Experimental

EDLX044 - AnD Rmx 02

joshua

maniya

Justin K. Broadrick bands, solo + side projects

Justin K. Broadrick

First / lead song from GODFLESH EP 'Decline & Fall' on Avalanche Recordings. AREC032. 2014. UK/EU/JP release June 2nd, USA June 24th. 

http://avalancherecordings.tumblr.com

RINGER

INNA - Cola Song (Feat. J Balvin)

After teaming up with Sawlin to deliver a series of spacy “Texture” works, dubbed ‘Foreign Awake Pt.1 & Pt.2’, Subjected returns to Electric Deluxe this time in searing solo guise. Known for his thundering, no-holds-barred basement style, which until ‘Foreign Awake’ was kept purely to his cloistered Vault Series outlet, with ‘Dolor’ we see the industrial edges polished smooth in this rotund and rolling three-track EP. “Krupp” opens in typical rumbling Vault fashion that builds into a gargled mechanical reprieve and back again. On the B-side, “Dolor” applies Subjected’s rusted signature to a groovy subzero bassline and blue-note melody, the EP’s duly crowned peak-time lead. “Wute” then
concludes with the sort of venomous hypnotism followers of Electric Deluxe should be familiar with by now, albeit this one has a more scuffed and tarnished appeal. Then for the digital fans, “Zopiklona” presents a slightly cleaner, bleepy bonus track with one killer charged drum crescendo.

Subjected - Zopiklona (Digital Bonus)

i would like to wish tri angle label an incredibly sublime birthday and thank for having been invited to dj at their party . couldnt possibly been more honoured than to play in that company !!! the mix i played was my present to them : merging together some of my fav beats last year with some of my fav vocalists doing some of their best songs :

!!! this is my tune-tinder !!!

warmthnesss björk

the musicians in the mix are :
abida parveen/rabit
kate bush/lotic/vessel
mariza/rabit
chilean flutes/the haxan cloak/lotic
john tavener/haxan cloak
amália rodriquez/rabit
abida parveen/bloom
hans reichel/sudanim
baka people
mc brinquedo
c.z.
shut up and dance
hanz/virtua mima
cut hands
death grips
david hykes
kate bush/rabit
lung/lotic remix
kramphaft
jeremih
total freedom
brandy

björk : tri angle records birthday dj set

EDLX043 - B1 - AnD - Power Spectrum (Sleeparchive Remix)

EDLX044 - A - AnD - Non Sky Signal Noise (Justin K Broadrick as JK Flesh Reshape)

EDLX044 - B2 - AnD - Galactic Motion (Black Rain Remix)

EDLX044 - B1 - AnD - The Surface Of Last Scattering (Black Rain Remix)

http://shop.electricdeluxe.net/vinyl-cd/rmx-0102/

EDLX043 - A - AnD - The Surface Of Last Scattering (Zeitgeber Remix)

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#RPSMG - OoWoop ft. K.Agee, Mission, Black Knight, & X-Ellentz

TU MERI GIRL FRIEND MAI TERA B

Until INNA releases this on SoundCloud this will be up for all you Lovelies to enjoy :)

<a href="https://theartistunion.com/tracks/56be3d?soundcloud_ref=description" rel="nofollow" target="_blank">Download for free on The Artist Union</a>

INNA - Bop Bop (feat. Eric Turner) (Official Audio)

7 - Giorgio Gigli - Shades of Depth [snippet]

5 - Giorgio Gigli - The Silence Was Infinite [snippet]

Shapednoise is Italian producer Nino Pedone, and over the last few years he’s built a name for himself issuing music that bridges the gap between the basement and the club. Noise and techno are proven bedfellows at this point (for better or for worse), but Pedone pushes harder and further, and ‘Different Selves’, as the title suggests, is his most diverse and challenging work to date.
Fusing the industrial grind of early Godflesh (Justin K. Broadrick even makes an appearance on opening track ‘Enlightenment’) with the raw power of mid 90s D&B, the visceral pleasure of early grime and the ominous scrape of dark ambient, Shapednoise navigates unfamiliar territory expertly.

Whether traversing beatless outworld landscapes with ’Travels in the Universe of the Soul’ or assaulting the senses with the acidic, rhythmic blast of ‘Heart Energy Shape’ there’s a sense that Shapednoise is exploring his own boundaries.

‘Different Selves’ is a challenging, unruly selection of tracks; not a deconstruction of club music, but an amplification, blowing every sound out to near cacophony. the result is truly explosive.

Enlightenment (feat. Justin K Broadrick)

Don’t be fooled by the name, Clouds are about as rough and spiky as it gets. Words like “rowdy”, “boisterous” and “ragged” have been used to describe Calum Macleod and Liam Robertson’s voluminous output together on the likes of Soma and Fifth Wall, with the unlikely Turbo shouldering most of the brunt. And since the release of their album, Ghost Systems Rave, Clouds have only gotten more gnarled and savage, as their Tannhauser Acid Works series and latest cassette release for Opal Tapes will attest. But ‘Roadslip Timemender’ could be their most formidable yet.

