Dripzoid is not a track that relies on weight or darkness. Instead, it thrives on a sense of play: fragments of rhythm and texture that seem to test their own limits, shifting in and out of focus, recombining with an almost mischievous logic. The groove is steady at its core—a measured four-to-the-floor beat around 124 BPM—but the surface is constantly unsettled by detail. Percussion flickers, samples appear and vanish, the bassline bends rather than anchors.

In this approach, Dripzoid joins a lineage that values experimentation over convention. There are echoes of Akufen’s restless sampling, of Herbert’s playful manipulations of everyday sound, and of Villalobos when he lets the beat dissolve into improbable shapes. At the same time, the track’s lightness and curiosity place it closer to the more idiosyncratic corners of Perlon, the understated eccentricities of Playhouse, or the quieter experiments from Kompakt’s back catalog.

What makes “Dripzoid” compelling is its refusal to choose between functionality and experimentation. It is recognizably club music—driving, danceable—but it resists the predictable arc of build and release. Instead, it offers a different kind of intensity: one that emerges from variation, surprise, and the sense that the track is inventing its own grammar as it goes along.

Westend Ghetto - Dripzoid [Playful Deep House]

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Contact: dbmauimusic at gmail.com
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Leftfield deep house producer. Inspired by Spencer Kincey AKA Gemini, Ricardo Villalobos, Herbert, Derrick Carter, Tuff Jam and soooo many others. Interested in collaborations and remixing each other.

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Avant-garde house music between lofi- and minimal / deep house, techno, glitch and electronica, plunderphonics and house, the Westend Ghetto Guys somehow occupy a niche of their own and live from strange glitches and bizarre sounds. Bootleg remixes and mashups for 'iamamiwhoami' also lead to an official remix ("N") and collaborations with other musicians (e.g. 3PM, Minute Taker, Christopher Norman, Klordop / Tis, Morgen Wurde) from the Swedish pioneers of viral video chips. Not surprisingly, the collective from the Westend Ghetto even published sample libraries for the renowned magazine "Computer Music" and for the 'sounds2sample'-Platform and offers highly acclaimed "ensembles" in the Reaktor community ("Native Instruments").

Westend Ghetto - Dripzoid [Playful Deep House]

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