If you want to keep track of whats going on with our collection of Mechanical music and new discs being released, you will hear it here first.

Alex Rainer - vocals, guitars, flutes (@jordasz)
Tom Carter - bass, electronics (@jehosephat-zorobabel)
Adam Dupaski - drums (@lethatechnique)

Bio
Brenton Wilkinson aka ROMYE, born the 19th day of December 1993. Who hails from the parish of St. Elizabeth, Jamaica in a little district called Middle Quarters. He attended the Maggotty of High School in the same parish, Romye realized his singing potential from a tender age, he discover that he had this musical talent to Sing and entertain people.
Romye got supportive encouragement from some of his peeps in and around his Community that he should make a try in the music business. Many times when he go to stage shows in his community and get a small performance, he got a lot of “forward or pull up dat”.
That’s the time when he started to take it very seriously and tell his self that he can do it. He started going to studio on weekends because he have to go to school during the week, his family members help him with cash to pay for his studio time to get some experience about making great music.
Romye has work with a lot of different producer’s in the business to see if he can get his break in the music business one day. Romye commenced his recording in February 2013, since that he has record solo and collaborated with other dancehall artistes like Jacky and more.
So far he has Sound Recording like, “Time Is Hard “,”You're My Wife”, “Holiday an a Time Fi Have Fun”, “Revelation Time” ft. Jacky and more. Now Romye set to take the world by storm with his unique mix REGGAE, R&B and DANCEHALL. He have team up with Carlton S Brown of Bold n Boasy Entertainment Label to take his career to the next level.
Mr. Wilkinson is a brilliant Singer/Songwriter and he do a little acting and has the potential of becoming
a great established International Recording Artiste. Romye grew up listening to the likes of Bob Marley,
Michael Jackson, Sizzla, Damion Marley, One Republic, Akon and Aidonia.
When he wants a break he tries to full joy a game of Soccer, Cricket or Read a book of any nature. Apart
from that, he spends a great deal of time partying with his fans.
Romye was motivated by his urge for greatness, great friends and family to pursue his passion.........stay
tuned for more from Romye.....Blessings :-)

A secret power hidden under lid, waits for pure essence to crest its rim. When it is with this purity that this secret brushes, it blushes and gives birth to the possibility of infinite probability. Within the fibers of this cosmic knit, propelled far beyond the limit of this rubicon, is where you will find we waiting for you.  


Slow Codes is music full of personality and contrast, with an extensive discography that reveals beautifully balanced soundscapes.  There is a life story told through art.  Thematic twists and turns dare to be dissonant, yet stay sincere throughout.  In listening, we hear a presence and sense of self that paints a portrait from an artist who knows that what they do is meant to be. It’s a production and possession conducted with all of their being. Despite a prolific repertoire, there is continuity through songs to tell tales straight from the heart.  There may be no purer expression than that, regardless of medium.

 

The honest vulnerability and aggression of Slow Codes is equal parts private journal entry and formal production.  It is impossible to talk about the person without the music.  Almost entirely self produced and performed, Dustin layers his vocals over loops, samples, synths, guitar, bass, and drums to weave a narrative of shadowed beauty.  Shyness is heard in frequently filtered vocals, the tool to expose a devil may care attitude full of deeper thoughts and feelings.  He pursues his vision of expression, and seems hellbent on achieving release through music.  

 

Slow Codes has a wide variety of inspiration and influences.  Dustin professes his admiration for the work of Bowie and Visconti, but sonically stays true to jilted, post-modern guns a la Trent Reznor, Marilyn Manson, or Maynard James Keenan.  From Slow Codes extensive repertoire, you hear many strains. Radiohead, Deftones, Massive Attack, Portishead, The Pixies, Rammstein, Sneaker Pimps, Depeche Mode, INXS, Duran Duran, Joy Division, Linkin Park, The Beastie Boys, Butthole Surfers, Primus, KMFDM, Bauhaus, Skinny Puppy, Ministry, The Cult, Killing Joke, Revolting Cocks, Gwar, Siouxie, Placebo, The Tea Party, Our Lady Peace, The Chemical and/or Dust Brothers, Rob Dougan, Stabbing Westward, and so many more others subtly or unconsciously manifested. 

 

There is a signature and underlying sound, formings a natural pocket of frequent experimentation where Dustin feels most at home.  It also reveals a contradictory and complex soul, upon closer inspection.  There are oppositional themes of lightness and dark, humour and despair, or speed and pacing.  The ability to explore these dualities signifies musical maturity.  Often brutal synth riffs and pulsing industrial drums round out vast wall-of-sound choruses, with a sense of space to complement engaged intensity.  The songs are progressively arranged and thoughtful.  Collaborators include his friends as frequently as professional musicians, easily adapting to his egoless approach.

 

Slow Codes is inseparable from Dustin as an artist, and a shining example of a passion project.  A labour of love, a way to create, and full of confessional overtones as if reading another’s diary.  Dustin is not scared to share, if you’re willing to listen.  His is a fusion of melancholy and deep personal expression, juxtaposing gothic noir with lighter levity.  While seemingly serious, there’s also sneaky humour to be found throughout which further endears one to his persona.  Make no mistake -  this is a rare and precious trait.  Essential in an era obsessed with disposable and plastic over-productions, this is a living rebellion through personal music that means something.  Dustin inspires those who would be prolific in their own way.  It is an ongoing, living testament that was already adjusted to a world turned upside down.  Perfect for us as imperfect people.

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