Techno

Hybrid Productions Sound Architecture proudly presents: [HPX140] Ångvält EP, by Alexander Johansson & Mattias Fridell. The dynamite duo is back on the hybrid road with 3 heavy Swedish machineries. Safety is not guaranteed!

1. Rävgift
2. Ångvält
3. Petflaska

Out in all portals 16th of September, 2024.

[HPX140] Ångvält EP

Ångvält, by Alexander Johansson & Mattias Fridell [HPX140]

Italy’s Francesco Argentieri mints his TRUE IDENTITY label with the ‘Self Control’ EP, landing September 2024.
Argentieri has been active since 2019, with a discography spanning labels like Dutch institution Planet Rhythm, Insolate’s Out Of Place and his 2021 ‘Natural Killer’ album on Diffuse Reality - now starting his own label as a home for his output.

First up on Fransesco Argentieri’s ‘Self Control’ EP is the title track, a raw techno tool with excellently built-out loops set to keep the dance floor in full flux. Next up, ‘Chili’ boasts an infectious groove shot through with soulful techno stabs before ‘Awareness’ rattles and shakes with ample layers of distortion. Argentieri’s ‘Self Control’ EP on TRUE IDENTITY is a versatile release that will find a home in the record bags of many, with closer ‘Model’ being yet another classy and gorgeous techno cut with plenty of nostalgia.

Self Control

Stream / Buy

A1. Self Control

Pfirter's MindTrip is presenting 'Mutable Minds IX' VA: A collective exploration of techno’s diverse landscape, featuring Kmyle, KØLPØS, Playmo, and DJ Dextro. 

Featured: https://klubikon.com/2024/11/15/premiere-dj-dextro-protocol-prototype 

'Mutable Minds IX' VA will be available after the 22nd of November https://mindtriprec.bandcamp.com/album/mutable-minds-ix 

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Mutable Minds IX

Featured

PREMIERE: DJ Dextro - Protocol Prototype

stadion progg

Continuing his exploration of intricate techno systems, their effect and direct perimeter of action, Peter Van Hoesen turns in his newest four-track piece, ‘Prime Directive’: a fascinating dive into the artist’s shape-shifting headspace and inner creative chaos.

Fuelled on a furnace-hot mix of abstract-leaning immersion and hi-octane rhythmic thrust, ‘Prime Directive’ looks at contemporary techno from the angle of experimentation and intuitive abandon. The result comes in the form of four distinct movements, each carving out their own logic and associated behaviour out an endless pool of potentialities. Here comes chaology unfolding in all its unadulterated, visceral glory.

‘Definition by Absence’ breaks the trip in to the sound of a faux-random symphony: its train-like swing and fiery bass seesaw coalesce through an elliptic fluttering of sorts, iterative and not, patterns moving in and out of synchronicity as Van Hoesen applies more or less pressure on both ends. All in gusty in-your-face-ness, ‘Variables Edit 1’ whirls and swirls like an ominous vengeance of nature; Its puncturing kicks and whistling menace set against stellar winds and rabid machinery on the prowl for its next victim.

An even more unsettling piece of disjointedly arrhythmic, anti-club music for the dance floor, ‘Prime Directive’ will have you zoning out like a bad dream, flush with metronome-faced monsters and molten clocks hanging from dead trees. ‘Morphology’ could be PVH’s attempt at giving his concepts a carnal carcass to hold onto. Here, rhythm becomes somewhat less erratic, offering his 360-degree vision more melodic surface and actual room for dispersion. One to keep the boundaries pushed and status-quo challenged, this is techno at its most entrancingly bold and fearless.

*This new monster four-track classic-in-the-making from Peter Van Hoesen comes draped in a fine piece of artwork courtesy of Atact, and pressed in 180g audiophile quality so you get to experience the Belgian master's chiselled sound design in all its glory.

Written & Produced by Peter Van Hoesen
Distributed by Clone Distribution Rotterdam
Mastering by Peter Van Hoesen
Artwork & Design by Atact.uk
Cat. no. RYCL023 – All Rights Reserved
℗ & © Reclaim Your City 2025
www.reclaimyourcity.bandcamp.com

Prime Directive

Order

RYCL023 - Peter Van Hoesen - Prime Directive

The Circle's End LP

Bandcamp

Burden - Long Coming

Bleu de Hue

Release date: 05/08/2025

"The Feeling That Brought Me Here" is Ackermann's second album. Effortlessly drifting between techno and house, the album eschews his usual EP minimalism in favor of a bold, hookline focused album. Gritty chord stabs, chunky pianos and jacked up grooves dominate the palate, whilst Ackermann's signature sample manipulation fuses deconstructed vocal chops that are used more like instruments or percussion elements instead of being the centrepiece of a song with razor-sharp drum edits and intricate sound design.

