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KALI MALONE - Cast Of Mind

Stine Janvin — Fake Synthetic Music
Format: Digital (vinyl out November)
Cat.No. PAN 84
Release Date: 12 October 2018 
Buy digital: https://bit.ly/2OjxCLs / https://bit.ly/2Cb1guQ

Vocalist, performer and sound artist Stine Janvin works with the extensive flexibility of her instrument of the voice, and the ways in which it can be disconnected from its natural, human connotations. Created for variable spaces from theatres, to clubs and galleries, the backbone of Janvin’s projects focus on the physical aspects of sound, and potential dualities of the natural versus artificial, organic/synthetic, and minimal/dramatic. 

Fake Synthetic Music is Stine Janvin’s latest live performance for voice, echo, lights and spatial distribution. The concept was created to present a full-body physical and ambient experience with the frequency range of her voice. Inspired by past and present producers of architectural electronic music, Janvin presents a new take on 'deconstructed rave' by exploring both sonic and optical illusions, otoacoustic emissions and minimal melodic sequences in reference to pop, techno and trance. 

The release introduces a recorded version of her ‘fake synthetic material’, and through her ongoing live performances, she continues to work between the music and art scenes, developing further her methodology of imitation and resonance through audio visual concepts. 

The tracks on Fake Synthetic Music reflect the concept of sonic illusions and Janvin's use of the voice as a sound source. “…I wanted to explore how I could vocalise in a way that would combine architectural sound with dance floor sequences.” she says. Each track is based on a different take on these ideas, some being pure studio production, using only her vocal archive of sustained notes, chopped up into innumerable pieces of different lengths, and re-attached. Tracks, such as ‘Like Right Now’ and ‘Like Last Night’ are examples of live material converted to a recorded format, keeping the simplicity of the direct voice signal through a digital delay effect with no post-production processing.

The album is mastered by Rashad Becker, featuring photography by Camille Blake and artwork by Bill Kouligas.

@stinejanvin
http://p-a-n.org

Fake Synthetic Music

Stine Janvin - Zen Garden (PAN 84)

Moon Wheel — རྡོ་རྗེ་རྣལ་འབྱོར་མ་

Music for Serge Modular, inspired by Maryanne Amacher's music and research. 

PLEASE USE SPEAKERS, NOT HEADPHONES.

Perceptual Geography (excerpt)

Taken from the album 'Proxy States' released as CD, Cassette and Download

Jung An Tagen 'Instructions for a Sound Machine / Wreath Products (F#, G#)(EMEGO 263)

US-born, Stockholm-based minimalist artist and apprenticing organ tuner Kali Malone gave a special organ performance in TivoliVredenburg's Grote Zaal as opening of Le Guess Who? 2019. The performance was part of The Bug's curated program for the festival. 

We can now share two exceptionally beautiful pieces from the performance: 'Sacrificial Code' and 'Glory Canon III'. Both are deeply immersive and mesmerizing tracks, drawing in listeners with Kali Malone's well-known warmth and timelessness.

Captured on Thursday, 7 November 2019, at TivoliVredenburg's Grote Zaal during Le Guess Who? 2019.
Recorded and mixed by Marc Broer & Philip ten Brink.
Photography by Jelmer de Haas.

Kali Malone - Sacrificial Code

Live Performance on a 13 Channel Textile Sound System https://vimeo.com/406830184

Textiles augmented into acoustic transducers function as loudspeakers by translating an electrical signal into its corresponding vibration and sound. Independent channels are designated to the textiles placed within the space. Light and sound are used as the building blocks of a liminial state induced by the timbre of textile and the materiality of sound.

Performed at FKSE during FRONTEND, an exhibition by David Biro.

BACKEND - 13 channel to stereo mixdown

PLOT, a small site-specific performance on a metallic fence next to my house. Recorded by acidmilk.

❝Dočasná zvuková inštalácia / performance má za cieľ skúmať symboliku plota z niekoľkých uhlov: ako hranice medzi spoločným a súkromným, ako prostriedku komunikácie s okolím a v tomto prípade aj ako barériu chrániacu civilizovanú ulicu pred divokým porastom opustenej parcely. S týmto plotom som vyrastal, existuje tam väčšinu môjho život a dráždi k preniknutiu.

Kedysi na jeho mieste stál obytný dom, no od jeho zbúrania za ním ("len") bujnejú černice. V silných vetroch sa občas poškodí a potom jedna z jeho častí úpenlivo vŕzga a búcha – ako by si z neho živly robili hudobný nástroj. Vo svojej inštalácii si ho takto prepožičiavam ja.❞

Plot

A small site-specific performance for a fountain in Bratislava. Recorded by acidmilk.

BACKEND - 13 channel to stereo mixdown

EJTECH

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