From a clean slate Clouds present four scuzzy techno cuts full of rattling irreverence that settle in nicely between AnD’s gun-slinging and Sawlin & Subjected’s heady, virulent soundscapes. On the A-side “Maverick Scrabble” dives straight in without pausing for breath whilst “Castres Olympique” slides around on un-oiled hinges as it layers itself up over time. Dramatic chords, rattles, bells, static noise and industrial pangs are all woven in, making this a densely packed and textural number. Then on the flip “Coast Range Arc (Tuff Stuff Hardcore)” is like a blast from some cavernous subterranean workshop fathoms below the surface, leaving “Polgate Slamen” to close things on a tough, tight and itchy tip. “Fixed Kaos Network Fee” is your digital freebee that’s big, bold and wildly unpredictable—use it well.

Digital Bonus - Clouds - Fixed Kaos Network Fee

As a motion graphics designer by day and musician by night, Dara Smith has always been fascinated by audio and visual expression. They are one and the same, he says, and as Arad he’s putting that theory into action. Particles and Waves is his second record under the moniker after Haon and unveils more a focused concept with all of his loose modus operandi in tact.

Like his work with Ian McDonnell as Lakker, Smith’s solo practice is one in perpetual flux; forever changing and redefining itself whilst drawing from a deep well of musicology. It’s directly indebted to his DJ sets, too, which cover techno in its purest form right to the very fringes of the dancefloor with brokenbeat, Gqom and Fwd influence included. It’s music written intuitively, with laissez-faire sentiment that doesn’t extended beyond the granular of the now. As a result, it cannot be defined in terms of style or structure but rather in its detailed and supremely diligent approach to sound design.

With Arad, Smith is bringing his two worlds ever closer together. It is a project born from the audio-visual intersection with exclusive artwork produced here by Smith himself in symbiosis with the music. Particles and Waves then is the first real step towards a singular Arad language that works across all of the senses.

Particles and Waves is an Electric Deluxe special LMTD edition double vinyl release, which will only be available for physical purchase through the Electric Deluxe store.

Arad - Planet Hunter

Justin K. Broadrick’s output is an intimidating one. Not because it is so incredibly raucous and dirty-sounding, for the most part. It’s just that there is so much of it. His earliest venture began, aged 15, with the recording of his first—and last—record with Napalm Death. From there he formed pioneering industrial metal group Godflesh, who released a slew of seminal albums on Earache throughout the ’90s. In the meantime he’d met Kevin Martin, AKA The Bug, and began experimenting with everything from dub and techno to hip-hop, breakbeat and rowdy ambience as Techno Animal. Together they produced four albums under the moniker, plus a collaboration with Porter Ricks, ultimately bowing out on the monolithic ‘The Brotherhood Of The Bomb’ for Matador in 2001.

In 1999 Broadrick founded Avalanche Recordings, which would serve as an outlet for some of his more expansive millennial work, namely as Final, Jesu and JK Flesh. Jesu was born from the ashes of Godflesh, a deeply genuine and emotional project that channeled all the raw anguish of his former band into more contemplative post-industrial and shoe-gazing song-structures. Final, a minimal ambient-guitar project—which actually pre-dates Godflesh—was recently picked up by Downwards, who put out the seven-track double vinyl ‘Black Dollars’ at the start of 2016. They backed ‘Nothing Is Free’ next, complete with Surgeon remix, credited this time to Broadrick’s JK Flesh guise. There’s also the somber and ethereal Pale Sketcher alias, which grew out of a remix album of Jesu material on Ghostly International.

JK Flesh debuted proper in 2012 with the album ‘Posthuman’ on 3BY3, but it’s lineage can be traced right back to Kevin “K-Mart” Martin and the pair’s psychedelic industrial techno project, The Sidewinder, which was picked up by Mille Plateaux in 1996. The studio pet-name would later become his surly alter-ego, as Broadrick explained to Resident Advisor in a 2012 interview: “Any remix I would do which had beats that were hard and involved any form of noise or sense of foreboding or threat, I would use the JK Flesh moniker. JK Flesh is the angry, hateful, disenchanted side of what I do with electronic beat-driven, bass-driven music. It’s got a lot more to boot.” And it does. There’s been the stinging ‘Worship Is The Cleansing Of The Imagination’ since, a split with Dominick Fernow as Prurient, and this year’s ‘Suicide Estate’ EP on Fernow’s own Hospital Productions. Now Electric Deluxe has the honour of bringing the next unrelenting JK Flesh album kicking and screaming into the world. Batten down the hatches and prepare for a perilous ride.

JK Flesh - Defector

Opening song on 'ARKTIKA' CD/Digital on Glacial Movements. Release October 2016.

ARKTIKA

Urals

Free digital PALE SKETCHER single on new label Heart Ache; Heartache 001.

EDLX044 - A - AnD - Non Sky Signal Noise (Justin K Broadrick as JK Flesh Reshape)

electric deluxe