A vibey polysynth and a primitive arpeggio, driſt through hums, pings, and chimes. The track climaxes with a blend of speech and electronics, then fades into a gentle tremolo, setting the stage for what's next.

Rituals of Release

Joe's Revenge

Pulverized in the stream

A minimalist, atmospheric piece built around real-world textures. The track unfolds slowly, letting a single emotion bloom without rushing it. The natural ambience — subtle movement, open air, distant calls — gives the music a sense of space and quiet honesty.
It marks a milestone for me: after creating the previous track, I hesitated for a long time to make something new. This piece grew out of that fear and the need to move forward at my own pace. It’s simple, sincere, and focused entirely on mood rather than embellishment.

One year Interact

Electroacoustic music December 2025

DEUTSCHER TEXT FOLGT

Short description of the work

The compositions I know by Éliane Radigue resemble a stream of sounds—a single, long, flowing, wide-ranging tone that constantly changes and shifts in different “colours”. In one composition I heard, this stream of sound moved very slowly, almost imperceptibly, from the back left to the front right—diagonally.

Several years ago, I attended a workshop given by Éliane Radigue in Berlin and became acquainted with her work with synthesizers.

When I began working on my piece Flow, I intended to create a composition of this kind and mainly developed sounds that seem like long sustained tones. I arranged these so that several sound simultaneously or overlap. To make this stream of sound more interesting and varied, I interspersed a few shorter sounds here and there. In some places, you can also hear human breathing or hissing noises.

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Kurze Werkbeschreibung

Die Kompositionen, die ich von Éliane Radigue kenne, gleichen einem Strom aus Klängen – wie ein einziger, lang gezogener, fließender, breit gefächerter Ton, der sich ständig verändert und in verschiedenen „Farben“ changiert. Bei einer Komposition, die ich gehört habe, bewegte sich dieser Klangstrom ganz langsam, kaum merklich von hinten links nach vorne rechts – diagonal.

Vor etlichen Jahren habe ich einen Workshop, den Éliane Radigue in Berlin gegeben hat, besucht und dabei ihre Arbeit mit Synthesizern kennen gelernt.

Als ich mit der Arbeit an meinem Stück „Flow“ begonnen habe, hatte ich vor, eine Komposition in dieser Art zu schaffen und habe hauptsächlich Klänge entwickelt, die wie lang ausgehaltene Töne wirken. Diese habe ich so angeordnet, dass mehrere gleichzeitig klingen oder sich überlappen. Um diesen Klangstrom interessanter und abwechslungsreicher zu gestalten, habe ich hier und da einige kürzere Klänge eingestreut. An einigen Stellen hört man auch menschliche Atem- oder Zischgeräusche.

Flow - Hommage an Éliane Radigue

Harps/Flutes III

different textures from the archive of 2021 year reworked here
i think this Haiku it's the perfect subject for that 



haiku challenge 628 of Naviar records.

In the dark beyond,
a sound falls down 
— the moth.

by: Dakotsu Īda

Dakotsu Īda trained under Takahama Kyoshi, and was chief editor of the poetry journal Unmo until his death. His son Ryuta Iida, a famous haiku poet himself, took over as the editor of Unmo after his father’s death.

More informations about haiku challenge:
www.naviarrecords.com/haiku-music-challenge/

in the dark beyond (#naviarhaiku628)

Some heavily processed field recordings, stretched in many iterations and layered

Spectral

Time And Persistence | Album TIME AND PERSISTENCE

Marco Lucchi : synthesizers and tape

*

For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.

W. H. Auden

Poetry makes Nothing happen

For the ever-inspiring Junto, way off the brief....Hope you enjoy it anyway!. This has loads of extended guitar techniques, resulting in all the percussive sounds, and improvising through  glitch and fuzz pedals.  

More on the 737th weekly Disquiet Junto project, Opening Ceremony — The Assignment: We’re just getting started — at https://disquiet.com/0737/

Pulverized in the stream

BAK