While his debut album "Stadium Techno" saw Ackermann's teenage incarnation smugly manning the controls of his 2020s studio (where he is currently known for immaculate mastering and A-List mixdowns) this sophomore collection offers a polished weaponry spanning 3 years of focussed collaboration integrating this adolescent dynamist with the guiding hand of an elder reaching their production zenith.
"The Feeling That Brought Me Here" channels the intrinsic urge of embodied music creation - fiercely somatic, unrestrained, physical, immediate and kinetic. Rogue sketches and intuitive vibe snapshots resist genre constraints to favor a dancefloor defined by polished 'f##k-you' tectonics and sleekly engineered attitude.

From the unapologetic feel-good opener "Good Times" via tougher chord slappers like "Click" or "Alter", a casual techno banger exclusively made with jungle sounds ("Now you know" with Vinicius Honorio), the deep techno bliss of "Noha", the cathartic "Let Go" or the disco infused outro "Gratitude" its all unmistakenly trademark Ackermann productions and all the various styles are firmly held together by his emotion over function approach to music production.

BCCO Premiere: Ackermann - Jack That Way [SAFESP035]

Out now: https://orcd.co/rspx80

Japanese Techno pioneer Ken Ishii returns to Radio Slave’s Rekids Special Projects with the ‘Autopilot’ EP, arriving 22nd August 2025. It follows his first appearance on the label in 2023, where he collaborated with Dutch duo Kamara on the ‘Powerplay’ single.

‘Autopilot’ kicks oﬀ with an unsuspecting, rolling groove while playful synths sneak up and bounce oﬀ its rhythm. The trip continues with ‘Sunset Flight’, lush chords washing over deep, subby low-end, rising high before delving back into the background while delicious percs play between its pounding kick drums. Closer ‘Grid Bounce’ then returns to mischief, machine-like sequences tumbling over an unrelenting beat, excellently building pressure for maximum dancefloor wonk.

“With this EP, I wanted to combine the funky and happy side of my music with driving techno elements. The EP and track titles were inspired when I was on a long-haul flight. So happy to release these three tracks in one EP.”
– Ken Ishii

DJ and producer Ken Ishii is one of the founding artists behind the Japanese Techno scene, he debuted on R&S Records in 1993 and quickly rose to global acclaim, releasing on labels like Harthouse, Exceptional, and now Rekids’ RSPX oﬀshoot, while collaborating with artists like Jeﬀ Mills, who remixed Ishii’s 2019 ‘MOBÏUS STRIP’ album on U/M/A/A.

He is also the founder of the 70 Drums label, co-brewer of KIKK IPA, worked on theme songs for the 1998 Winter Olympics and the Japanese government for the 2005 World Expo, and continues to innovate through projects ranging from video game and anime soundtracks to collaborations with Jazz artists.

Buy/Stream

Ken Ishii - AutoPilot

Circular Motion

Harvey Mckay - Hook Up - Hardgroove

Fhase 87 - Minimalism 05 - Symbolism

Mayxwell - to do

A beat-driven journey that drifts between pulse and poetry.
This track fuses percussive weight with luminous melodies, weaving recurring vocal lines, whispered fragments, and harmonic layers that interlock with almost filigree precision. Expect sudden rhythm shifts, shimmering textures, and moments of quiet intimacy that melt back into a dense, forward-moving groove.

If you’re into tracks that feel mercurial, immersive, and slightly hypnotic — dive in.

Bergwerk

Support on Bancamp

Where We Begin

Bad mood EP

Bad Mood (Original Mix)

Tune into the Telepathic Heights show on SWU.FM
First Tuesday of each month, 23:00hrs (GMT) >> https://www.swu.fm

For bookings, please contact elasticdreamsmusic@gmail.com
For label enquires/production contact elasticdreamsmusic@gmail.com

Bleu de Hue

A Sagittariun

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