためのジャズヴォーカル-

テル・ミー・ア・ベッドタイム・ストーリー

Aprieta Vincen García

A-Side Breaks Vol. 4 continues the journey — a crate of raw, unfiltered drum science crafted for dancers, DJs, and rhythm junkies who know exactly what that perfect break can do to a room.
This volume digs deeper into the DNA of the breakbeat. No nostalgia cosplay, no over-polished gloss — just straight, functional grooves built for cyphers, rehearsals, block parties, and those moments when you need the beat to speak louder than words.

Vol. 4 stretches across moods: dusty funk hits, minimalist percussion workouts, tension-builders for battles, and pocket-heavy loops for flow sessions. Each break is produced with intention — to move bodies, spark creativity, and reconnect dancers to the essence of why we listen in the first place.

For DJs, these are mix-ready. For B-boys and B-girls, they're footwork fuel. For producers, they’re sample-able foundations.
It’s another chapter in a growing archive of rhythm tools — built from the ground up, no shortcuts, no templates.
If you’ve been rocking with the series, welcome back.
If you’re discovering it now, tap in — the break is only the beginning.

Cory Wong & Dirty Loops ⧸⧸ TURBO

Jakkob