Alex Banks is a DJ, producer and multi-instrumentalist from Brighton, UK. Praised by the likes of BBC Radio 6, Mixmag, Clash and Uncut, he makes music aimed at the dancefloor that thrills with its sonic intricacy and warm human feeling.
His prismatic sound design decorates rhythms influenced by jungle, broken beat and dubstep, while techno effects hiss and clank, and off-world IDM melodies snake around the arrangements. Bank’s sound carries instantly recognisable motifs and an impressive quality. All the while he consistently pushes the envelope with an adept technical skill and sound design which commands repeated listens.
‘Projections’ is the title of Banks’ third studio album that is set for release on Max Cooper’s Mesh in summer 2022. Characterised by his passion for analogue gear and experimentation, the work is a pure distillation of his production expertise and love for emotive synth sounds. The project includes visual collaborations with award-winning motion graphic designer Matthew Clugston and Tosh Fieldsend from renowned VFX house The Mill.
His other work includes critically acclaimed releases on Modeselektor’s Monkeytown, Ninja Tune and Hunter/Game’s Just This. Remix credits have seen brilliant re-works of Bonobo, RY-X and Raven Bush. On the collaborative front Banks is just as selective, linking with Max Cooper and Sasha respectively, the latter set for an April release on LNOE as part of the ‘TEN’ compilation. 
A musical polymath, when not immersed in the electronic world, Banks works as a sound designer, composing for film, TV and advertising campaigns. Notable achievements include projects for Global brands such as Nike, Heineken and Honda. 
Alex Banks is entering a fresh and exciting chapter in 2022. A master craftsman in the studio pushing his sound into inspiring new directions, he'll augment the eclectic  'Projections' project on Mesh with a new live AV set up, taking his creative output to a new level.

Demos: info@hypercolour.co.uk
Label enquiries: nick@nerdlabels.com

www.arca1000000.com
email - shaun@codexmgmt.com + regeneratedgirl1000000.com

Errant musician. Raw, honest, unapologetically unedited.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

DIY Excellence. From London To The World.

Daniel Miller is the founder of Mute, launched in 1978 with his own 7” single - ‘Warm Leatherette’ under the name The Normal. 

Since then, Mute has grown from Miller’s one-man operation into a global group of companies and today, as ever, Miller remains heavily focussed on Mute’s creative output.

Although he DJed many years ago, Daniel Miller’s recent DJing was inspired by an invitation from Karl O’Connor aka Regis who invited him to perform at a Sandwell District event at Berlin’s Berghain. There he caught the bug to play again and since has been playing regular techno  sets worldwide including Sonar, ENTER at Space in Ibiza, ADE in Amsterdam, IMS at Ibiza, Electron festival, LEAF festival in London as well as at Culture Box in Copenhagen, Bootleg in Tel Aviv and, of course, a legendary performance at M-Nus’ Christmas Boiler Room in Berlin.

Forthcoming appearances include sets at ENTER. in Ibiza , Nuit Sonores in Lyon and Sonar in Barcelona. 


I make genrefluid music.

Played:
Φ Institut für Zukunft [Leipzig]
Φ Rakete [Nürnberg]
Φ Bagatelle §93 [Zürich]
Φ Nachtigall [Köln]
Φ Yoko [Hamburg]
Φ Flux [Landshut]
Φ Kantine [Augsburg]
Φ Kesselhaus [Augsburg]
Φ Mahagoni Bar  [Augsburg]
Φ Wilde Hilde  [Coburg]



 #Techno  #House #Music #Art

Ejection is following