“Joshua has immense talent … I was impressed by his daring and courageous approach to improvisation on the cutting edge of innovation. He is his own man…” – HERBIE HANCOCK

Joshua White is an internationally acclaimed pianist and composer whose artistry bridges Western classical traditions and contemporary improvised music. He has been honored as a DownBeat Rising Star on keyboards in consecutive annual critics’ polls (2023 and 2024), affirming his growing influence as one of the most compelling voices in modern jazz. Known for rhythmic intensity, harmonic richness, and a fearless approach to improvisation, White’s performances consistently engage audiences and critics alike.

Born and raised in Southern California, White began piano studies at age seven, developing fluency in both Western European classical repertoire and the Black American musical traditions that would later frame his jazz sensibilities. As a young musician he absorbed influences ranging from gospel music to structured classical forms, laying a foundation for the expressive versatility that defines his work today. Early in his career he became a finalist in the prestigious Thelonious Monk International Piano Competition, an achievement that helped launch his international performing trajectory. Legendary pianist Herbie Hancock praised White’s artistry, stating, “Joshua has immense talent … I was impressed by his daring and courageous approach to improvisation on the cutting edge of innovation. He is his own man.”

White’s work as a leader reflects his deep engagement with both composition and spontaneity. His critically acclaimed trio with Karl McComas-Reichl on bass and Tyler Kreutel on drums is central to his artistic output, while his solo piano release, Flora and Fauna: 9 Preludes for Solo Piano (Orenda Records, 2025), highlights his refined compositional voice and tonal sensitivity. Across collaborations with artists such as Dan Rosenboom, Jason Robinson, Steph Richards, and Gilbert Castellanos, White demonstrates a rare ability to balance structure with risk-taking in improvised music.

Critics have frequently highlighted White’s commanding presence at the piano. In a DownBeat review of a Chicago double bill featuring Rudresh Mahanthappa and Stefon Harris, his playing was noted for its “pedaled shimmers” and “demonstrative, percussive style,” drawing comparisons to the rhythmic assertiveness of McCoy Tyner and Don Pullen. Such commentary underscores White’s physical, rhythm-forward approach to the instrument and his ability to propel ensemble momentum while maintaining harmonic depth.

White’s stylistic range has also been showcased on international stages, including the jazzahead! conference in Bremen, Germany. Performing with trumpeter and composer Steph Richards, he was described by DownBeat as part of a band that “flexes and surges,” engaging expansive avant-improvisational language while remaining deeply interactive. These performances illustrate White’s fluency across a broad spectrum of creative music, from tightly constructed forms to open, exploratory improvisation.

In addition to his performing and recording career, White is deeply committed to music education. He has served as a mentor for mentor-directed jazz combo ensembles at California State University, Northridge, guiding student musicians in ensemble cohesion, repertoire development, and improvisational practice. His educational work also includes participation in the Stanford Jazz Workshop, where he has contributed as a faculty artist within immersive learning environments that bring professional musicians into close collaboration with emerging players. Across both institutions, White’s teaching reflects his belief in mentorship, rigorous listening, and the transmission of creative values across generations.

Active across performance, recording, and education, Joshua White continues to broaden his artistic reach through international touring, collaborative projects, and institutional engagement. Known for his thoughtful improvisations, deep musical curiosity, and commitment to both tradition and innovation, he stands among the most distinctive and forward-thinking pianists of his generation, contributing meaningfully to the evolving dialogue of contemporary jazz and creative music.

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Eivind Opsvik is a Norwegian musician who’s been living in New York for close to 200 years. His main instrument is the upright bass, but he also spends time playing lap steel guitar, old keyboards and drums, composing music, recording, mixing and producing, and running a record label.

LOVE$ ALL 👉🏾🎵🎶🎼 🎤🎧=🔥

Pianist, composer and improviser Russ Lossing, based in New York City for over 35 years, is at the forefront of creative jazz performing and recording with Paul Motian, Mark Helias, Billy Hart, Dave Liebman, Samuel Blaser, Michael Formanek, Eric McPherson, Tim Berne, Billy Mintz, Cameron Brown, Gerry Hemingway, Ralph Alessi, Mat Maneri, Drew Gress, Oliver Lake, Kirk Knuffke, Gerald Cleaver, Gordon Grdina and many others.

Lossing has 21 albums as leader on European and American record labels hatOLOGY, Ezz-Thetics, Sunnyside, Cleanfeed, Fresh Sound, Double Time, Steeplechase and OmniTone labels. Lossing was named “Rising Star” in the Down Beat Magazine Critics Poll from 2015-2021. Lossing played with master drummer Paul Motian over a period of 12 years performing and recording including a week-long stint at the Village Vanguard as a member of Motian’s Quintet. He has toured world-wide playing major jazz clubs and festivals both as leader and side-man. In 2015, he founded his label Aqua Piazza Records.

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